Elegant, exuberant, and idiosyncratic, Acting My Age is a memoir and meditation by one of America’s most playful and inventive writers. In the words of Mary Mackey (The Jaguars That Prowl Our Dreams), “in Acting My Age, Thomas Farber gives us an unflinching, luminous, cleverly conceived meditation on his own mortality as well as on the extinction of the coral reefs, snow leopards, dolphins, and, ultimately the human species. Couching his observations in a series of short, interconnected, almost-epigrammatic essays that read like prose poems, Farber creates a narrative style reminiscent of Joyce and Melville: oceanic in depth and all-encompassing in range.” Gerald Fleming (The Choreographer) calls Acting My Age “a praise song, an exultation in the beauties and brutalities of being human. Though Thomas Farber is wide-eyed at the miracle of our existence, his prose details both the collapse of species and ultimate trajectory of our aging bodies. This polymathic dive into a writer’s remaining time—into the life of the earth, the sea, and meaning itself—is no mere memoir, but an elegant, instructive page-after-page of language-love.” Robert Roper (Nabokov in America: On the Road to Lolita) adds: “Tom Farber is always good company, and his ‘late writings’ are more and more indispensable, full of comfort for the perplexed, rich in learning, humorous, masculine and tender, evoking large sensations and vast views; a reader thinks of Montaigne, Whitman, and other of the great truth-tellers, modest of tone, intimate in approach, friends bringing deep gifts.”
Thomas Farber's works of fiction, creative nonfiction, and the epigrammatic reveal him as a writer charting the voyage of his generation with luminous, scrupulous integrity. Anatomist, ironist, and moralist, he achieves large effects with deceptively simple means. Such elegant economy, unsentimental but deeply compassionate, compels us to recognize these lives-in and out of love-as our own. The stories selected here, with an introduction by the author, are from Who Wrote the Book of Love? (1977), Hazards to the Human Heart (1980), and Learning to Love It (1993).
Tom Murphy, and his family, lived in Buffalo NY. At various times he was employed as a landscaper, appliance salesman, insurance agent, real estate developer, and civil servant. He worked for, and with, some of Buffalo's most noted, and controversial business and political figures, including Joseph N Desmon, Harold Farber, Robert J Bradley, Philip B Schwab, Edward H Cottrell, as well as Frank Sedita, Stanley Makowski and Jimmy Griffin. Murphy loved each and every job, and yet he always found time to laugh and to play with friends and family.
Elegant, exuberant, and idiosyncratic, Acting My Age is a memoir and meditation by one of America’s most playful and inventive writers. In the words of Mary Mackey (The Jaguars That Prowl Our Dreams), “in Acting My Age, Thomas Farber gives us an unflinching, luminous, cleverly conceived meditation on his own mortality as well as on the extinction of the coral reefs, snow leopards, dolphins, and, ultimately the human species. Couching his observations in a series of short, interconnected, almost-epigrammatic essays that read like prose poems, Farber creates a narrative style reminiscent of Joyce and Melville: oceanic in depth and all-encompassing in range.” Gerald Fleming (The Choreographer) calls Acting My Age “a praise song, an exultation in the beauties and brutalities of being human. Though Thomas Farber is wide-eyed at the miracle of our existence, his prose details both the collapse of species and ultimate trajectory of our aging bodies. This polymathic dive into a writer’s remaining time—into the life of the earth, the sea, and meaning itself—is no mere memoir, but an elegant, instructive page-after-page of language-love.” Robert Roper (Nabokov in America: On the Road to Lolita) adds: “Tom Farber is always good company, and his ‘late writings’ are more and more indispensable, full of comfort for the perplexed, rich in learning, humorous, masculine and tender, evoking large sensations and vast views; a reader thinks of Montaigne, Whitman, and other of the great truth-tellers, modest of tone, intimate in approach, friends bringing deep gifts.”
To address the growing complexities of childhood cancer, Nathan and Oski’s Hematology and Oncology of Infancy and Childhood has now been separated into two distinct volumes. With this volume devoted strictly to pediatric oncology, and another to pediatric hematology, you will be on the cutting edge of these two fields. This exciting new, full-color reference provides you with the most comprehensive, authoritative, up-to-date information for diagnosing and treating children with cancer. It brings together the pathophysiology of disease with detailed clinical guidance on diagnosis and management for the full range of childhood cancers, including aspects important in optimal supportive care. Written by the leading names in pediatric oncology, this resource is an essential tool for all who care for pediatric cancer patients. Offers comprehensive coverage of all pediatric cancers, including less common tumors, making this the most complete guide to pediatric cancer. Covers emerging research developments in cancer biology and therapeutics, both globally and in specific pediatric tumors. Includes a section on supportive care in pediatric oncology, written by authors who represent the critical subdisciplines involved in this important aspect of pediatric oncology. Uses many boxes, graphs, and tables to highlight complex clinical diagnostic and management guidelines. Presents a full-color design that includes clear illustrative examples of the relevant pathology and clinical issues, for quick access to the answers you need. Incorporates the codified WHO classification for all lymphomas and leukemias.
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