With The Age of Water Lilies, Theresa Kishkan has written a beautiful novel that travels from the time of colonial wars to the pacifist movement to 1960s Victoria, and shares a unique and delightful relationship between 70-year-old Flora and 7-year-old Tessa. When Flora Oakden leaves her English home in 1912 for the fledgling community of Walhachin in British Columbia's interior, she doesn't expect to fall in love with the dry sage-scented benchlands above the Thompson River-and with the charismatic labourer who is working in the orchard. When he and all the men of Walhachin return to Europe and the battlefields of France, Flora remains behind, pregnant and unmarried. Shunned by those remaining in the settlement, she travels west to Victoria and meets freethinker Ann Ogilvie, who provides shelter for her in a house overlooking the Ross Bay Cemetery. Fifty years later, among the headstones of Ross Bay, curious young Tessa is mapping her own personal domain when her life becomes interwoven with that of her neighbour, the now-elderly Flora. Out of their friendship, a larger world opens up for these unlikely companions. Theresa has written a sweeping story that transcends time and springs from a passionate exploration of the natural world, its weather, seasons and plants.
Short-listed for the 2005 Ethel Wilson Fiction Prize Declan O’Malley came to the coast of British Columbia because it was as far away from Ireland as he could possibly go. Haunted by memories of his family’s death at the hands of the Black and Tans, Declan is unable to escape his grief. He immerses himself in a new life, seeking to produce a more perfect translation of Homer’s Odyssey while at the same time becoming closer to the family on whose property he is living. But Declan cannot free himself from his past, and when Ireland beckons, he is drawn to his own history and to the opportunity for a happier future.
Using the richness of braided essays, Theresa Kishkan thinks deeply about the natural world, mourns and celebrates the aging body, gently contests recorded history, and considers art and visual phenomena. Gathering personal genealogies, medical histories, and early land surveys together with insights from music, colour theory, horticulture, and textile production, Kishkan weaves a pattern of richly textured threads, welcoming readers to share her intellectual and emotional preoccupations. With an intimate awareness of place and time, a deep sensitivity to family, and a poetic delight in travel, local food and wine, and dogs, Blue Portugal and Other Essays offers up a sense of wonder at the interconnectedness of all things.
Declan O'Malley came to the coast of British Columbia because it was as far away from Ireland as he could go. He immerses himself in a new life, seeking to produce a more perfect translation of Homer's Odyssey. But Declan cannot free himself from his past, and when Ireland beckons, he is drawn to his own history.
Finalist for a 2014 Alberta Literary Award Shortlisted for the 2014Edmonton Public Library Alberta Readers’ Choice Award Fans of Kim Edwards' The Memory Keeper's Daughter will love this unforgettable and inspiring tale about the complex bonds of family, friendship, and motherhood. When Marie MacPherson, a mother of two, finds herself unexpectedly pregnant at thirty-nine, she feels guilty. Her best friend, Elizabeth, has never been able to conceive, despite years of fertility treatments. Marie's dilemma is further complicated when she becomes convinced something is wrong with her baby. She then enters the world of genetic testing and is entirely unprepared for the decision that lies ahead. Intertwined throughout the novel is the story of Margaret, who gave birth to a daughter with Down syndrome in 1947, when such infants were defined as "unfinished" children. As the novel shifts back and forth through the decades, the lives of the three women converge, and the story speeds to an unexpected conclusion. With skill and poise, debut novelist Theresa Shea dramatically explores society's changing views of Down syndrome over the past sixty years. The story offers an unflinching and compassionate history of the treatment of people with Down syndrome and their struggle for basic human rights. Ultimately, The Unfinished Child is an unforgettable and inspiring tale about the mysterious and complex bonds of family, friendship, and motherhood.
In her vibrant first novel, Sisters of Grass, Theresa Kishkan weaves a tapestry of the senses through the touchstones of a young woman's life. Anna is preparing an exhibit of textiles reflecting life in central British Columbia a century ago. In a forgotten corner of a museum, she discovers a dusty cardboard box containing the century-old personal effects of a Nicola valley woman. Fascinated by the artifacts, she reconstructs the story of their owner, Margaret Stuart. Margaret, the daughter of a Native mother and a Scottish-American father, she tries to fit into both worlds. She's taught photography by a visiting Columbia University anthropology student that she falls in love with. With strong, poetic language, Kishkan makes the past reverberate through the present in a richly patterned work celebrating the complexities and joys of life and the sustaining connections of family.
Declan O'Malley came to the coast of British Columbia because it was as far away from Ireland as he could go. He immerses himself in a new life, seeking to produce a more perfect translation of Homer's Odyssey. But Declan cannot free himself from his past, and when Ireland beckons, he is drawn to his own history.
With The Age of Water Lilies, Theresa Kishkan has written a beautiful novel that travels from the time of colonial wars to the pacifist movement to 1960s Victoria, and shares a unique and delightful relationship between 70-year-old Flora and 7-year-old Tessa. When Flora Oakden leaves her English home in 1912 for the fledgling community of Walhachin in British Columbia's interior, she doesn't expect to fall in love with the dry sage-scented benchlands above the Thompson River-and with the charismatic labourer who is working in the orchard. When he and all the men of Walhachin return to Europe and the battlefields of France, Flora remains behind, pregnant and unmarried. Shunned by those remaining in the settlement, she travels west to Victoria and meets freethinker Ann Ogilvie, who provides shelter for her in a house overlooking the Ross Bay Cemetery. Fifty years later, among the headstones of Ross Bay, curious young Tessa is mapping her own personal domain when her life becomes interwoven with that of her neighbour, the now-elderly Flora. Out of their friendship, a larger world opens up for these unlikely companions. Theresa has written a sweeping story that transcends time and springs from a passionate exploration of the natural world, its weather, seasons and plants.
Using the richness of braided essays, Theresa Kishkan thinks deeply about the natural world, mourns and celebrates the aging body, gently contests recorded history, and considers art and visual phenomena. Gathering personal genealogies, medical histories, and early land surveys together with insights from music, colour theory, horticulture, and textile production, Kishkan weaves a pattern of richly textured threads, welcoming readers to share her intellectual and emotional preoccupations. With an intimate awareness of place and time, a deep sensitivity to family, and a poetic delight in travel, local food and wine, and dogs, Blue Portugal and Other Essays offers up a sense of wonder at the interconnectedness of all things.
In Phantom Limb, Kishkan invites her readers to explore culture and nature by looking at landscape and place through a series of historical lenses, ranging from natural history to family history to the broader notions of regional and human history. In her popular essay "month of wild berries picking" she reveals the extent to which native stories articulate the complexity and importance of rules that govern relationships between species, a profoundly symbiotic world where one respected not just the territory of another species but its dung, its bones, its very spirit as well. In travel essays such as "The One Currach Returning Alone" and "Well" she explores her affinity with Ireland, the weight of its history and geography, the roads that lead to collective memory and the magic of its wishing wells. In other travel essays Kishkan takes us to conservative Utah where the discovery of her first Drunkard's Path quilt serves as both a talisman and a gentle reminder of tolerance and diversity that unfamiliar cultures elicit from us, while they also teach us how bound we are to the soil and air of our own home. Whether waking her daughter for early morning Leonid meteor showers to fashion a world that mirrors the topography of their lives, or measuring the emotional connections of her grandmother's glass paperweight in order to learn the secret life of memories belonging to mothers and daughters, Kishkan's writing allows us intimate portraits of family. Sometime intense as in the title essay "Phantom Limb" where the prerogative to make a decision to end the life of a beloved family dog becomes both a heavy-hearted deed as well as a difficult privilege; other times her work is light and folksy as in the family rituals revealed in "Laundry". Resonating throughout this collection, especially when describing the natural world, is a rich lyricism and a distinctive visceral imagery.
A wanderer arrives by chance on Inishbream, a rocky dot in the sea just off the west coast of Ireland. A lover of boats and a strong worker, she soon marries the young owner of her stone cottage. For a time, she does her woman's work, fishes with her husband, and walks along the shore, imagining Saint Brendan and the invisible world so real to the islanders. Through the winter, she repays Inishbream storytellers with tales of coastal British Columbia, not so very different, after all, from their own. In the spring, the islanders learn that their isolation will end: the government has promised them modern houses on the mainland. The wanderer cannot wait for the migration; she must leave Inishbream and go home alone. In the islanders' soft dialect and the wanderer's own tongue, Inishbream conjures relationships between the newcomer and her husband, between the island people, the sea, and the land, and between the coastal landscapes of reality and imagination. In the uneasy peace of partial acceptance, the foreigner grows, changes, and starts to envision her own place in the world. Inishbream is also available in a hand-printed and hand-bound limited edition from Barbarian Press. That Inishbream was chosen for this exclusive private edition attests to the clarity of Theresa Kishkan's storytelling and the beauty of her writing.
In her vibrant first novel, Sisters of Grass, Theresa Kishkan weaves a tapestry of the senses through the touchstones of a young woman's life. Anna is preparing an exhibit of textiles reflecting life in central British Columbia a century ago. In a forgotten corner of a museum, she discovers a dusty cardboard box containing the century-old personal effects of a Nicola valley woman. Fascinated by the artifacts, she reconstructs the story of their owner, Margaret Stuart. Margaret, the daughter of a Native mother and a Scottish-American father, she tries to fit into both worlds. She's taught photography by a visiting Columbia University anthropology student that she falls in love with. With strong, poetic language, Kishkan makes the past reverberate through the present in a richly patterned work celebrating the complexities and joys of life and the sustaining connections of family.
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