This book presents the diary of Captain Thomas Douglas Whitcombe, a young English gunnery officer who in 1827 participated as a volunteer in an expedition to relieve the Turkish siege of the Acropolis of Athens. Covering the period from winter 1826 to late summer 1827, the journal gives an eyewitness account of the actions of the Greek Army and its corps of European volunteers, including those known as the Philhellenes, and a view of the culture and society of Greece in the early 19th century. An introduction provides historical background for the Greek Revolution, a comparative analysis of existing published accounts of the 1827 expedition, and notes on the author and his manuscript. Three appendixes complement the journal, they present details of Whitcombe's family, the recollections of Whitcombe's daughter (with notes by Eliot), and biographical sketches of the European volunteers who served in the 1827 campaign.
This book presents the diary of Captain Thomas Douglas Whitcombe, a young English gunnery officer who in 1827 participated as a volunteer in an expedition to relieve the Turkish siege of the Acropolis of Athens. Covering the period from winter 1826 to late summer 1827, the journal gives an eyewitness account of the actions of the Greek Army and its corps of European volunteers, including those known as the Philhellenes, and a view of the culture and society of Greece in the early 19th century. An introduction provides historical background for the Greek Revolution, a comparative analysis of existing published accounts of the 1827 expedition, and notes on the author and his manuscript. Three appendixes complement the journal, they present details of Whitcombe's family, the recollections of Whitcombe's daughter (with notes by Eliot), and biographical sketches of the European volunteers who served in the 1827 campaign.
An award-winning scholar explores the sixty-thousand-year history of the Pacific islands in this dazzling, deeply researched account. One of the Best Books of 2021 — Wall Street Journal The islands of Polynesia, Melanesia, and Micronesia stretch across a huge expanse of ocean and encompass a multitude of different peoples. Starting with Captain James Cook, the earliest European explorers to visit the Pacific were astounded and perplexed to find populations thriving thousands of miles from continents. Who were these people? From where did they come? And how were they able to reach islands dispersed over such vast tracts of ocean? In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas from late prehistory onward. Drawing on the latest research, including insights gained from genetics, linguistics, and archaeology, Thomas provides a dazzling account of these long-distance migrations, the seagoing technologies that enabled them, and the societies they left in their wake.
America is a nation of ardent, knowledgeable birdwatchers. But how did it become so? And what role did the field guide play in our passion for spotting, watching, and describing birds? In the Field, Among the Feathered tells the history of field guides to birds in America from the Victorian era to the present, relating changes in the guides to shifts in science, the craft of field identification, and new technologies for the mass reproduction of images. Drawing on his experience as a passionate birder and on a wealth of archival research, Thomas Dunlap shows how the twin pursuits of recreation and conservation have inspired birders and how field guides have served as the preferred method of informal education about nature for well over a century. The book begins with the first generation of late 19th-century birdwatchers who built the hobby when opera glasses were often the best available optics and bird identification was sketchy at best. As America became increasingly urban, birding became more attractive, and with Roger Tory Peterson's first field guide in 1934, birding grew in both popularity and accuracy. By the 1960s recreational birders were attaining new levels of expertise, even as the environmental movement made birding's other pole, conservation, a matter of human health and planetary survival. Dunlap concludes by showing how recreation and conservation have reached a new balance in the last 40 years, as scientists have increasingly turned to amateurs, whose expertise had been honed by the new guides, to gather the data they need to support habitat preservation. Putting nature lovers and citizen-activists at the heart of his work, Thomas Dunlap offers an entertaining history of America's long-standing love affair with birds, and with the books that have guided and informed their enthusiasm.
This book is a comparative history of the development of ideas about nature, particularly of the importance of native nature in the Anglo settler countries of the United States, Canada, Australia, and New Zealand. It examines the development of natural history, settlers' adaptations to the end of expansion, scientists' shift from natural history to ecology, and the rise of environmentalism. Addressing not only scientific knowledge but also popular issues from hunting to landscape painting, this book explores the ways in which English-speaking settlers looked at nature in their new lands.
The whole problem of our time is the problem of love. How are we going to recover the ability to love ourselves and to love one another? We cannot be at peace with others because we are not at peace with ourselves, and we cannot be at peace with ourselves because we are not at peace with God. There is a distinction between a contrite sense of sin and a feeling of guilt. The former is a true and healthy thing, the latter tends to be false and pathological. The man who suffers from a sense of guilt does not want to feel guilty, but at the same time he does not want to be innocent. He wants to do what he thinks he must not do, without the pain of worrying about the consequences. The history of our time has been made by dictators whose characters, often transparently easy to read, have been full of repressed guilt. They have managed to enlist the support of masses of men moved by the same repressed drives as themselves. Modern dictatorships display everywhere a deliberate and calculated hatred for human nature as such. The technique of degradation used in concentration camps and in staged trials are all too familiar in our time. They have one purpose: to defile the human person.
Stanley Kubrick ranks among the most important American film makers of his generation, but his work is often misunderstood because it is widely diverse in subject matter and seems to lack thematic and tonal consistency. Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the "aesthetics of contingency." After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining. For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into—and out of—Stanley Kubrick's cinematic maze.
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