James Bond the the 60s Spy Craze will explore James Bond films and the number of movies and television shows of the 1960s inspired by Ian Fleming’s character. The book also delves into the production, casting, merchandise, and music that helped to make James Bond a household name and a cultural touchstone. The 1960s spy craze lasted seven years, ostensibly from 1962–1969—peaking in 1966–1967. However, in that time many secret agent films flooded theaters and drive-ins and television shows filled station line-ups in the United States throughout the 1960s. All of which were directly inspired by the first James Bond adventure to hit the big screen, Dr. No (1962). This is the story, from a historical perspective, of those films and how they became a part of American pop culture. The book explores the various other top agents of the time, Matt Helm, Dereck Flint, and Harry Palmer, and the many spy-spoof imitators coming from the United States, England, Europe, and Mexico and discusses the impact James Bond had on each of these films and the ways in which James Bond influenced media. Also discussed are budgets, casting, production, box office numbers/ratings, development, merchandising, and how these elements have contributed to the success and longevity of the popularity of James Bond films.
The year 1966 was when many TV viewers all over America discovered the wonders of "in living color." The 1966-1967 primetime television lineup was remarkable not only for the legendary shows that aired, but also because it was the first season in which every show on primetime, across all three major networks, was broadcast entirely in color. Celebrating this iconic year of television, this book covers every scripted episodic show that aired on the ABC, CBS, and NBC networks during the 1966-1967 season in primetime. It includes longtime favorites such as Batman, Bonanza, Voyage to the Bottom of the Sea, and The Lucy Show and the notable shows that premiered that year such as Star Trek, The Monkees, Green Hornet, Mission: Impossible, It's About Time, and the color revival of Dragnet. Organized by genre, each entry examines a show from conception to cancelation (and sometimes beyond), ratings, critical and fan reactions, and the show's use of color.
The year 1966 was when many TV viewers all over America discovered the wonders of "in living color." The 1966-1967 primetime television lineup was remarkable not only for the legendary shows that aired, but also because it was the first season in which every show on primetime, across all three major networks, was broadcast entirely in color. Celebrating this iconic year of television, this book covers every scripted episodic show that aired on the ABC, CBS, and NBC networks during the 1966-1967 season in primetime. It includes longtime favorites such as Batman, Bonanza, Voyage to the Bottom of the Sea, and The Lucy Show and the notable shows that premiered that year such as Star Trek, The Monkees, Green Hornet, Mission: Impossible, It's About Time, and the color revival of Dragnet. Organized by genre, each entry examines a show from conception to cancelation (and sometimes beyond), ratings, critical and fan reactions, and the show's use of color.
James Bond the the 60s Spy Craze will explore James Bond films and the number of movies and television shows of the 1960s inspired by Ian Fleming’s character. The book also delves into the production, casting, merchandise, and music that helped to make James Bond a household name and a cultural touchstone. The 1960s spy craze lasted seven years, ostensibly from 1962–1969—peaking in 1966–1967. However, in that time many secret agent films flooded theaters and drive-ins and television shows filled station line-ups in the United States throughout the 1960s. All of which were directly inspired by the first James Bond adventure to hit the big screen, Dr. No (1962). This is the story, from a historical perspective, of those films and how they became a part of American pop culture. The book explores the various other top agents of the time, Matt Helm, Dereck Flint, and Harry Palmer, and the many spy-spoof imitators coming from the United States, England, Europe, and Mexico and discusses the impact James Bond had on each of these films and the ways in which James Bond influenced media. Also discussed are budgets, casting, production, box office numbers/ratings, development, merchandising, and how these elements have contributed to the success and longevity of the popularity of James Bond films.
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