What does it mean to call something “contemporary”? More than simply denoting what’s new, it speaks to how we come to know the present we’re living in and how we develop a shared story about it. The story of trying to understand the present is an integral, yet often unnoticed, part of the literature and film of our moment. In Contemporary Drift, Theodore Martin argues that the contemporary is not just a historical period but also a conceptual problem, and he claims that contemporary genre fiction offers a much-needed resource for resolving that problem. Contemporary Drift combines a theoretical focus on the challenge of conceptualizing the present with a historical account of contemporary literature and film. Emphasizing both the difficulty and the necessity of historicizing the contemporary, the book explores how recent works of fiction depict life in an age of global capitalism, postindustrialism, and climate change. Through new histories of the novel of manners, film noir, the Western, detective fiction, and the postapocalyptic novel, Martin shows how the problem of the contemporary preoccupies a wide range of novelists and filmmakers, including Zadie Smith, Colson Whitehead, Vikram Chandra, China Miéville, Kelly Reichardt, and the Coen brothers. Martin argues that genre provides these artists with a formal strategy for understanding both the content and the concept of the contemporary. Genre writing, with its mix of old and new, brings to light the complicated process by which we make sense of our present and determine what belongs to our time.
Prince Albert was one of the defining figures of the Victorian age and Sir Theodore Martin's biography remains the definitive account of his life. Detailed, comprehensive and authoritative, Martin's five volumes and 3000 pages chronicle not just the details of Albert's upbringing and later personal life but also his involvement in the political affairs of the country and his engagement with many of the key figures and events of the Victorian age - from Sir Robert Peel, Lord Palmerston and the Emperor Napoleon to the Indian Mutiny and the Crimean War. With an Introduction by a leading modern scholar, this outstanding biography of one of the key royal figures of the modern period also provides a unique inside view on many of the major events of the Victorian era.
Come, Holy Spirit reveals a spirituality intimately connected to the daily life of Fr. Theodore M. Hesburgh, CSC, affectionately known as “Fr. Ted”—prominent priest, civil rights activist, public servant, and former president of the University of Notre Dame. In this first collection of his spiritual writings, Hesburgh is revealed to be a person of action with an even more dynamic spiritual life. Hesburgh wholeheartedly embraced his role as pastor to the Notre Dame community and counted the day of his Ordination to the priesthood as the happiest in his life. Reflecting on his legacy, Hesburgh said that if he could have only one word on his tombstone, it would be “priest.” His homilies, lectures, prayers, and invocations display his characteristic wisdom and warmth and offer unique encouragement to contemporary readers pondering essential questions in their lives of faith, prayer, family, and peace. Come, Holy Spirit sheds light on an underexplored facet of Hesburgh’s identity: While his life story has been widely told, few of his biographers explore in much detail how he nurtured his vocation through a commitment to prayer and daily celebration of the Mass. No collections of Hesburgh’s writings are currently in print, and no books of his spiritual writings were ever published during his lifetime. This book is a perfect gift for any fan of Hesburgh or the University of Notre Dame.
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