ÒWhat does it mean to be lonely?Ó Thomas Dumm asks. His inquiry, documented in this book, takes us beyond social circumstances and into the deeper forces that shape our very existence as modern individuals. The modern individual, Dumm suggests, is fundamentally a lonely self. Through reflections on philosophy, political theory, literature, and tragic drama, he proceeds to illuminate a hidden dimension of the human condition. His book shows how loneliness shapes the contemporary division between public and private, our inability to live with each other honestly and in comity, the estranged forms that our intimate relationships assume, and the weakness of our common bonds. A reading of the relationship between Cordelia and her father in ShakespeareÕs King Lear points to the most basic dynamic of modern lonelinessÑhow it is a response to the problem of the Òmissing mother.Ó Dumm goes on to explore the most important dimensions of lonely experienceÑBeing, Having, Loving, and Grieving. As the book unfolds, he juxtaposes new interpretations of iconic cultural textsÑMoby-Dick, Death of a Salesman, the film Paris, Texas, EmersonÕs ÒExperience,Ó to name a fewÑwith his own experiences of loneliness, as a son, as a father, and as a grieving husband and widower. Written with deceptive simplicity, Loneliness as a Way of Life is something rareÑan intellectual study that is passionately personal. It challenges us, not to overcome our loneliness, but to learn how to re-inhabit it in a better way. To fail to do so, this book reveals, will only intensify the power that it holds over us.
This edition of a 1995 book (Sage Publications) contains a new introduction by the series editor and a new preface. Readers familiar with Foucault's work will appreciate the difficulty in critically studying its arresting paradoxical nature. Dumm (political science, Amherst College) negotiates the problem by creating a thematic framework--the idea of being "free" in a modern Western capitalist democracy--and examining it through a Foucaultian lens. He focuses on the politics of freedom, negative freedom, the disciplinary society, ethics, seduction, governments, and provides an enlightening companion to Foucault's postmodern philosophy. Annotation copyrighted by Book News, Inc., Portland, OR
In My Father's House, the political philosopher Thomas Dumm explores a series of stark and melancholy paintings by the American artist Will Barnet. Responding to the physical and mental decline of his sister Eva, who lived alone in the family home in Beverly, Massachusetts, Barnet began work in 1990 on what became a series of nine paintings depicting Eva and other family members, as they once were and as they figured in the artist's memory. Rendered in Barnet's signature quiet, abstract style, the paintings, each featured in full color, present the ordinary and extraordinary aspects of a twentieth-century American family. Dumm first became acquainted with Barnet and his paintings in 2008. Given his scholarly focus on the lives of ordinary people, he was immediately attracted to the artist's work. When they met, Dumm and Barnet began a friendship and dialogue that lasted until the painter's death in 2012, at the age of 101. This book reflects the many discussions the two had concerning the series of paintings, Barnet's family, his early life in Beverly, and his eighty-year career as a prominent New York artist. Reading the almost gothic paintings in conversation with the writers and thinkers key to both his and Barnet's thinking—Emerson, Spinoza, Dickinson, Benjamin, Cavell, Nietzsche, Melville—Dumm's haunting meditations evoke broader reflections on family, mortality, the uncanny, and the loss that comes with remembrance.
In A Politics of the Ordinary, Thomas Dumm dramatizes how everyday life in the United States intersects with and is influenced by the power of events, on the one hand, and forces of conformity and normalcy on the other. Combining poststructuralist analysis with a sympathetic reading of a strain of American thought that begins with Emerson and culminates in the work of Stanley Cavell, A Politics of the Ordinary investigates incidents from everyday life, political spectacles, and popular culture. Whether juxtaposing reflections about boredom in rural New Mexico with Emerson's theory of constitutional amendment, Richard Nixon's letter of resignation with Thoreau's writings to overcome quiet desperation, or demonstrating how Disney's Toy Story allegorizes the downsizing of the American white-collar work force, Dumm's constant concern is to show how the ordinary is the primary source of the democratic political imagination.
Americans encounter their homes in ways comforting and haunting: as an imagined refuge or a place of mastery and domination, a destination or a place to escape. Drawing on literature, personal experience, and the histories of slavery, incarceration, and homesteading, Thomas Dumm offers a meditation on the richness and poverty of the idea of home.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Americans encounter their homes in ways comforting and haunting: as an imagined refuge or a place of mastery and domination, a destination or a place to escape. Drawing on literature, personal experience, and the histories of slavery, incarceration, and homesteading, Thomas Dumm offers a meditation on the richness and poverty of the idea of home.
In this volume, Tierney identifies convenience as the value of central importance to the development of modern technical culture. While revealing modern attitudes toward technology, the human body, mortality, and necessity, Tierney focuses on the cultural value of convenience and on modern attitudes which emphasize consumption rather than production of technology.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Challenging Genres: Comic Books and Graphic Novels offers educators, students, parents, and comic book readers and collectors a comprehensive exploration of comics/graphic novels as a challenging genre/medium.
Three heartwarming tales of old friends and new beginnings that span one year in an Amish community. A Change of Heart by Beth Wiseman Leah is no good at cooking, cleaning, sewing, gardening—the skills that young women need to make a proper Amish wife. All she wants to do is write stories, but she's sincerely tired of being a disappointment. Will she ever find someone who accepts her just as she is? And can an almost-Amish angel in red polka dots help her find her way? A Place of His Own by Kathleen Fuller When Josiah left Paradise the first time, he didn't even say good-bye. Now he's back, ten years later, and he's changed. Why is he so distant and bitter? Where is the boy who used to be Amanda's best friend? Amanda is learning that there are things even a capable Amish girl can't fix. But can she stand there and watch him walk away . . . again? When Winter Comes by Barbara Cameron It's been too long since Rebecca has done what she loves—put on her skates and fly across the ice. Five years have passed since a winter accident took her twin Lizzie and left Rebecca heartbroken. And Ben has waited for her all that time. At last she's starting to heal. But has too much time passed for their hearts to reconnect?
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