Following three printings of the First Edition (1978), the publisher has asked for a Second Edition to bring the contents up to date. In doing so the authors aim to show how the newer microscopies are related to the older types with respect to theoretical resolving power (what you pay for) and resolution (what you get). The book is an introduction to students, technicians, technologists, and scientists in biology, medicine, science, and engineering. It should be useful in academic and industrial research, consulting, and forensics; how ever, the book is not intended to be encyclopedic. The authors are greatly indebted to the College of Textiles of North Carolina State University at Raleigh for support from the administration there for typing, word processing, stationery, mailing, drafting diagrams, and general assistance. We personally thank Joann Fish for word process ing, Teresa M. Langley and Grace Parnell for typing services, Mark Bowen for drawing graphs and diagrams, Chuck Gardner for photographic ser vices, Deepak Bhattavahalli for his work with the proofs, and all the other people who have given us their assistance. The authors wish to acknowledge the many valuable suggestions given by Eugene G. Rochow and the significant editorial contributions made by Elizabeth Cook Rochow.
Resinography is a strange new word to many people. Like all scientific terms, it is a word coined for a specific purpose: to indicate (in this case) that resins, polymers, and plastics write their own history on the molecular and other structural levels. The word indicates further that anyone trained and equipped to ask the right questions (by means of instruments and techniques) will be able to read that history. That person must have sufficient training and experience to interpret the answers, of course, and he or she needs to have the temperament of a detective. But in the end, as readers of this book will discover, one is able to identify the material, to determine its history of treatment, and to learn much about its possible field of usefulness. Obviously, the resinographer seeks to do the same thing with res ins, polymers, and plastics that the metallographer does with metals and their alloys. Often the investigative techniques and the instru ments, too, are similar, but sometimes they are decidedly different. Perhaps it would be best to say that resinography and metallographyl (and petrography as well) share a common origin, and that origin is deeply rooted in microscopy. The "grandfather" of all three "ographies" was Henry Clifton Sorby (1826-1908),2 who initiated 3 metallography and petrography, and was the first to report on the microstructure of a resin (amber, a natural fossil resin).
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