This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The hunt is on! It is 1688 and the Aurora is still sailing under cover, searching for the real pirate king, Jack Steele. Young Davy Shea is a full member of the crew now, helping his uncle in the ship's surgery whenever casualties arrive. And there are many casualties. Captain Hunter has become obsessed in his search for Steele, because the pirate has taken to plundering ships and small isolated towns in a devastating manner...and leaving behind a calling card indicating it is the work of Captain Hunter! Now the crew of the Aurora will have to make allies from enemies and beard the pirate in his den, for the deadly Red Queen has put in to port and Hunter will let nothing stop his final showdown!
Safe Harbor? Five months into their undercover search for the pirate Jack Steele, Captain Hunter and the Aurora head for the island of Tortuga to put in for repairs after a battle with a deadly Spanish ship. Davy Shea, now fifteen years old and accepted by the Aurora's crew, continues to help his uncle Patch in the ship's surgery, but Captain Hunter has a special mission for him. The Captain has learned that captured British officers are being held on the island for ransom from the Crown, and he is determined to rescue those officers, even risking the Aurora's cover. As a servant boy, Davy can easily pass among the various pirate groups thriving on Tortuga. But as Davy begins to uncover the many secrets and deceptions that shroud this beautiful island, he soon realizes that more is at stake than the lives of a few captured officers. A plan is in the works that will force the pirate hunters on the Aurora to make new alliances...and bring them face to face with former enemies.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
After several burglary attempts occur at the bookstore where he is working for the summer, Joe and Wishbone decide to investigate and discover that some of the most important clues to the mystery are in the books themselves.
While helping Gladys Glendower fix up the old Moonlight Drive-In, Wishbone and his friends try to discover who is responsible for the series of mysterious fires that threaten to destroy the old theater.
A reprint of the 1941 novel by Newton G. Thomas, The Long Winter Ends tells the story of a year in the life of a young emigrant miner who leaves Cornwall in the southwest of England to work in the copper mines of Michigan's Upper Peninsula. Through Jim's story, The Long Winter Ends offers a glimpse into the lives of an often neglected emigrant group that played an important role in the development of the Great Lake and American mining industries since the 1840s. Drawing on his own experiences as a young Cornish immigrant in the mining communities of the Upper Peninsula, Thomas incorporated firsthand knowledge of the work routines and vocabulary of underground mining into this novel. With an introduction providing information about the cultural history of the Cornish, this narrative traces the Cornish emigrant experience from the failure of the mines in Cornwall, their hopes to preserve Cornish traditions in America, and then finally the acceptance of a future in America.
The 618 documents in this volume span 1 September 1819 to 31 May 1820. Jefferson suffers from a “colic,” recovery from which requires extensive rest and medication. He spends much time dealing with the immediate effects of the $20,000 addition to his debts resulting from his endorsement of notes for the bankrupt Wilson Cary Nicholas. Jefferson begins to correspond with his carpenter, the enslaved John Hemmings, as Hemmings undertakes maintenance and construction work at Poplar Forest. Jefferson and his allies in the state legislature obtain authorization for a $60,000 loan for the fledgling University of Virginia, the need for which becomes painfully clear when university workmen complain that they have not been paid during seven months of construction work. In the spring of 1820, following congressional discussion leading to the Missouri Compromise, Jefferson writes that the debate, “like a fire bell in the night, awakened and filled me with terror,” and that with regard to slavery, Americans have “the wolf by the ear, and we can neither hold him, nor safely let him go.”
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