Stephen Crane was a prodigious American author whose bohemian ways seemed to contradict his conscientious upbringing. Drawing on little-known and unpublished documents by Crane's father, mother, and sister, and preeminent scholar Thomas A. Gullason shows how their vitality and versatility galvanized Crane's imagination, spurred his literary career, and affected his lifestyle. The Cranes emerge as a spirited and serious lot who were passionately concerned with social and cultural issues of the day. Newly discovered papers—from reflections on the Civil War to a funeral oration for Lincoln—paint Crane's pastor father as a man of sardonic wit whose obsession with alcohol would be mirrored in his son's work. Crane's mother is revealed to have had an eye for politics and an ear for dialogue that would vastly inform Crane's masterpiece, The Red Badge of Courage. His sister Agnes rounds out the portrait with recently recovered stories and poems. Replete with rare works and keen insights, this edition is a crucial reference for students of nineteenth century American literature and devotees of Stephen Crane.
A paradigm of actuality -- Searching for the real and actual -- Stirrings and roots: urban sketches and America's flaneur -- The storytellers -- Picturing the present -- Carving out the real -- Experiments in reality -- Documenting time and place.
Kent proposes a general theory of genre classification arid applies this genetic model to American fiction written during the last half of the nineteenth century. Combining theory and application, Kent attempts to demonstrate that what we say about texts is related directly to our generic perception of them.
In a first, theoretical part, this study analyzes what role "otherness" plays in the most influential moral-philosophical approaches to date - from Aristotle and the Neo-Aristotelians (Alasdair MacIntyre, Martha Nussbaum) via Kantianism and its deconstructors (Jean-Francois Lyotard, J. Hillis Miller) to the works of Paul Ricoeur and Emmanuel Levinas - and sheds light on its highly problematic status in Western notions of justice and aesthetics. Starting from a revised notion of the sublime, the second part uses the different theoretical approaches to interpret four American novels (Harriet Beecher Stowe's 'Uncle Tom's Cabin', Herman Melville's 'Billy Budd, Sailor', Richard Wright's 'Native Son', and N. Scott Momaday's 'House Made of Dawn'), and examines how far the respective moral-philosophical systems carry in elucidating these texts, as well as what role literary-historical and generic strategies play in dramatizing the encounter with "otherness".
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