During the past 250 years, Newark has transformed from a tiny farming community into a thriving small city. Its history includes the arrival of a variety of industries--including paper, woolen, and fibre mills and an automobile manufacturing plant--that have expanded the city's commercial and economic opportunities. Newark has also been home to the University of Delaware from its beginnings as a small academy in 1767. As a result, Newark's history is interwoven with that of the university. Although many of the industries that once thrived in Newark have closed because of technological advances and shifting economies, the city continues to grow. Main Street is now the retail hub of the city, and stores reside in what were private residences. Despite all of the changes brought on by industry and the passage of time, Newark has maintained its small-town feel.
Newark was founded primarily as a farming community of Scots-Irish, English, and Welsh immigrants in the early 1700s near the intersection of two Native American trails. Since that time, Newark has transformed into a bustling college town that still maintains a small-town feel. The 1767 arrival of the academy founded by Francis Alison inspired the town's growth, and the small academy eventually grew into the University of Delaware. The arrival of industries, particularly along White Clay Creek, also helped encourage Newark's growth into the third-largest city in the state. By the early 20th century, Main Street emerged as the retail center of town. Many of the images included here depict some of the early businesses that served Newark residents and document the shift from horse-drawn carriages to automobiles as well as the expansion of the University of Delaware.
Romanticism was a cultural and intellectual movement characterized by discovery, revolution, and the poetic as well as by the philosophical relationship between people and nature. Botany sits at the intersection where romantic scientific and literary discourses meet. Clandestine Marriage explores the meaning and methods of how plants were represented and reproduced in scientific, literary, artistic, and material cultures of the period. Theresa M. Kelley synthesizes romantic debates about taxonomy and morphology, the contemporary interest in books and magazines devoted to plant study and images, and writings by such authors as Mary Wollstonecraft and Anna Letitia Barbauld. Period botanical paintings of flowers are reproduced in vibrant color, bringing her argument and the romantics' passion for plants to life. In addition to exploring botanic thought and practice in the context of British romanticism, Kelley also looks to the German philosophical traditions of Kant, Hegel, and Goethe and to Charles Darwin's reflections on orchids and plant pollination. Her interdisciplinary approach allows a deeper understanding of a time when exploration of the natural world was a culture-wide enchantment. -- Alan John Bewell, University of Toronto
First published in 1997, Reinventing Allegory asks how and why allegory has survived as a literary mode from the late Renaissance to the postmodern present. Three chapters on Romanticism, including one on the painter J. M. W. Turner, present this era as the pivotal moment in allegory's modern survival. Other chapters describe larger historical and philosophical contexts, including classical rhetoric and Spenser, Milton and seventeenth-century rhetoric, Neoclassical distrust of allegory, and recent theory and metafiction. By using a series of key historical moments to define the special character of modern allegory, this study offers an important framework for assessing allegory's role in contemporary literary culture.
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