Once considered the largest and most extensive source of biographies in the English language, The Universal Dictionary of Biography and Mythology contains information on nearly every historical figure, notable name, and important subject of mythology from throughout the world prior to the 20th century. Spanning all fields of human effort-from literature and the arts to philosophy and science-and touching on topics from multiple areas of mythological study, including Norse, Greek, and Roman, this extraordinary reference guide continues to be one of the most thorough and accurate collections of biographical data ever created. Combining mythological and biographical entries into a single, comprehensive list, and incorporating a unique system of indicating pronunciation and orthography, The Universal Dictionary of Biography and Mythology offers readers an unparalleled record of historically significant identities, from the obscure and forgotten newsmakers of yesteryear to the highly celebrated shapers of history that remain influential today. Volume I (A-CLU) of this exquisite four-volume set includes information on such names as John Quincy Adams, Achilles, sop, Napoleon Bonaparte, Julius Caesar, and Cleopatra, as well as a detailed introduction to the entire body of this work. JOSEPH THOMAS (1811-1891) also wrote A Comprehensive Medical Dictionary, various pronouncing vocabularies of biographical and geographical names, and a system of pronunciation for Lippincott's Pronouncing Gazetteer of the World.
A great military history about the early days of the American Revolution, Thomas A. Desjardin's Through a Howling Wilderness is also a timeless adventure narrative that tells of heroic acts, men pitted against nature's fury, and a fledgling nation's fight against a tyrannical oppressor. Before Benedict Arnold was branded a traitor, he was one of the colonies' most valuable leaders. In September 1775, eleven hundred soldiers boarded ships in Massachusetts, bound for the Maine wilderness. They had volunteered for a secret mission, under Arnold's command to march and paddle nearly two hundred miles and seize British Quebec. Before they reached the Canadian border, hundreds died, a hurricane destroyed canoes and equipment and many deserted. In the midst of a howling blizzard, the remaining troops attacked Quebec and almost took Canada from the British simultaneously weakening the British hand against Washington. With the enigmatic Benedict Arnold at its center, Desjardin has written one of the great American adventure stories.
A fighter pilot who flew 75 combat missions in World War I, George C. Kenney was a charismatic leader who established himself as an innovative advocate of air power. As General MacArthur's air commander in the Southwest Pacific during World War II, Kenney played a pivotal role in the conduct of the war, but until now his performance has remained largely unexplored. Thomas Griffith offers a critical assessment of Kenney's numerous contributions to MacArthur's war efforts. He depicts Kenney as a staunch proponent of airpower's ability to shape the outcome of military engagements and a commander who shared MacArthur's strategic vision. He tells how Kenney played a key role in campaigns from New Guinea to the Philippines; adapted aircraft, pilots, doctrine, and technology to the demands of aerial warfare in the southwest Pacific; and pursued daring strategies that likely would have failed in the European theater. Kenney is shown to have been an operational and organizational innovator who was willing to scrap doctrine when the situation called for ingenuity, such as shifting to low-level attacks for more effective bombing raids. Griffith tells how Kenney established air superiority in every engagement, provided close air support for troops by bombing enemy supply lines, attacked and destroyed Japanese supply ships, and carried out rapid deployment by airlifting troops and supplies. Griffith draws on Kenney's diary and correspondence, the personal papers of other officers, and previously untapped sources to present a comprehensive portrayal of both the officer and the man. He illuminates Kenney's relationship with MacArthur, General "Hap" Arnold, and other field commanders, and closely examines factors in air warfare often neglected in other accounts, such as intelligence, training, and logistical support. MacArthur's Airman is a rich and insightful study that shows how air, ground, and marine efforts were integrated to achieve major strategic objectives. It firmly establishes the importance of MacArthur's campaign in New Guinea and reveals Kenney's instrumental role in turning the tide against the Japanese.
This “perceptive” and “satisfying” biography of George Washington by an award-winning historian “deserves a place on every American’s bookshelf” (The New York Times Book Review). James Thomas Flexner’s masterful four-volume biography of America’s first president, which received a special Pulitzer Prize citation and a National Book Award for its concluding installment, is the definitive chronicle of Washington’s life and a classic work of American history. In this single-volume edition, Flexner brilliantly distills his sweeping study to offer readers “the most convincing evocation of the man and his deeds written within the compass of one book” (Los Angeles Times). In graceful and dramatic prose, Flexner peels back the myths surrounding Washington to reveal the true complexity of his character. The only founding father from Virginia to free all his slaves, Washington was a faithful husband who harbored deep romantic feelings for his best friend’s wife. An amateur soldier, he prepared for his role as commander in chief of the Continental army by sending out to Philadelphia bookshops for treatises on military strategy. As president, he set many democratic precedents—including the two-term limit and the appointment of an advisory cabinet—yet routinely excluded his vice president, John Adams, from important decisions. The George Washington that emerges in these pages is a shrewd statesman, a wise commander, a brave patriot, and above all, “an ordinary man pushed to greatness by the extraordinary times in which he lived” (The Christian Science Monitor). In tracing Washington’s evolution from privileged son of the landed gentry to “the indispensable man” without whom the United States as we know it would not exist, Flexner presents a hero worthy of admiration not only for his remarkable strengths, but also for his all-too-human weaknesses.
With its initial publication in 1983, A Guide to the Makers of American Wooden Planes profoundly transformed the emphasis and direction of tool collecting. After several years of meticulous research, Thomas L. Elliott has completely redesigned, revised, and expanded this fifth edition to include entries and information accumulated since the fourth edition. The heart of this guide is the alphabetical directory of plane makers and dealers. This fifth edition now includes: 4590 biographical entries; 6160 imprint illustrations; 3030 wedge outlines; and over 3000 individual ratings for judging relative scarcity and value. Also included are sections providing insights helpful in buying and selling planes, an illustrated glossary of plane terms and styles, and an extensive bibliography for further research. This book is useful to both the beginner and the advanced collector, to historians and genealogists, and to all other with an interest in the subject.
This text treats the Korteweg-de Vries (KdV) equation with periodic boundary conditions. This equation models waves in homogeneous, weakly nonlinear and weakly dispersive media in general. For the first time, these important results are comprehensively covered in book form, authored by internationally renowned experts in the field.
This volume makes a bold and highly sophisticated contribution to Victorian cultural studies as it explores the historical interrelations between Victorian aestheticism and liberalism. . . . Extremely ambitious."--
For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.
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