Thomas Smith has written a tour de force biography of English and Scottish Divines from the Reformation and Puritan era. The work begins with the lives of renowned English Worthies who introduced and effected the glorious Reformation from popery, and concludes with those who were unsatisfied with the Romish peculiarities of the Church of England, and were therefore denominated Non-conformists or Puritans. There are contained in this volume 132 entries of varying length which treat each of these worthies and divines with the utmost respect for their work and labors for the Lord Jesus Christ. And it should be noted that with many of them they glorified God in their death as martyrs. Here you will meet the Puritans in their context of struggle and truth for the sake of the Gospel of the Lord Jesus Christ. Also included are two introductory sections: “An Historical Sketch of the Christian Church” in three parts, and a "Short Introduction to the Lives of the Puritans." This is a major historical work, both for scope and accuracy. Among the noted entries are: Ames, Baille, Baxter, Bolton, Bradford, the Burgess' (both Anthony and Cornelius), Case, Cawdrey, Coverdale, Cotton, Fox, Gillespie, Goodman, Goodwin, Henderson, Hooker, Hooper, Janeway, Latimer, Lightfoot, Ridley, Rogers, Rutherford, Sibbes, Tyndale, Vines, and a host of others. For the Christian and student of the historical and doctrinal struggle for Reformation, there is also a convenient and helpful list of books and works by each author covered appended to the end of each memoir. “This is the best biography on the Puritans that I have ever read, or for that matter, the best biography I’ve ever read, period.” Therese B. McMahon
Lanisha Elder thought she found a diamond in the rough. Her sexy boxer beau has nine first-round knock-outs under his belt, and Lonzo put a ring on her finger, promising to never stray as he pursues his championship dreams. But it's hard to keep a roof over their heads in the meantime. Strapped for cash, Lonzo goes to work for a notorious crime boss, and trouble soon follows him to the people he loves. With her and her baby's life in danger, Nisha's not sure if she and Lonzo will make it to the final bell. Things get even more complicated when Nisha's first love returns from the war. Ellis is a handsome and decorated Marine now, and he would love to swoop in and deliver Nisha from the madness she calls life.
The kidnapping of Jeanine Nicarico from her quiet suburban home in Naperville, Illinois, and her brutal slaying sparked a public demand for justice. But as events unfolded in the authorities' long battle to execute Cruz and bring the other men to justice, evidence emerged that the defendants were innocent - and that the death penalty process in America was deeply flawed. This case began a chain reaction that led to a moratorium on the death penalty in Illinois and the clearing out of death row when George Ryan, then governor of Illinois, granted clemency to all those awaiting execution.".
PACIFIC ELDORADO PACIFIC ELDORADO A HISTORY OF GREATER CALIFORNIA California‘s rich and complex history has long been shaped by its relationship with the vast ocean along its western shores. Pacific Eldorado: A History of Greater California presents the first comprehensive text to explore the entire sweep of California‘s past in relationship to the maritime world of the Pacific Basin. Noted historian Thomas J. Osborne dispels the commonly held notion of pre-Gold Rush California as a remote and isolated backwater. He traces the evolution of America‘s most populous state from the time of prehistoric Asian seafarers and sixteenth-century Spanish explorers through to its emergence in the modern world as a region whose unmatched resources and global influence have rendered it a veritable super state — a Greater California whose history has far exceeded its geographical boundaries. Interspersed throughout the text are “Pacific Profiles,” brief chronicles of notable figures who have made an impact on the state‘s history. At once scholarly and accessible, Pacific Eldorado offers a strikingly original interpretation of the origins and evolution of an extraordinary American state.
Light on a people's forward path comes from behind - from the past. Because Cumberland Presbyterians are eager for illumination for their ongoing mission this set of books have been written. In ÒA People Called Cumberland PresbyteriansÓ three writers have endeavored to directly and effectively present the convictions, dedication and purpose that formed this Presbyterian denomination on the American frontier and have impelled it through more than 160 years to the present. The books illuminate some of the most distinctive traits of the church. Many persons and events come to life in it. Not only the better known heroes and heroines of the movement are presented, but also many of the lesser known who play colorful and significant roles, and details typical of the ongoing life of the church are here, along with accounts of the stirring hours of its history.
Playing to the Camera is the first full-length study devoted to the musical performance documentary. Its scope ranges from rock concert films to experimental video art featuring modernist music. Unlike the "music under" produced for films by unseen musicians, on-screen "live" performances show us the bodies that produce the sounds we hear. Exploring the link between moving images and musical movement as physical gesture, this volume asks why performance is so often derided as mere skill whereas composition is afforded the status of art, a question that opens onto a broader critique of attitudes regarding mental and physical labor in Western culture.--Publisher's website.
A reinterpretation of a key moment in the political history of the United States—and of the Americans who sought to decouple American ideals from US territory. Published in Cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University Most Americans know that the state of Texas was once the Republic of Texas—an independent sovereign state that existed from 1836 until its annexation by the United States in 1846. But few are aware that thousands of Americans, inspired by Texas, tried to establish additional sovereign states outside the borders of the early American republic. In Breakaway Americas, Thomas Richards, Jr., examines six such attempts and the groups that supported them: "patriots" who attempted to overthrow British rule in Canada; post-removal Cherokees in Indian Territory; Mormons first in Illinois and then the Salt Lake Valley; Anglo-American overland immigrants in both Mexican California and Oregon; and, of course, Anglo-Americans in Texas. Though their goals and methods varied, Richards argues that these groups had a common mindset: they were not expansionists. Instead, they hoped to form new, independent republics based on the "American values" that they felt were no longer recognized in the United States: land ownership, a strict racial hierarchy, and masculinity. Exposing nineteenth-century Americans' lack of allegiance to their country, which at the time was plagued with economic depression, social disorder, and increasing sectional tension, Richards points us toward a new understanding of American identity and Americans as a people untethered from the United States as a country. Through its wide focus on a diverse array of American political practices and ideologies, Breakaway Americas will appeal to anyone interested in the Jacksonian United States, US politics, American identity, and the unpredictable nature of history.
When bebop was new," writes Thomas Owens, "many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music." For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes, bebop is nothing less than "the lingua franca of jazz, serving as the principal musical language of thousands of jazz musicians." In Bebop, Owens conducts us on an insightful, loving tour through the music, players, and recordings that changed American culture. Combining vivid portraits of bebop's gigantic personalities with deft musical analysis, he ranges from the early classics of modern jazz (starting with the 1943 Onyx Club performances of Dizzy Gillespie, Max Roach, Oscar Pettiford, Don Byas, and George Wallington) through the central role of Charlie Parker, to an instrument-by-instrument look at the key players and their innovations. Illustrating his discussion with numerous musical excerpts, Owens skillfully demonstrates why bebop was so revolutionary, with fascinating glimpses of the tempestuous jazz world: Thelonious Monk, for example, did "everything 'wrong' in the sense of traditional piano technique....Because his right elbow fanned outward away from his body, he often hit the keys at an angle rather than in parallel. Sometimes he hit a single key with more than one finger, and divided single-line melodies between two hands." In addition to his discussions of individual instruments and players, Owens examines ensembles, with their sometimes volatile collaborations: in the Jazz Messengers, Benny Golson told of how his own mellow saxophone playing would get lost under Art Blakey's furious drumming: "He would do one of those famous four-bar drum rolls going into the next chorus, and I would completely disappear. He would holler over at me, 'Get up out of that hole!'" In this marvelous account, Owens comes right to the present day, with accounts of new musicians ranging from the Marsalis brothers to lesser-known masters like pianist Michel Petrucciani. Bebop is a jazz-lover's dream--a serious yet highly personal look at America's most distinctive music.
Can modern science tell us what happened to Amelia Earhart? The International Group for Historic Aircraft Recovery (TIGHAR) has spent fifteen years searching for the famous lost pilot using everything from archival research and archaeological survey to side-scan sonar and the analysis of radio wave propagation. In this spellbinding book, four of TIGHAR's scholars offer tantalizing evidence that the First Lady of the Air and her navigator Fred Noonan landed on an uninhabited tropical island but perished before they could be rescued. Do they have Amelia's shoe? Parts of her airplane? Are her bones tucked away in a hospital in Fiji? Come join their fascinating expedition and examine the evidence for yourself The new paperback edition brings the search up to the present, including tantalizing evidence of campfires and charred bones found on remote Nikumaroro. Visit the Authors' Web page for more information.
He was always elusive, on and off the stand; like his music, he was constantly moving, incessantly changing. Just as Charlie Parker stood astride the jazz world of the late 40s and 50s, so did John Coltrane in the late 50s and 60s. Trane was a giant of the saxophone and a major composer. His music also influenced rock and classical musicians, such as Roger McGuinn and David Amram. Yet he was more than a musician; there was a mystical quality, a profound melancholy that emanated from this quiet, self-contained man and moved listeners, some of whom knew little of music but heard something beyond music’s boundaries from the sounds his saxophone created. Many even had their lives changed as a result. J. C. Thomas traces John Coltrane’s life and career from his North Carolina childhood through his apprenticeship under Dizzy Gillespie, Thelonious Monk, and Miles Davis, culminating in the saxophonist’s classic quartet that played to steadily increasing audiences throughout America, England, and Japan. The author has drawn on the recollections of those who knew Coltrane best—boyhood friends, band members like Elvin Jones, spiritual mentors like Ravi Shankar, and the women who loved him. Chasin’ The Trane is the story of a man who struggled against drug addiction, studied African and Eastern music and philosophy, admired Einstein’s expanding universe and the shimmering sounds a harp makes, and left behind the enduring legacy of a master musician who was also a beautiful man.
Compiled by two experienced librarians, Across Cultures introduces you to more than 400 recent fiction and nonfiction multicultural resources for preschool through grade 6 and encourages you to make literature about diversity an integral part of your program of instruction. Arranged in thematic groupings (Identity and Self-Image, Family and Friends, Traditions, Exploring the Past in Diverse Communities, for example), this lively volume links diverse peoples, themes, and issues. It presents both annotations and practical advice on programming strategies. Connections are made to projects, graphic organizers, and activities.
On March 3, 1871, Congress established the United States Centennial Commission, charged with “an International Exhibition of Arts, Manufactures, and Products of the Soil and Mine.” Philadelphia was chosen as the site of the Centennial Exhibition. On June 5, 1874, President Grant extended invitations to the governments of the world to participate in the Exhibition. All thirty-nine nations accepted. This was a six-month international event, running from May 1876 to November 1876. The Centennial Exhibition attracted over ten million visitors. It was a showcase of American ingenuity and inventions. Typewriters, telephones, and steam pistons as well as art were displayed. The invited countries displayed their own national products and art. The Turkey delegation brought its crown jewels. While City Council argued about final funding for City Hall, the population and visitors celebrated. American women could not vote. Discrimination and persecution against African Americans was prevalent. Regardless, people met, fell in love, and committed crimes.
The 526 documents printed in this volume run from 28 November 1813 to 30 September 1814. During this period Jefferson reviews the extant sources on the 1765 Stamp Act crisis to aid William Wirt, a Patrick Henry scholar; records his largely positive impressions of George Washington; and updates a reading list for law students that he had initially drawn up forty years earlier. In the spring of 1814 Jefferson becomes a trustee of the Albemarle Academy, the earliest direct ancestor of the University of Virginia. He is soon actively involved in planning for its establishment, helping to draft rules for governance of the academy's trustees and propose funding options, and he lays out an expansive vision for its future as an institution of higher learning. Jefferson also exchanges ideas on collegiate education with such respected scholars as Thomas Cooper and José Corrêa da Serra. Jefferson's wide-ranging correspondence includes a temperate response to a lengthy letter from Miles King urging the retired president to reflect on his personal religion, and a diplomatic but noncommittal reply to a proposal by Edward Coles that the author of the Declaration of Independence employ his prestige to help abolish slavery. Having learned of the British destruction late in August 1814 of the public buildings in Washington, Jefferson offers his massive book collection as a replacement for the Library of Congress. The nucleus for one of the world's great public libraries is formed early in 1815 when the nation purchases Jefferson's 6,707 volumes. Some images inside the book are unavailable due to digital copyright restrictions.
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