Psychoanalytic theory has traditionally taken sexual difference to be the fundamental organizing principle of human subjectivity. White Men Aren’t contests that assumption, arguing that other forms of difference—particularly race—are equally important to the formation of identity. Thomas DiPiero shows how whiteness and masculinity respond to various, complex cultural phenomena through a process akin to hysteria and how differences traditionally termed “racial” organize psychic, social, and political life as thoroughly as sexual difference does. White masculinity is fraught with anxiety, according to DiPiero, because it hinges on the unstable construction of white men’s cultural hegemony. White men must always struggle against the loss of position and the fear of insufficiency—against the specter of what they are not. Drawing on the writings of Freud, Lacan, Butler, Foucault, and Kaja Silverman, as well as on biology, anthropology, and legal sources, Thomas DiPiero contends that psychoanalytic theory has not only failed to account for the role of race in structuring identity, it has in many ways deliberately ignored it. Reading a wide variety of texts—from classical works such as Oedipus Rex and The Iliad to contemporary films including Boyz 'n' the Hood and Grand Canyon—DiPiero reveals how the anxiety of white masculine identity pervades a surprising range of Western thought, including such ostensibly race-neutral phenomena as Englightenment forms of reason.
A new study of the continuations to Chrétien's Conte du Graal shows their crucial influence on the development of Arthurian literature. Chrétien de Troyes's late twelfth-century Conte du Graal has inspired writers and scholars from the moment of its composition to the present day. The challenge represented by its unfinished state was quickly taken up, and over the next fifty years the romance was supplemented by a number of continuations and prologues, which eventually came to dwarf Chrétien's text. In one of the first studies to treat the Conte du Graal and its continuations as a unified work, Thomas Hinton considers the whole corpus as a narrative cycle. Through a combination of close textual readings and manuscript analysis, the author argues that the unity of the narrative depends on a balanced tension between centripetal and centrifugal dynamics. He traces how the authors, scribes and illuminators of the cycle worked to produce coherence, even as they contended with potentially disruptive forces: multiple authorship, differences of intention, and changes in the relation between text, audience and book. Finally, he tackles the long-held orthodoxy that places the Perceval Continuations on the margins of literary history. Widening the scope of enquiry to consider the corpus's influence on thirteenth-century verse romances, this study re-situates the Conte du Graal cycle as a vital element in the evolution of Arthurian literature. Thomas Hinton isJunior Research Fellow in Modern Languages at Jesus College, Oxford.
In a captivating blend of photographs and text, Under Stately Oaks showcases over 150 years of Louisiana State University's past, following the evolution of the tiny Seminary of Learning of the State of Louisiana, founded near Pineville in 1853, into a university of well over 30,000 students for the twenty-first century. Thomas F. Ruffin has written an affectionate history of LSU, but it is also an honest one. The notorious scandals of 1939, the university's desegregation struggles, and free-speech alley confrontations during the civil rights movement and the Vietnam War, as well as the football team's 2003 NCAA championship and the university's pivotal role in relief efforts following Hurricane Katrina -- all are chronicled here.From the red pantile roofs and honey-colored stucco of its Italian Renaissance architecture to the "stately oaks and broad magnolias" hailed in the alma mater, the distinct beauty of the LSU campus is unrivaled. The history of the state's flagship university is as colorful as the azaleas that adorn its landscape every spring. Its first superintendent, William Tecumseh Sherman, later opposed its first faculty member and future president, David F. Boyd, in war. Yet both also fought for an LSU curriculum that embraced a liberal education with a classical component. When LSU lost its state funding during the 1870s, it was Boyd who maneuvered a merger with Louisiana A&M College, a move that ensured LSU's survival and preserved its identity. In the 1930s, Huey Long demanded the best for LSU on many fronts, and by the mid-twentieth century the institution was not only the state's premier university but also nationally recognized for its prestigious faculty and cutting-edge research. This newly updated edition features a foreword by Chancellor Sean O'Keefe and a final chapter entitled "The 21st Century and Beyond," which details the concrete steps LSU has taken towards fulfilling its goal of becoming a nationally competitive flagship institution. The last chapter also portrays, in text and striking photographs, the central role LSU played in emergency relief efforts following Hurricane Katrina, and examines how the university is faring in the post-Katrina world. Under Stately Oaks captures the spirit of the university as never before. Though the book shows that much has changed over the years, it is primarily a celebration of the timeless aspects of the LSU experience and a compelling testimony to the university's ongoing commitment to progress.
After the Civil War, the Yankee textile industry began a steady transfer south, bringing with it the tradition of a mill village, usually owned by the mill's owner, where the workers and their families lived. The new game of baseball quickly became a foundation of mill village life. A rich tradition of textile league baseball in South Carolina is here reconstructed from newspaper accounts and interviews with former players and fans. Players such as "Shoeless" Joe Jackson and Champ Osteen made their marks as "lintheads" in these semipro leagues. The fierce rivalries between competing mills and the impact of the teams on mill life are recounted. Appendices list club records and rosters for many of the teams from 1880 through 1955.
`This is an admirable, modern textbook on child development, which is compact, beautifully organized and laid out and hence is easy to read and use. It also incorporates all the pedagogic methods which one expects in good textbooks nowadays, such as stating the aims of each chapter in bold at the beginning, together with a useful summary in a text-box and a glossary at the end of each chapter.... I was also very pleased to find that Keenan had included much of the modern thinking about child development which so many other university-level "introductions" seem, so far, to have neglected' - Young Minds `This book is well written, with a flowing narrative. It provides an excellent coverage of methods and theories in developmental psychology' - J Gavin Bremner, Department of Psychology, Lancaster University This outstanding textbook presents a comprehensive introduction to developmental psychology that is engaging, yet detailed and thorough. Covering all the major topics in child development, the book offers a grounding in the principles which govern research and theory in contemporary child development, and surveys the theories and research methods which are essential to developing a firm knowledge of the field. Key features include: ? Coverage of the child's 'theory of mind' under the rubric of social development; ? an introduction to 'emotion regulation' in the chapter on emotional development; ? Coverage of some key theories such as 'dynamic systems theory' and 'evolutionary psychology'. Ideal for students taking a first course in child or lifespan development, the book assumes little or no background in the subject.
This in-depth and original study examines 100 productions and analyses why George Abbott's name became synonymous with the 'golden age' of Broadway. What did Abbott contribute? How did he work? How did he innovate the industry? How did he survive so long? All of these inquiries, and more, lead to the most fundamental question of all: what exactly was the famous “Abbott touch”? For sixty years, George Abbott was a vital force in the American theatre. As an actor, playwright, director, librettist, play doctor, and producer, he laid his "touch" on approximately 100 New York productions, from The Pajama Game and Damn Yankees through to Once Upon a Mattress and A Funny Thing Happened on the Way to the Forum. Spanning this incredible figure's work chronologically, each chapter of The Abbott Touch examines a period of creativity in his life, culminating in how he became the famous multi-hyphenate artist he is now celebrated as. Beginning with his early career in 1913 through to his work on the 1994 revival of Damn Yankees, this book analyses his key contributions to his primary works, all of which have relied on his genius. The first study of its kind, The Abbott Touch provides key insights into the working life of one of the 20th Century's most prolific theatre practitioners, as well as a vital history for theatre scholars and fans alike.
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