Through an examination of surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the beautifully illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. Juxtaposing the strange with the familiar, they seek to break down repressive hierarchies. At the same time, they represent a desire to change the world through experimental activities. Introduced by Therese Lichtenstein, with essays by Therese Lichtenstein, Julia Kelly, Colin Jones, and Whitney Chadwick, this absorbing volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity. Copub: Frist Center for the Visual Arts
Until now there has been little available in English about Bellmer's dolls, and Lichtenstein's book will be welcomed for its fresh interpretations of the artist's work and his place in European modernism. Eighty striking photographs accompany the text."--BOOK JACKET.
Through an examination of surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the beautifully illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. Juxtaposing the strange with the familiar, they seek to break down repressive hierarchies. At the same time, they represent a desire to change the world through experimental activities. Introduced by Therese Lichtenstein, with essays by Therese Lichtenstein, Julia Kelly, Colin Jones, and Whitney Chadwick, this absorbing volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity. Copub: Frist Center for the Visual Arts
Until now there has been little available in English about Bellmer's dolls, and Lichtenstein's book will be welcomed for its fresh interpretations of the artist's work and his place in European modernism. Eighty striking photographs accompany the text."--BOOK JACKET.
Essay from the year 2012 in the subject Biographies, , language: English, abstract: Leni Riefenstahl has been, and still is, a much-discussed person. She has been called many things, and given many labels. She has been called a liar, a man-eater, a Nazi, an extraordinary talent and a genius. She was an actress, director, dancer, filmmaker and photographer. In her career, she has done everything between making Nazi propaganda films, to taking photos of Mick Jagger, to photograph unknown tribes in Africa. Leni had many talents, but her great passion, and what she is best known for is her great filmmaking. She was the brain behind the masterpiece of propaganda films Triumph of the Will [1935], which she made for Hitler and the Nazi Party before World War 2. She was a close friend to Hitler before and during the war, and as described in Bach (2007 p.388) she is probably best known as “Hitler’s Filmmaker”.
Anthropologists, scientists who study humans and their ways of life, are continually finding and interpreting artifacts left by our earliest ancestors. They have helped us understand our origins as well as the intriguing cultures that developed as humans spread across Earth. This volume is a concise introduction to this diverse and fascinating field. Readers will learn of the various branches of anthropology, including archaeology and biological anthropology, and how anthropologists of different disciplines collaborate to shed light on the mysteries of times past. Essential science vocabulary, thought-provoking sidebars, and a variety of STEM topics make this book a must-read for future scientists.
Black Americans and their allies have sought to use the U.S. court system as a tool in their fight for civil rights, sometimes successfully and sometimes not. However, certain court decisions, especially those handed down by the U.S. Supreme Court, have led to real change. This comprehensive look at landmark civil rights cases gives readers an understanding of the evolution of the civil rights movement through the lens of legal battles. The detailed sidebars, historical and contemporary images, and annotated quotes also give them the tools to understand the complex issues that are still in the headlines today.
Winner, IP Picks 2012 Best Creative Non-fiction Enhanced by the author's paintings, Art from Adversity shines the spotlight on mental illness, in particular, bipolar disorder. It provides an insight into what it is like to become mentally ill, to ascend into mania, free fall into depression, and-finally emerge profoundly changed by the experience.
Consumer magazines aimed at women are as diverse as the market they serve. Some are targeted to particular age groups, while others are marketed to different socioeconomic groups. These magazines are a reflection of the needs and interests of women and the place of women in American society. Changes in these magazines mirror the changing interests of women, the increased purchasing power of women, and the willingness of advertisers and publishers to reach a female audience. This reference book is a guide to women's consumer magazines published in the United States. Included are profiles of 75 magazines read chiefly by women. Each profile discusses the publication history and social context of the magazine and includes bibliographical references and a summary of publication statistics. Some of the magazines included started in the 19th century and are no longer published. Others have been available for more than a century, while some originated in the last decade. An introductory chapter discusses the history of U.S. consumer women's magazines, and a chronology charts their growth from 1784 to the present.
The Art of JAMA, Vol. III contains selected covers from the Journal of the American Medical Association, with accompanying essays that explore the background of the artists and the circumstances under which the work was completed, followed by commentary on the work itself. Selected and edited by Dr. M. Therese Southgate, JAMA contributing editor.
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