Elizabeth I is one of England's most admired and celebrated rulers. She is also one of its most iconic: her image is familiar from paintings, film and television. This wide-ranging interdisciplinary collection of essays examines the origins and development of the image and myths that came to surround the Virgin Queen. The essays question the prevailing assumptions about the mythic Elizabeth and challenge the view that she was unambiguously celebrated in the literature and portraiture of the early modern era. They explain how the most familiar myths surrounding the queen developed from the concerns of her contemporaries and yet continue to reverberate today. Published to mark the 400th anniversary of the queen's death, this volume will appeal to all those with an interest in the historiography of Elizabeth's reign and Elizabethan, and Jacobean, poets, dramatists and artists.
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.
Man and the Natural World, an encyclopaedic study of man's relationship to animals and plants, is completely engrossing ... It explains everything - why we eat what we do, why we plant this and not that, why we keep pets, why we like some animals and not others, why we kill the things we kill and love the things we love ... It is often a funny book and one to read again and again' Paul Theroux, Sunday Times 'The English historian Keith Thomas has revealed modes of thought and ways of life deeply strange to us' Hilary Mantel, New York Review of Books 'A treasury of unusual historical anecdote ... a delight to read and a pleasure to own' Auberon Waugh, Sunday Telegraph 'A dense and rich work ... the return to the grass roots of our own environmental convictions is made by the most enchantingly minor paths' Ronald Blythe, Guardian
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