This book provides encouragement and guidance to anyone seeking improvement and achievement in their lives. In addition to true stories from his own life, Brooks provides quotes and examples of the principles in action in the lives of famous individuals. Applying these principles will help one to achieve happiness and success.
This is a very scarce book of quotes from the writings and sermons of that great Puritan Thomas Brooks which were compiled by Charles Spurgeon, a great lover of the Puritans. In his preface to the book, Spurgeon wrote: "As a writer, Brooks scatters stars with both his hands. He has dust of gold: in his storehouse are all manner of precious stones. Genius is always marvelous, but when sanctified it is matchless." Here's one "stone" from the Brook: "There is no such way to attain to greater measures of grace than for a man to live up to that little grace he has.
Daniel Burnham was the man who is largely responsible for the appearance of Chicago today, particularly the lake front parks. With his partner, John W. Root, he designed and built the first skyscrapers and the World's Columbian Exposition.--Publisher description.
American History volume 1 surveys the broad sweep of American history from the first Native American societies to the end of the Reconstruction period, following the Civil War. Drawing on a deep range of research and years of classroom teaching experience, Thomas S. Kidd offers students an engaging overview of the first half of American history. The volume features illuminating stories of people from well-known presidents and generals, to lesser-known men and women who struggled under slavery and other forms of oppression to make their place in American life. The role of Christianity in America is central in this book. Americans’ faith sometimes inspired awakenings and the search for an equitable society, but at other times it justified violence and inequality. Students will come away from American History volume 1 better prepared to grapple with the challenges presented by the history of America’s founding, the problem of slavery, and our nation’s political tradition.
Hopeful Hearts and Butterfly Blessings By: Karen Thomas Wisdom In Hopeful Hearts and Butterfly Blessings, Karen shares her experiences with her first-born son, Brooks, who was born with a congenital heart defect. It’s a story of Brook’s eighteen-year struggle through the surgeries and post-surgical complications that eventually took his life. Her sole mission through those eighteen years was to ease his pain and discomfort and to make him feel loved and cared for. Because of her deep faith in God, He allowed her to see there are miracles even in the grimmest circumstances; that good can come from bad; and there is always light at the end of the tunnel. She shares ideas on what helped her to move forward on her grieving journey. Though Karen’s story doesn’t have the happy ending she so fervently prayed for, it is, nevertheless, a story of faith, hope and love. She tells her story so that it can provide support for others living with the same type of trials. Through our everyday pains and struggles, when our prayers aren’t getting answered in the way we think they should be, it is her hope that we can still see the many blessings that God is giving us. He is with us not just in our joys, but also in our sufferings.
Parnassus on the Mississippi is a history of the short-lived yet remarkable productive epoch when, in the words of C. Vann Woodward, “the center of the avant-garde of American literary criticism shifted temporarily to the banks of the Mississippi at Baton Rouge.” Beginning with the establishment of the Southern Review at Louisiana State University in 1935, Baton Rouge became the home not only to a brand of criticism that would reshape the teaching of literature in America but also to a community of scholars and artists that included Cleanth Brooks, Robert Penn Warren, Katherine Anne Porter, Robert Lowell, Jean Stafford, and Peter Taylor. Thomas Cutrer chronicles how the Southern Review, created in the midst of the Depression by the largess of Louisiana governor Huey P. Long, quickly rose to the position of the finest American literary journal of its day. Under the joint editorship of Cleanth Brooks and Robert Penn Warren, the journal published criticism, poetry, and short fiction by writers as eminent as R.P. Blackmur, Kenneth Burke, T.S. Elliot, and Wallace Stevens. The editors also encouraged and published works by such young talented, and at the time unknown writers as Nelson Algren, Randall Jarrell, Mary McCarthy, and Eudora Welty. During these same years, Brooks and Warren collaborated on three textbooks—An Approach to Literature, Understanding Poetry, and Understanding Fiction—which would revolutionize college English by emphasizing the study of a literary work itself, in concrete and precise terms, over the study of the biographical, historical, and moral issues surrounding it. Brooks also wrote his influential critical works Modern Poetry and Tradition and The Well Wrought Urn, while Warren wrote two novels and some of his finest poems and stories, and absorbed material from the political tumult around him for the work that would later become All the King’s Men. The stature of the Southern Review and the vitality of the literary community that it spawned were both, to a great extent, born of the dedication and creativity of Books and Warren, but in other very tangible ways, they were also by-products of the ambition of Huey Long; ironically, it was the actions of one of the assassinated governor’s loyalists that brought an end to Baton Rouge’s time as a Parnassus. After a financial scandal rocked the university, a reform administration was appointed which, in its zeal to curb a runaway budget, stopped the funding for the review. Soon after, Brooks and Warren both left the faculty. The Southern Review itself would lie dormant until its revival two decades later.
Arkansas: A Narrative History is a comprehensive history of the state that has been invaluable to students and the general public since its original publication. Four distinguished scholars cover prehistoric Arkansas, the colonial period, and the nineteenth and twentieth centuries and incorporate the newest historiography to bring the book up to date for 2012. A new chapter on Arkansas geography, new material on the civil rights movement and the struggle over integration, and an examination of the state’s transition from a colonial economic model to participation in the global political economy are included. Maps are also dramatically enhanced, and supplemental teaching materials are available. “No less than the first edition, this revision of Arkansas: A Narrative History is a compelling introduction for those who know little about the state and an insightful survey for others who wish to enrich their acquaintance with the Arkansas past.” —Ben Johnson, from the Foreword
In this combined edition, the full content of volumes 1 and 2 of Thomas Kidd’s American History are brought together in a single, accessible textbook. This sweeping narrative spans the full scope of American history from the first Native American societies to the political and cultural struggles of contemporary times. In clear, readable prose, and with attention to well-known and more obscure figures from American history, Kidd gives a robust account of the events, people, and ideas that gave shape to our nation. Students will come away from American History well-informed, and better prepared to wrestle with the political and cultural changes that have dramatically transformed contemporary American life. Praise for American History “Thomas Kidd has succeeded well in providing a high quality American history text that integrates the usual political and social history with its religious dimensions.” —George Marsden, professor of history emeritus, University of Notre Dame “Thomas Kidd explores the entirety of American history in this carefully researched and clearly written text. It is an ideal book for students new to American history as well as for older readers who would like a sprightly, objective, and discerning refresher.” —Mark Noll, professor of history emeritus, University of Notre Dame, and research professor of history, Regent College
Washtenaw County has enjoyed low crime rates, but extraordinary criminal acts occasionally pierced its calm and quiet. A strange bank robbery at Dexter in 1894 and the 1897 murder of James Richards raised concerns. In 1937, the McHenry family suffered a terrible tragedy but found room in their hearts to forgive. After the murder of Eleanor Farver in 1970, detectives searching for suspect John Edward Burns probed his background, seeking clues to where he fled. They discovered John Edward Burns never existed. Attorney Peter Kensler was shockingly murdered in front of his home near Manchester with two shotgun blasts to the face. The case has never been solved. Local historian James Thomas Mann leads a tour into some of the darkest corners of Washtenaw County's past.
When Arkansas seceded from the Union in 1861, it was a thriving state. But the Civil War and Reconstruction left it reeling, impoverished, and so deeply divided that it never regained the level of prosperity it had previously enjoyed. Although most of the major battles of the war occurred elsewhere, Arkansas was critical to the Confederate war effort in the vast Trans-Mississippi region, and Arkansas soldiers served—some for the Union and more for the Confederacy—in every major theater of the war. And the war within the state was devastating. Union troops occupied various areas, citizens suffered greatly from the war's economic disruption, and guerilla conflict and factional tensions left a bitter legacy. Reconstruction was in many ways a continuation of the war as the prewar elite fought to regain economic and political power. In this, the fourth volume in the Histories of Arkansas series, Thomas DeBlack not only describes the major players and events in this dramatic and painful story, but also explores the experiences of ordinary people. Although the historical evidence is complex—and much of the secondary literature is extraordinarily partisan—DeBlack offers a balanced, vivid overview of the state's most tumultuous period.
In Friends in High Places, historical theologian Tom Shepherd takes you journeying through time to meet your long-lost relatives of the Western religious heritage. Mystics like Pseudo-Dionysius, John Scotus Erigena, Meister Eckhart and the first Quaker, George Fox. Deep thinkers like Philo Judaeus, Origen of Alexandria and pagan martyr Hypatia. Sunny optimists like Pelagius, who lost his argument with St. Augustine over the goodness of humanity only after the fall of Rome rattled the ancient world and made positive thinking seem positively naïve. Shepherd introduces an impressive entourage of mystics and metaphysical thinkers--to include Ralph Waldo Emerson, Mary Baker Eddy, Emma Curtis Hopkins, Paul Tillich, and Teilhard de Chardin--and gives the reader a taste of their writings. Just a sampler, not a full course meal. You'll find such delight in these brief profiles, you'll come away refreshed and ready to tackle life in the modern world.
Forensic Odontology: Principles and Practice details the aspects necessary to become an accomplished forensic odontologist, including an illustration of the skills necessary to become an expert witness. The book is ideal for both the experienced and novice forensic odontologist, covering many fields of expertise, including civil and criminal matters. The civil side involves standard of care and personal injury matters, while the criminal side involves not only dental identification, but management of mass fatality incidents, age assessment, child and elder abuse, and bitemark analysis. - Provides a comprehensive review of forensic odontology, including the skills necessary to become a competent expert witness - Covers the fields of forensic odontology, the basic skills, legal aspects, legal precedents, report writing and expert witness testimony - Includes numerous illustrations, including charts and graphs, along with B&W and color images
New York Intellect is Thomas Bender's remarkable look at the connections between the life of a city and the life of the mind. New York has never been comfortable or convenient as a milieu for art and intellect, Bender notes. Yet New Yorkers have always struggled to create institutions and styles of thought and writing that reflect the special character of the city, its boundless energies and deep divisions.
Traces the history of bribery from ancient Egypt to ABSCAM, examines changing perceptions of bribery, and discusses the legal, ethical and religious injunctions against bribes
Contemporary Futurist Thought describes recent thinking about the future, dealing with both the hopes and the fears expressed in modern times concerning what potentially lies ahead. There are many such hopes and fears perhaps an overpowering number, competing with each other and swirling about in the collective mind of humanity. Psychologist and futurist Tom Lombardo describes this mental universe of inspiring dreams and threatening premonitions regarding the future. The book begins with an in-depth examination of the highly influential literary genre of science fiction, which Dr. Lombardo identifies as the mythology of the future. He next describes the modern academic discipline of future studies which attempts to apply scientific methods and principles to an understanding of the future. Social and technological trends in the twentieth century are then reviewed, setting the stage for an analysis of the great contemporary transformation occurring in our present world. Given the powerful and pervasive changes taking place across the globe and throughout all aspects of human life, the questions arise: Where are we potentially heading and, perhaps more importantly, where should we be heading? The final chapter provides an extensive review of different answers to these questions. Describing theories and approaches that highlight science, technology, culture, human psychology, and religion, among other areas of focus, as well as integrative views which attempt to provide big pictures of all aspects of human life, the book provides a rich and broad overview of contemporary ideas and visions about the future. In the conclusion, Dr. Lombardo assesses and synthesizes these myriad perspectives, proposing a set of key ideas central to understanding the future. This book completes the study of future consciousness begun in its companion volume, The Evolution of Future Consciousness. These two volumes, rich in historical detail and concise observations on the interrelatedness of a wide range of interdisciplinary topics, are a significant contribution to the field of future studies and a valuable resource for educators, consultants, and anyone wishing to explore the significance of thinking about the future.
An introduction to literary theory unlike any other, Ten Lessons in Theory engages its readers with three fundamental premises. The first premise is that a genuinely productive understanding of theory depends upon a considerably more sustained encounter with the foundational writings of Hegel, Marx, Nietzsche, and Freud than any reader is likely to get from the introductions to theory that are currently available. The second premise involves what Fredric Jameson describes as "the conviction that of all the writing called theoretical, Lacan's is the richest." Entertaining this conviction, the book pays more (and more careful) attention to the richness of Lacan's writing than does any other introduction to literary theory. The third and most distinctive premise of the book is that literary theory isn't simply theory "about" literature, but that theory fundamentally is literature, after all. Ten Lessons in Theory argues, and even demonstrates, that "theoretical writing" is nothing if not a specific genre of "creative writing," a particular way of engaging in the art of the sentence, the art of making sentences that make trouble-sentences that make, or desire to make, radical changes in the very fabric of social reality. As its title indicates, the book proceeds in the form of ten "lessons," each based on an axiomatic sentence selected from the canon of theoretical writing. Each lesson works by creatively unpacking its featured sentence and exploring the sentence's conditions of possibility and most radical implications. In the course of exploring the conditions and consequences of these troubling sentences, the ten lessons work and play together to articulate the most basic assumptions and motivations supporting theoretical writing, from its earliest stirrings to its most current turbulences. Provided in each lesson is a working glossary: specific critical keywords are boldfaced on their first appearance and defined either in the text or in a footnote. But while each lesson constitutes a precise explication of the working terms and core tenets of theoretical writing, each also attempts to exemplify theory as a "practice of creativity" (Foucault) in itself.
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