A rich and enjoyable novel about marriage, love and betrayal, from the great German realist Theodor Fontane. Charming, cheerful Count Holk is delighted to be called away from his solemn wife to the distant court of a Danish princess. Swept up in the romance of his new, lively surroundings at a 'castle by the sea', the Count does not realize that not everyone there is what they seem - and that a wrong decision may have fatal consequences. Published in 1892, this tragicomic work of failing marriage and modern sexual politics is full of the irony, elegance and masterful dialogue for which Theodor Fontane is acclaimed. Theodor Fontane was born in the Prussian province of Brandenburg in 1819. After qualifying as a pharmacist, he made his living as a writer. From 1855 to 1859, he lived in London and worked as a freelance journalist and press agent for the Prussian embassy. While working as a war correspondent during the Franco-Prussian war of 1870-1 he was taken prisoner, but released after two months. His first novel, Before the Storm, was published when he was fifty-eight and was followed by sixteen further novels, of which Effi Briest, No Way Back and On Tangled Paths are all published in Penguin Classics. He died in 1898. Hugh Rorrison and Helen Chambers have both published extensively on German literature, and translated together the Penguin Classics translation of Fontane's Effi Briest. 'No Way Back has the amplitude, the social and personal varieties, we expect of the major social novel; it surely ranks among the most imaginatively challenging and intellectually satisfying attainments in that dominant nineteenth-century form' - Paul Binding, The Spectator 'Helen Chambers and Hugh Rorrison have improved on the previous English version...natural, idiomatic' - Ritchie Robertson, Times Literary Supplement 'Theodor Fontane's standing in Germany is comparable to Jane Austen's in the English-speaking world...his best work is an elegant and engaging blend of irony, penetration and compassion' Helen Chambers
A moving love story and a vivid depiction of Berlin in the 1870s, from Germany's greatest nineteenth-century novelist Theodor Fontane. Lene is a beautiful, orphaned young seamstress, and Botho is a handsome, aristocratic cavalry officer. They are in love, yet know they have only a short time together as society deems their relationship impossible and refuses to acknowledge the seriousness of their feelings. But while Botho appears to have a glittering life ahead of him, the love he feels may yet be his undoing. Published in 1887, On Tangled Paths caused a scandal on publication with its portrayal of a sexual affair across the classes, and is a taut, flawless masterpiece. Theodor Fontane was born in the Prussian province of Brandenburg in 1819. After qualifying as a pharmacist, he made his living as a writer. From 1855 to 1859, he lived in London and worked as a freelance journalist and press agent for the Prussian embassy. While working as a war correspondent during the Franco-Prussian war of 1870-1 he was taken prisoner, but released after two months. His first novel, Before the Storm, was published when he was fifty-eight and was followed by sixteen further novels, of which Effi Briest, No Way Back and On Tangled Paths are all published in Penguin Classics. He died in 1898. Peter James Bowman completed a PhD on Fontane at Cambridge University, and now works as a writer and translator. 'On Tangled Paths has the flawless logic and beautiful design of the novella at its best' - Paul Binding, The Spectator 'There is an undertow of sadness to this novel, yet to read it is a joy, for its humanity, subtlety and visual immediacy' - Ruth Pavey, The Independent 'Theodor Fontane's first true masterpiece; it has a perfect beginning, a perfect ending, and no superfluous sentence in between' - Henry Garland
Theodor Fontane's best-known novel is published in simple language for the first time. Theodor Fontane‘s best-known novel is published in simple language for the first time. It largely complies with the ISO 24495-1:2023 plain language standard. We have also largely adapted it for plain language. The content is also typographically designed to be particularly reader-friendly. The book is suitable for readers with limited reading ability, English as a second language or with cognitive impairments. This means that as many people as possible can enjoy reading and understanding one of Germany‘s most famous novels. aibo publishing produces the World Literature series in simple and plain language. The first publications generated a media response across Europe, including in the FAZ and The Times London, and, according to the NZZ, triggered a “culture war”. “Effi Briest“ is about love and freedom. A young woman is married at an early age. She is torn between her feelings and the strict rules of society. Her curiosity and zest for life are her destiny. She is caught between two men. They fight a duel. This is no longer in keeping with the times. But they don‘t know better. The novel is set in 19th century Germany. It can be compared to the Russian novel “Anna Karenina“ or the French „Madame Bovary“. “Effi Briest“ became world-famous and was often made into a film. Theodor Fontane is considered a representative of poetic realism.
Opposites attract, and Helmut Holk and Christine Arne, the appealing married couple at the center of this engrossing book by one of Germany’s greatest novelists, could not be less alike. Christine is a serious soul from a devout background. She is brooding and beautiful and devoted to her husband and their two children. Helmut is lighthearted and pleasure-loving and largely content to defer to his wife’s deeper feelings and better wisdom. They live in a beautiful large house overlooking the sea, which they built themselves, and have been happily married for twenty-three years—only of late a certain tension has crept into their dealings with each other. Little jokes, casual endearments, long-meditated plans: they all hit a raw nerve. How a couple can slowly drift apart, until one day they find themselves in a situation which is nothing they ever wished for but from which they cannot go back, is at the heart of this timeless story of everyday life. Theodor Fontane’s great gift is to tell the story effectively in his characters’ own words, listening to how they talk and fail to talk to each other, watching them turn away from their own true feelings as much as from each other. Irretrievable is a nuanced, affectionate, enormously sophisticated, and profoundly humane reckoning with the blindness of love.
Theodor Fontane (1819-98), widely regarded as Germany's most significant novelist between Goethe and Thomas Mann, pioneered the German novel of manners and upper-class society, following a trend in European fiction of the period. The Stechlin is Fontane's last book and his political testament. Like Effi Briest, his great work on the place of women in Bismarck's empire, it is set at the apex of the Wilhelmine era, both in Berlin and on the estate of a Prussian Junker on the shores of Lake Stechlin. It is a significant historical and cultural document, probably the finest chronicle of the life style of the German upper classes in the late nineteenth century; Fontane portrays the best in the life and ways of the passing Prussian aristocrats, while describing his hopes for the future of Germany and its nobility, which were never to be fully realized. Although this novel has been translated into many languages, it has never before been available in English; this edition thus fills an important gap in the significant works of European literature accessible to English readers.
After marrying a Baron twice her age and moving to a remote Baltic port, Effi Briest begins an affair that threatens to ruin her marriage and her life.
A rich and enjoyable novel about marriage, love and betrayal, from the great German realist Theodor Fontane. Charming, cheerful Count Holk is delighted to be called away from his solemn wife to the distant court of a Danish princess. Swept up in the romance of his new, lively surroundings at a 'castle by the sea', the Count does not realize that not everyone there is what they seem - and that a wrong decision may have fatal consequences. Published in 1892, this tragicomic work of failing marriage and modern sexual politics is full of the irony, elegance and masterful dialogue for which Theodor Fontane is acclaimed. Theodor Fontane was born in the Prussian province of Brandenburg in 1819. After qualifying as a pharmacist, he made his living as a writer. From 1855 to 1859, he lived in London and worked as a freelance journalist and press agent for the Prussian embassy. While working as a war correspondent during the Franco-Prussian war of 1870-1 he was taken prisoner, but released after two months. His first novel, Before the Storm, was published when he was fifty-eight and was followed by sixteen further novels, of which Effi Briest, No Way Back and On Tangled Paths are all published in Penguin Classics. He died in 1898. Hugh Rorrison and Helen Chambers have both published extensively on German literature, and translated together the Penguin Classics translation of Fontane's Effi Briest. 'No Way Back has the amplitude, the social and personal varieties, we expect of the major social novel; it surely ranks among the most imaginatively challenging and intellectually satisfying attainments in that dominant nineteenth-century form' - Paul Binding, The Spectator 'Helen Chambers and Hugh Rorrison have improved on the previous English version...natural, idiomatic' - Ritchie Robertson, Times Literary Supplement 'Theodor Fontane's standing in Germany is comparable to Jane Austen's in the English-speaking world...his best work is an elegant and engaging blend of irony, penetration and compassion' Helen Chambers
The history of the German novel would have, however, also to record that those writers have secured the most permanent distinction who have most significantly modified in their own way the suggestions which foreign examples gave them, and that the greatest distinction of all belongs to writers whom we can, if we will, associate with one or another of the main currents, but who are by no means carried away by it. In the work of these men the national character of the German novel, if it has a national character, ought to be discoverable. The German novel after Goethe followed his lead. The idea of education by experience, and the idea of the symbolical presentation of the inexplicable background of life, give to some of the greatest examples of prose fiction of the nineteenth century-such as Mörike's "Maler Nolten," Keller's "Grüner Heinrich," and Spielhagen's "Problematische Naturen" — this Goethean, Romantic picturesqueness. If the heroes are seldom great public characters and the background of their lives does not always suggest relations with illimitable space, these facts find their explanation in the German proneness to particularism The best works of four German authors are collected here: and nbsp;Johann Wolfgang von and nbsp;Goethe, and nbsp;Gottfried Keller, and nbsp;Theodor Storm, and nbsp;Theodor Fontane.
Opposites attract, and Helmut Holk and Christine Arne, the appealing married couple at the center of this engrossing book by one of Germany’s greatest novelists, could not be less alike. Christine is a serious soul from a devout background. She is brooding and beautiful and devoted to her husband and their two children. Helmut is lighthearted and pleasure-loving and largely content to defer to his wife’s deeper feelings and better wisdom. They live in a beautiful large house overlooking the sea, which they built themselves, and have been happily married for twenty-three years—only of late a certain tension has crept into their dealings with each other. Little jokes, casual endearments, long-meditated plans: they all hit a raw nerve. How a couple can slowly drift apart, until one day they find themselves in a situation which is nothing they ever wished for but from which they cannot go back, is at the heart of this timeless story of everyday life. Theodor Fontane’s great gift is to tell the story effectively in his characters’ own words, listening to how they talk and fail to talk to each other, watching them turn away from their own true feelings as much as from each other. Irretrievable is a nuanced, affectionate, enormously sophisticated, and profoundly humane reckoning with the blindness of love.
This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958–9, formed the foundation for his later Aesthetic Theory, widely regarded as one of his greatest works. The lectures cover a wide range of topics, from an intense analysis of the work of Georg Lukács to a sustained reflection on the theory of aesthetic experience, from an examination of works by Plato, Kant, Hegel, Schopenhauer, Kierkegaard and Benjamin, to a discussion of the latest experiments of John Cage, attesting to the virtuosity and breadth of Adorno's engagement. All the while, Adorno remains deeply connected to his surrounding context, offering us a window onto the artistic, intellectual and political confrontations that shaped life in post-war Germany. This volume will appeal to a broad range of students and scholars in the humanities and social sciences, as well as anyone interested in the development of critical theory.
Critical Models' combines two of Adorno's most important postwar works - 'Interventions' and 'Catchwords"--And addresses issues such as the dangers of ideological conformity, the fragility of democracy, educational reform, the influence of television and radio and the aftermath and continuity of racism.
Theodor Fontane (1819-98), widely regarded as Germany's most significant novelist between Goethe and Thomas Mann, pioneered the German novel of manners and upper-class society, following a trend in European fiction of the period. The Stechlin is Fontane's last book and his political testament. Like Effi Briest, his great work on the place of women in Bismarck's empire, it is set at the apex of the Wilhelmine era, both in Berlin and on the estate of a Prussian Junker on the shores of Lake Stechlin. It is a significant historical and cultural document, probably the finest chronicle of the life style of the German upper classes in the late nineteenth century; Fontane portrays the best in the life and ways of the passing Prussian aristocrats, while describing his hopes for the future of Germany and its nobility, which were never to be fully realized. Although this novel has been translated into many languages, it has never before been available in English; this edition thus fills an important gap in the significant works of European literature accessible to English readers.
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