This view of the war from the mess deck of a fleet tug is far different from those written from a flag bridge vantage. A Navy radio man, Ted Mason recalls his years of action in the Pacific with candor and humor, offering perceptive evaluations of shipmates and exhibiting cool skepticism toward his leaders. The USS Pawnee rescued many ships during her 25-month tour of the South and Western Pacific, and this story of the heroics performed by her crew makes intriguing reading.
Vigorous and highly readable, this portrait of the enlisted man's life aboard the U.S. battleship California depicts the devastation at Pearl Harbor from the hazardous vantage point of the open "birdbath" atop the mainmast.
This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
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