As the first full-length study of twentieth-century American legal academics wrestling with the problem of free will versus determinism in the context of criminal responsibility, this book deals with one of the most fundamental problems in criminal law. Thomas Andrew Green chronicles legal academic ideas from the Progressive Era critiques of free will-based (and generally retributive) theories of criminal responsibility to the midcentury acceptance of the idea of free will as necessary to a criminal law conceived of in practical moral-legal terms that need not accord with scientific fact to the late-in-century insistence on the compatibility of scientific determinism with moral and legal responsibility and with a modern version of the retributivism that the Progressives had attacked. Foregrounding scholars' language and ideas, Green invites readers to participate in reconstructing an aspect of the past that is central to attempts to work out bases for moral judgment, legal blame, and criminal punishment.
Born to an English father and a French mother, lieutenant Charles Saunders Hayden?s career is damned by his ?mixed? heritage. Assigned to the HMS Themis, an aging frigate under the command of a captain reviled by his crew for both his brutality towards his men and his cowardice in battle, Hayden is torn between honor and duty, as the British navy engages the French in a centuries-old struggle for power.
I know the trade: I learned it when I was in Wittenberg' Thus speaks Lacy, the gentleman who disguises himself as a simple shoemaker in order to win his true love, the grocer's daughter Rose. The Shoemaker's Holiday is one of the most engaging citizen comedies of the 17th century. Written and first performed at much the same time as Hamlet, it has an unexpected affinity with Shakespeare's tragedy: both feature a leading character who has spent time in Wittenberg, where he has learned something that has changed him. But whereas Hamlet's Wittenberg philosophy steers him into the realm of the individuated self, Lacy's Wittenberg trade directs him and his fellows into the world of the collectively crafted commodity. In the process, the play offers fascinating insight into the evolution of fashion and the growth of consumer culture in newly capitalist London. This new student edition contains a lengthy new Introduction with background on the author, date and sources, the play's major preoccupations, and stage history. The editor, Jonathan Gil Harris, is Professor of English at George Washington University. he is the author of Foreign Bodies and the Body Politic, Sick Economies, and Untimely Matter in the Time of Shakespeare.
The British philosopher Stephan Toulmin, in his The Uses of Argument, made the provocative claim that "logic is generalized jurisprudence". For Toulmin, logic is the study of nonns for practical argumentation and decision making. In his view, mathematical logicians were preoccupied with fonnalizing the concepts of logical necessity, consequence and contradiction, at the expense of other equally important issues, such as how to allocate the burden of proof and make rational decisions given limited resources. He also considered it a mistake to look primarily to psychology, linguistics or the cognitive sciences for answers to these fundamentally nonnative questions. Toulmin's concerns about logic, writing in the 1950's, are equally applicable to the field of Artificial Intelligence today. The mainstream of Artificial Intelligence has focused on the analytical and empirical aspects of intelligence, without giving adequate attention to the nonnative, regulative functions of knowledge representation, problem solving and decision-making. Nonnative issues should now be of even greater interest, with the shift in perspective of AI from individual to collective intelligence, in areas such as multi-agent systems, cooperative design, distributed artificial intelligence, and computer-supported cooperative work. Networked "virtual societies" of humans and software agents would also require "virtual legal systems" to fairly balance interests, resolve conflicts, and promote security.
Mammals of Africa (MoA) is a series of six volumes which describes, in detail, every currently recognized species of African land mammal. This is the first time that such extensive coverage has ever been attempted, and the volumes incorporate the very latest information and detailed discussion of the morphology, distribution, biology and evolution (including reference to fossil and molecular data) of Africa's mammals. With 1,160 species and 16 orders, Africa has the greatest diversity and abundance of mammals in the world. The reasons for this and the mechanisms behind their evolution are given special attention in the series. Each volume follows the same format, with detailed profiles of every species and higher taxa. The series includes some 660 colour illustrations by Jonathan Kingdon and his many drawings highlight details of morphology and behaviour of the species concerned. Diagrams, schematic details and line drawings of skulls and jaws are by Jonathan Kingdon and Meredith Happold. Every species also includes a detailed distribution map. Extensive references alert readers to more detailed information. Volume I: Introductory Chapters and Afrotheria (352 pages) Volume II: Primates (560 pages) Volume III: Rodents, Hares and Rabbits (784 pages) Volume IV: Hedgehogs, Shrews and Bats (800 pages) Volume V: Carnivores, Pangolins, Equids and Rhinoceroses (560 pages) Volume VI: Pigs, Hippopotamuses, Chevrotain, Giraffes, Deer and Bovids (704 pages)
This book provides a comprehensive introduction, which focuses on Morocco's history, provides a helpful synopsis of the kingdom, and is supplemented with a useful chronology of major events. Hundreds of cross-referenced dictionary entries on former rulers, current leaders, ancient capitals, significant locations, influential institutions, and crucial aspects of the economy, society, culture and religion form the core of the book. A bibliography of sources is included to promote further more specialized study.
This distinctive and contemporary departure from hackneyed discussions of political theory introduces readers to a contemporary personalism rooted in the work of Bartolome de Las Casas and emerging again in the contributions of Dorothy Day, Peter Maurin as well as the liberation theology of Gustavo Guiterrez and Jon Sobrino. Thomas R. Rourke and Rosita A. Chazarreta Rourke introduce readers to new sources of personalism by investigating and revising the intellectual history of this theory and its development.
First published in 1984, Gerald Bordman's Oxford Companion to American Theatre is the standard one-volume source on our national theatre. Critics have hailed its "wealth of authoritative information" (Back Stage), its "fascinating picture of the volatile American stage" (The Guardian), and its "well-chosen, illuminating facts" (Newsday). Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance. Accessible and authoritative, this valuable A-Z reference is ideal not only for students and scholars of theater, but everyone with a passion for the stage.
This open access book explores machine learning and its impact on how we make sense of the world. It does so by bringing together two ‘revolutions’ in a surprising analogy: the revolution of machine learning, which has placed computing on the path to artificial intelligence, and the revolution in thinking about the law that was spurred by Oliver Wendell Holmes Jr in the last two decades of the 19th century. Holmes reconceived law as prophecy based on experience, prefiguring the buzzwords of the machine learning age—prediction based on datasets. On the path to AI introduces readers to the key concepts of machine learning, discusses the potential applications and limitations of predictions generated by machines using data, and informs current debates amongst scholars, lawyers and policy makers on how it should be used and regulated wisely. Technologists will also find useful lessons learned from the last 120 years of legal grappling with accountability, explainability, and biased data.
This title was first published in 2000: The author is a legal and moral philosopher who has applied the insight and methods of Wittgenstein to a range of topics in constitutional law, criminal law and theories of justice. This collection offers his most important and influential essays, together with an introductory essay which reviews and develops his contribution to legal and moral philosophy.
The author of The Dirty Book Murder returns to the surprisingly lethal world of rare books with a second enthralling novel featuring a most unlikely hero—antiquarian bookseller Michael Bevan. Michael Bevan is barely scraping by with his used bookstore and rare book collection when he discovers a timeworn journal that may change everything. Dating back to 1768, the tattered diary appears to be a chronicle kept during the first of legendary seafarer Captain James Cook’s three epic voyages through the Pacific islands. If it’s as valuable as Mike thinks it is, its sale may just bring enough to keep his faltering used bookstore afloat for another year. Then he meets a pair of London dealers with startling news: Adrian Hart and Penelope Wilkes claim to possess the journal of Cook’s second voyage. Is it possible a third diary exists? One which might detail Cook’s explosive final voyage—and his death at the hands of native Hawaiians? Together, all three would be the holy grail of Pacific exploration. But before Mike can act, the two journals are stolen. Chasing them down will sweep Michael, Adrian, and Penelope across the globe—past a dead body or two—and into a very sinister slice of paradise. High in the Southern Alps of New Zealand, in a remote and secretive Maori compound, a secret rests in the hands in of a man daring enough to rewrite history . . . and desperate enough to kill. Praise for Left Turn at Paradise “[Left Turn at Paradise is] an entertaining and action-packed adventure reminiscent of Indiana Jones, delicately seasoned with the allure of rare old books. Bibliophiles and mystery/adventure lovers will be mesmerized by this epic tale.”—Library Journal
This insider’s account of CIA operations in the Vietnam War is “a major contribution to scholarship” on US counterinsurgency programs (John Prados, author of Lost Crusader). Vietnam Declassified is a detailed account of the CIA's effort to help South Vietnamese authorities win the loyalty of the Vietnamese peasantry and suppress the Viet Cong. Covering the CIA engagement from 1954 to mid-1972, it provides a thorough analysis of the agency and its partners. Retired CIA operative and intelligence consultant Thomas L. Ahern Jr. is the first to comprehensively document the CIA's role in the rural pacification of South Vietnam, drawing from secret archives to which he had unrestricted access. In addition to a chronology of operations, the book explores the assumptions, political values, and cultural outlooks of not only the CIA and other US government agencies, but also of the peasants, Viet Cong, and Saigon government forces competing for their loyalty. “This long-awaited volume, finally cleared for open publication and filled with fascinating detail, insider perspective, and controversial judgments, is a must-read for all students of the Vietnam War.” —Lewis Sorley, author of Westmoreland
Born in Missouri at the end of the nineteenth century, Thomas Hart Benton would become the most notorious and celebrated painter America had ever seen. The first artist to make the cover of Time, he was a true original: an heir to both the rollicking populism of his father's political family and the quiet life of his Appalachian grandfather. In his twenties, he would find his calling in New York, where he was drawn to memories of his small-town youth—and to visions of the American scene. By the mid-1930s, Benton's heroic murals were featured in galleries, statehouses, universities, and museums, and magazines commissioned him to report on the stories of the day. Yet even as the nation learned his name, he was often scorned by critics and political commentators, many of whom found him too nationalistic and his art too regressive. Even Jackson Pollock, his once devoted former student, would turn away from him in dramatic fashion. A boxer in his youth, Benton was quick to fight back, but the widespread backlash had an impact—and foreshadowed many of the artistic debates that would dominate the coming decades. In this definitive biography, Justin Wolff places Benton in the context of his tumultuous historical moment—as well as in the landscapes and cultural circles that inspired him. Thomas Hart Benton—with compelling insights into Benton's art, his philosophy, and his family history—rescues a great American artist from myth and hearsay, and provides an indelibly moving portrait of an influential, controversial, and often misunderstood man.
It befell in the days of Uther Pendragon, when he was king of all England, and so reigned, that there was a mighty duke in Cornwall that held war against him long time. And the duke was called the Duke of Tintagil. And so by means King Uther sent for this duke, charging him to bring his wife with him, for she was called a fair lady, and a passing wise, and her name was called Igraine. So when the duke and his wife were come unto the king, by the means of great lords they were accorded both. The king liked and loved this lady well, and he made them great cheer out of measure, and desired to have lain by her. But she was a passing good woman, and would not assent unto the king. And then she told the duke her husband, and said, I suppose that we were sent for that I should be dishonoured; wherefore, husband, I counsel you, that we depart from hence suddenly, that we may ride all night unto our own castle. And in like wise as she said so they departed, that neither the king nor none of his council were ware of their departing. All so soon as King Uther knew of their departing so suddenly, he was wonderly wroth. Then he called to him his privy council, and told them of the sudden departing of the duke and his wife.
Alternatives to grand opera and the popular musical can be traced at least as far back as the 1912 premiere of Schoenberg's "Pierrot Lunaire." Yet this ongoing history has never been properly sorted out, its complex ideas and philosophy as well as musical and theatrical achievements never brought fully to light. The New Music Theater is the first comprehensive attempt in English to cover this still-emerging art form in its widest range. This book provides a wealth of examples and descriptions not only of the works themselves, but of the concepts, ideas, and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world. Authors Salzman and Desi consider the subject of music theatre from a social as well as artistic point of view, exploring how theatre works in culture, and how music works in the theatre. Illuminating their discussion with illustrations from current artists and their works, The New Music Theater both describes where we have been and points the way to the future of this all-encompassing art form.
Surfers loathed them, teenagers flocked to them, critics dismissed them, producers banked on them--surf and beach movies. For a short time in the 1960s they were extremely popular with younger audiences--mainly because of the shirtless surfer boys and bikini-clad beach girls, the musical performers, and the wild surfing footage. This lavishly illustrated filmography details 32 sizzling fun-in-the-sun teenage epics from Gidget to the Beach Party movies with Frankie and Annette to The Sweet Ride plus a few offshoots in the snow!) Entries include credits, plot synopses, memorable lines, reviews and awards, and commentary from such as Aron Kincaid of The Girls on the Beach, Susan Hart of The Ghost in the Invisible Bikini, Peter Brown of Ride the Wild Surf, Chris Noel of Beach Ball, and Ed Garner of Beach Blanket Bingo. Biographies of actors and leading actresses who made their marks in the genre are included.
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