The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture
The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture
Depuis 2005, date de la decouverte du Parisis Code, les recherches dans la trame des voies de la Capitale n'ont jamais cessees. Grace a l'experience et l'utilisation de nouveaux parametres comme les points ephemeres (bars, hotels, restaurants, societes) de nouveaux alignements symboliques encore plus extraordinaires ont ete decouverts. La precision deja impressionnante des lignes s'est considerablement amelioree. Ce dernier volet, montre a quel point, tout predestinait l'auteur a decouvrir ce code parisien. Depuis sa naissance, les grandes etapes de sa vie etaient inscrites a travers un impressionnant alignement d'une trentaine de parametres... elles attendaient d'etre decouvertes !
Contemporary interest in Darwin rises from a general ideal of what Darwin’s books ought to contain: a theory of transformation of species by natural selection. However, a reader opening Darwin’s masterpiece, On the Origin of Species, today may be struck by the fact that this "selectionist" view does not deliver the key to many aspects of the book. Without contesting the importance of natural selection to Darwinism, much less supposing that a fully-formed "Darwinism" stepped out of Darwin’s head in 1859, this innovative volume aims to return to the text of the Origin itself. Revisiting the 'Origin of Species' focuses on Darwin as theorising on the origin of variations; showing that Darwin himself was never a pan-selectionist (in contrast to some of his followers) but was concerned with "other means of modification" (which makes him an evolutionary pluralist). Furthermore, in contrast to common textbook presentations of "Darwinism", Hoquet stresses the fact that On the Origin of Species can lend itself to several contradictory interpretations. Thus, this volume identifies where rival interpretations have taken root; to unearth the ambiguities readers of Darwin have latched onto as they have produced a myriad of Darwinian legacies, each more or less faithful enough to the originator’s thought. Emphasising the historical features, complexities and intricacies of Darwin’s argument, Revisiting the 'Origin of Species' can be used by any lay readers opening Darwin’s On the Origin of Species. This volume will also appeal to students and researchers interested in areas such as Evolution, Natural Selection, Scientific Translations and Origins of Life.
The growth of Blockchain technology presents a number of legal questions for lawyers, regulators and industry participants alike. Primarily, regulators must allow Blockchain technology to develop whilst also ensuring it is not being abused. This book addresses the challenges posed by various applications of Blockchain technology, such as cryptocurrencies, smart contracts and initial coin offerings, across different fields of law. Contributors explore whether the problems posed by Blockchain and its applications can be addressed within the present legal system or whether significant rethinking is required.
The Canadian federal system was never designed to recognize Indigenous governance, and it has resisted change. But Indigenous communities have successfully negotiated the creation of self-governing regions. Most of these are situated within existing units of the Canadian federation, creating forms of nested federalism. This governance model is transforming Canada as it reformulates the relationship between Indigenous peoples and the state. Nested Federalism and Inuit Governance in the Canadian Arctic traces the journey toward self-governance in three northern regions: Nunavik, the Inuvialuit Settlement Region, and Nunatsiavut. This meticulous analysis provides new insight into the evolution and consequences of Indigenous self-government.
Recipient of the Governor General's Literary Award for Translation, Imagining the Middle East examines how Western perceptions of the Middle East were formed and how they have been used as a rationalization for setting policies and determining actions.
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