The new edition of this textbook provides an overview of design principles and techniques for using plants aesthetically and functionally in landscaping. Unique to this book are discussions on using a microcomputer for selecting plants, preparing cost estimates and writing specifications. More than 200 photographs, drawings and sketches highlight numerous graphic techniques for planting plans.
Hidden under layers of error and corruption, the original version of Sister Carrie has finally emerged. The American classic that has been read in English courses for many decades is not the text as Dreiser wrote it. Even before it was submitted to Doubleday, Page and Company, the manuscript of Sister Carrie had been cut and censored. Dreiser's wife Sara--nicknamed "Jug"—and his friend Arthur Henry persuaded the author to make many changes. Both Jug and Henry felt that the novel was too bleak, the sexuality too explicit, the philosophy too intense. In a description of Carrie, for instance, Dreiser had written, "Her dresses draped her becomingly, for she wore excellent corsets and laced herself with care. . . . She had always been of cleanly instincts and now that opportunity afforded, she kept her body sweet." Apparently this passage was too intimate for Jug, for she revised it to: "Her dresses draped her becomingly. . . . She had always been of cleanly instincts. Her teeth were white, her nails rosy." Jug and Henry urged Dreiser to make his bleak ending more equivocal. He changed it, but Jug, still dissatisfied, rewrote his second ending. Her version was published with the first edition and has appeared with every edition since printed. Doubleday, Page and Company further insisted that all real names—of theaters, bars, streets, actors, etc.—be changed to fictitious ones. The editors of this new edition have gone back to the original handwritten manuscript as well as to the typescript that went to the publisher and have restored the text of Sister Carrie to its original purity. Errors of typists and printers have been corrected; cut and censored passages have been reinstated. Not only have original names been restored, but the Pennsylvania edition includes maps, illustrations, and historical notes that further identify these people and places. The edition also includes a selected textual apparatus for the scholar. The characters are significantly altered in this new text: Carrie has more emotional depth, conscience, and sexuality; Hurstwood shows more passion; Drouet is a bit less likable; Ames is a bit more vulnerable. With the inclusion of the original ending, Dreiser's vision becomes- more bleak and deterministic: In its expanded and purified form, Sister Carrie is more tragic and infinitely richer; in effect it is a new work of art by one of the major American novelists of this century.
The new edition of this textbook provides an overview of design principles and techniques for using plants aesthetically and functionally in landscaping. Unique to this book are discussions on using a microcomputer for selecting plants, preparing cost estimates and writing specifications. More than 200 photographs, drawings and sketches highlight numerous graphic techniques for planting plans.
Bringing a black Atlantic approach to constructive postmodern efforts to understand and transcend modern worldviews and modern world orders, Mothership Connections draws upon the work of scholars in the tradition of W. E. B. Du Bois, Charles H. Long, Alfred North Whitehead, and Charles Hartshorne. The author shows that connections to the originating influences of transatlantic slavery and black Atlantic experiences are essential to any adequate account of modernity and postmodernity. He also argues that metaphysics is essential to theology and moral theory, synthesizing neoclassical metaphysics and black theology to develop a black Atlantic account of metaphysical aspects of struggle, power, and ethical deliberation.
Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
The aim of IeCCS 2005, which was held in May 2005, was to bring together leading scientists of the international Computer Science community and to attract original research papers. This volume in the Lecture Series on Computer and Computational Sciences contains the extended abstracts of the presentations. The topics covered included (but were not limited to): Numerical Analysis, Scientific Computation, Computational Mathematics, Mathematical Software, Programming Techniques and Languages, Parallel Algorithms and its Applications, Symbolic and Algebraic Manipulation, Analysis of Algorithms, Problem Complexity, Mathematical Logic, Formal Languages, Data Structures, Data Bases, Information Systems, Artificial Intelligence, Expert Systems, Simulation and Modeling, Computer Graphics, Software Engineering, Image Processing, Computer Applications, Hardware, Computer Systems Organization, Software, Data, Theory of Computation, Mathematics of Computing, Information Systems, Computing Methodologies, Computer Applications and Computing Milieu.
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