When your friends call on you to take to the streets and demand the fall of the regime, this presses a practical predicament that we all address, often implicitly, in our everyday lives: is this regime legitimate? Facing Authority investigates the ways in which this question of legitimacy can be addressed in theory and practice, in the face of disagreement and uncertainty. Instead of asking "what makes authorities legitimate?" in the abstract, it examines how the question of legitimacy manifests itself in practice. How can we distinguish whether a regime is legitimate, or merely purports to be so? And what does it mean to do this well? Facing Authority proposes that judging legitimacy is not a matter of applying moral knowledge, provided by political philosophy, but of engaging in various forms of political contestation-contestation over the representation of power (what is the nature of the regime?), collective selfhood (who am I, and who are we?), and the meaning of events (what happened here-a coup, or a revolution?). These questions constitute the heart of the question of legitimacy, but thus far they have been neglected by theorists of legitimacy. This book offers a new way of thinking about political legitimacy and practical judgment, interweaving philosophical analyses of key concepts (including representation, identity, and temporality) with concrete examples of struggles for legitimacy, from the German Autumn to the Arab Spring. The result is a pragmatist alternative to predominant moralist and realist approaches to legitimacy in political philosophy"--
The most studied of Thomas Heywood's plays, A Woman Killed With Kindness explores the boundaries of marital punishment and the moral weight of mercy. This major new edition of this startling domestic tragedy offers the standard, depth and range associated with all Arden editions. The on-page commentary notes explain the language, references and staging issues posed by the text while the lengthy, illustrated introduction offers a lively overview of the play's historical, performance and critical contexts. This is the ideal edition for study and performance.
In Bashan and I (sometime referred to as Man and Dog), Thomas Mann, the Nobel Prize-winning author of The Magic Mountain and Death in Venice, writes in the most remarkable way of the unique relation that links a dog with his master. These memoirs read as a novel, and describe in fierce detail the behavior, feelings and psychology of Mann’s dog Bashan, and of Mann himself. Mann tells how he acquired Bashan, details traits of his character, and describes how they go on harmless and bucolic hunts. Written in 1918 at the end of the First World War, Bashan and I is an ode to life, to nature, to simple joys, and to a dog.
Bashan and I is the moving story of Thomas Mann's relationship with his spirited German short-haired pointer. From their first encounter at a local farm, Mann reveals how he slowly grows to love this energetic, loyal, and intelligent animal. Taking daily walks in the nearby parkland, Mann begins to understand and appreciate Bashan as a living being, witnessing his native delight in chasing rabbits, deer, and squirrels along with his careful investigations of stones, fallen branches, and clumps of wet leaves. As their bond deepens, Mann is led to contemplate Bashan's inner life, and marvels at the ease with which his dog trusts him, completely putting his life into his master's hands. Over time, the two develop a deep mutual understanding, but for Mann, there is always a sense of loss at never being able to enter the private world of his dear friend, and he slowly becomes conscious of the eternal divide between mankind and the rest of nature. Nonetheless, the unique relationship quietly moves to the forefront of Mann's life, and when master and companion are briefly separated, Mann is taken aback by the depth of his loneliness without his dog. It is this deep affection for another living creature that helps the writer to reach a newfound understanding of the nature of love, in all its complexity. First published in 1916 and translated into English in 1923, Bashan and I was heralded for its simple telling of how a dog became a priceless companion, an animal who brought meaning to the author's life.
DIVAn author's infatuation with a handsome youth has fatal consequences in Death in Venice. A Man and His Dog is a charming essay about Mann's canine companion. Excellent English translations by Appelbaum. /div
This critical edition of Thomas Mann’s 1912 German modernist novella reprints the widely praised translation by David Luke together with critical essays that approach the work from 5 contemporary critical perspectives and highly praised editorial apparatus that introduces students to the novel and the perspectives.
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