A compelling international thriller that explores the terrain between erotic love and death On a warm September evening in 1953 Hans Arbogast, a young travelling salesman, picks up a hitchhiker, a refugee from East Germany. As dusk falls they make passionate love in a meadow. And then she is dead, her body found nestled against blackberry brambles. Even though the evidence is inconclusive, Arbogast is tried for murder, convicted, and sentenced to life imprisonment, all the while protesting his innocence. But Germany during the postwar years has no tolerance for scandal; all appeals are denied. For the next fourteen years he grows to inhabit his cell like a second skin, until finally a journalist, lawyer, and forensic pathologist from East Berlin set out to reexamine the evidence and have the case reopened. Inspired by an actual criminal case that caused a furor at the time, The Arbogast Case elegantly weaves dramatic courtroom scenes with detailed forensic descriptions and authentic details of the grim postwar era. The result is a compelling legal thriller in which erotic love and death are intimately intertwined, by a young German writer whose lyrical style and utter originality have brought him renown throughout Europe and is now being published in English for the first time.
Eine intellektuelle Autobiographie in zehn Begegnungen Dieses Buch ist eine Einladung: Thomas Hettche führt den Leser zu den Themen seines Lebens, indem er ihn zu Menschen mitnimmt, die ihm etwas bedeuten. Zehn Begegnungen, die ebenso viel über den Autor wie über unsere Zeit erzählen.Als kunstvoller Erzähler und kluger Essayist hat Thomas Hettche sich einen Namen gemacht. In »Totenberg«, wie der Hausberg seines Heimatortes tatsächlich heißt, erweist er sich nun als brillanter Wanderer zwischen den Welten, der radikal ehrliche autobiographische Skizzen mit theoretischen Diskursen verbindet. »Totenberg« ist ein Buch ganz unterschiedlicher Tonfälle, in dem es treffende Beschreibungen deutscher Landschaften, lebendige Porträts und scharfsinnige Auseinandersetzungen mit Positionen gibt, die den Autor beschäftigen. Mit Hans-Jürgen Syberberg spricht Hettche über die Bindung der Kunst an Landschaft, mit Christa Bürger über die Verantwortung des Intellektuellen, mit Henriette Fischer über die vergessene Ausdruckstänzerin Valeska Gert, mit Anita Albus über die Möglichkeit einer religiösen Kunst, mit Michael Klett über Ernst Jüngers Haltung und das Soldatische in unserer Gegenwart. Als Leitmotiv erweist sich dabei Hettches Gefühl der Heimatlosigkeit, das sich im leeren Koffer seiner sudetendeutschen Mutter auf dem Dachboden des hessischen Elternhauses manifestierte und sich erst in der Literatur beruhigte, die es dort nicht gab.Anschaulich, bildreich, spannend und reich an Dialogen mit überraschenden Wendungen – ein Lesegenuss!
A compelling international thriller that explores the terrain between erotic love and death On a warm September evening in 1953 Hans Arbogast, a young travelling salesman, picks up a hitchhiker, a refugee from East Germany. As dusk falls they make passionate love in a meadow. And then she is dead, her body found nestled against blackberry brambles. Even though the evidence is inconclusive, Arbogast is tried for murder, convicted, and sentenced to life imprisonment, all the while protesting his innocence. But Germany during the postwar years has no tolerance for scandal; all appeals are denied. For the next fourteen years he grows to inhabit his cell like a second skin, until finally a journalist, lawyer, and forensic pathologist from East Berlin set out to reexamine the evidence and have the case reopened. Inspired by an actual criminal case that caused a furor at the time, The Arbogast Case elegantly weaves dramatic courtroom scenes with detailed forensic descriptions and authentic details of the grim postwar era. The result is a compelling legal thriller in which erotic love and death are intimately intertwined, by a young German writer whose lyrical style and utter originality have brought him renown throughout Europe and is now being published in English for the first time.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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