Theo Tebbe's Books

The Periodic Table: Nature's Building Blocks

An Introduction to the Naturally Occurring Elements, Their Origins and Their Uses

By: J. Theo Kloprogge,Concepcion P. Ponce,Tom Loomis

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The Periodic Table: Nature's Building Blocks

An Introduction to the Naturally Occurring Elements, Their Origins and Their Uses

By: J. Theo Kloprogge,Concepcion P. Ponce,Tom Loomis

The Periodic Table: Nature’s Building Blocks: An Introduction to the Naturally Occurring Elements, Their Origins and Their Uses addresses how minerals and their elements are used, where the elements come from in nature, and their applications in modern society. The book is structured in a logical way using the periodic table as its outline. It begins with an introduction of the history of the periodic table and a short introduction to mineralogy. Element sections contain their history, how they were discovered, and a description of the minerals that contain the element. Sections conclude with our current use of each element. Abundant color photos of some of the most characteristic minerals containing the element accompany the discussion. Ideal for students and researchers working in inorganic chemistry, minerology and geology, this book provides the foundational knowledge needed for successful study and work in this exciting area. Describes the link between geology, minerals and chemistry to show how chemistry relies on elements from nature Emphasizes the connection between geology, mineralogy and daily life, showing how minerals contribute to the things we use and in our modern economy Contains abundant color photos of each mineral that bring the periodic table to life

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931

Publisher

Elsevier

Published Date

ISBN 10

0128215380

ISBN 13

9780128215388

Young Women in Shakespeare's Comedies

By: Theo Tebbe

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Young Women in Shakespeare's Comedies

By: Theo Tebbe

Bachelor Thesis from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Osnabr ck, 26 entries in the bibliography, language: English, abstract: Compared to other writers of his time, Shakespeare introduces an unusual amount of deep female characters in his comedies. His representation of women, in particular the ways in which his female roles are interpreted and put on stage, have become topics of scientific interest. Especially the young women often show vitality, great intelligence, and a strong sense of personal independence, which marks them as "queen s] of comedy" (Palmer 72). Therefore, they are often referred to as Shakespeare's heroines. In the following, I want to show their importance and point out that each heroine, although they all share character traits, has distinct and unique qualities. In doing so, I will occasionally refer to a secondary literature and involve positions of different critics. Though, my attention will be focussed on the plays treated in this research paper: A Midsummer Night's Dream, As You Like It, Much Ado About Nothing, The Tempest, and Twelfth Night. On the basis of these romantic comedies, I will analyse how the young women are presented and subsequently compare them among one another. In the first part I will look at each heroine individually and introduce their plays. Then I will develop possible similarities between them: Beautiful but unworldly Miranda seems to be totally controlled by her father Prospero, but she shows a strong will in planning a shared future with Ferdinand and she is aware of her superiority to the savage Caliban. Hermia's father similarly chooses her husband. With magic help, however, she and Helena manage to come together with the right partner. Moreover, Helena reveals that she believes in the transformative power of love (MND I.2, 233-4). Viola in Twelfth Night is in a way almost the opposite of Rosalind in As You Like It, although both plays

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GRIN Verlag

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ISBN 10

364017271X

ISBN 13

9783640172719

Why do we dream?

Analysis of various Dream Theories from Ancient Egypt to the Present

By: Theo Tebbe

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Why do we dream?

Analysis of various Dream Theories from Ancient Egypt to the Present

By: Theo Tebbe

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Other, grade: 1,7, University of Osnabrück, course: Forging the American Mind - Literature, Philosophy and the Anticipation of Cognitive Science, language: English, abstract: Dreams can be seen as subjective phenomena that only become realities if we can remember their contents after waking. But how many of you remember your dreams and why do we dream at all? – The first question can easily be answered: About 80% according to the statistics (Jouvet 27). The answer to the second question, however, has puzzled humankind for a long time and even today scientists do not agree on one explicit theory. In my term paper I will present various answers to the question of dreaming given by different dream analysts. At first, I will give a short historical overview on the role of dreams and how they have been seen in different societies. Whereas the Ancient Egypt and the bible attributed a supernatural element to dreams, Aristotle introduced the psychological character of dreams. The main work of my paper will be the analysis of three major perspectives on dream theories: The psychoanalytical, the biological, and the cognitive perspective. Freud argued that dreams express unconscious desires and underlying wishes which he termed the latent content. In contrast, Hobson & McCarley believe that dreams are created because of random activity in the brain during a certain state of sleep (REM). More recent studies done by Stickgold try to be more precise. He argues that the brain is active during sleep because it tries to identify new connections to learn new things from old memory. In a final step, I will apply the different dream theories on a dream from the movie “Requiem for a Dream” (USA, 2000) in order to outline and compare their main features and to show what a dream can tell us about the personality and the life of the dreamer according to the three perspectives.

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GRIN Verlag

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3640635221

ISBN 13

9783640635221

Young women in Shakespeare’s comedies

By: Theo Tebbe

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Young women in Shakespeare’s comedies

By: Theo Tebbe

Bachelor Thesis from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Osnabrück, language: English, abstract: Compared to other writers of his time, Shakespeare introduces an unusual amount of deep female characters in his comedies. His representation of women, in particular the ways in which his female roles are interpreted and put on stage, have become topics of scientific interest. Especially the young women often show vitality, great intelligence, and a strong sense of personal independence, which marks them as “queen[s] of comedy” (Palmer 72). Therefore, they are often referred to as Shakespeare’s heroines. In the following, I want to show their importance and point out that each heroine, although they all share character traits, has distinct and unique qualities. In doing so, I will occasionally refer to a secondary literature and involve positions of different critics. Though, my attention will be focussed on the plays treated in this research paper: A Midsummer Night’s Dream, As You Like It, Much Ado About Nothing, The Tempest, and Twelfth Night. On the basis of these romantic comedies, I will analyse how the young women are presented and subsequently compare them among one another. In the first part I will look at each heroine individually and introduce their plays. Then I will develop possible similarities between them: Beautiful but unworldly Miranda seems to be totally controlled by her father Prospero, but she shows a strong will in planning a shared future with Ferdinand and she is aware of her superiority to the savage Caliban. Hermia’s father similarly chooses her husband. With magic help, however, she and Helena manage to come together with the right partner. Moreover, Helena reveals that she believes in the transformative power of love (MND I.2, 233-4). Viola in Twelfth Night is in a way almost the opposite of Rosalind in As You Like It, although both plays deal with a cross-dressed heroine. Whereas Rosalind can tease Orlando, always knowing that he is in love with her and being moreover able to reveal herself to him whenever she wants, Viola feels trapped in her disguise and has to work for the man she is in love with and even woo another woman on his behalf. Beatrice may not disguise herself in order to show her power like Rosalind, but she is nevertheless a strong female character: she marries only after asserting her dislike for the traditionally minor role of women in marriage and courtship in that time.[...]

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GRIN Verlag

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ISBN 10

3640170733

ISBN 13

9783640170739

The funny side of the United Kingdom

Analysing British humour with special regard to John Cleese and his work

By: Theo Tebbe

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The funny side of the United Kingdom

Analysing British humour with special regard to John Cleese and his work

By: Theo Tebbe

Seminar paper from the year 2007 in the subject English Language and Literature Studies - Linguistics, grade: 1,7, University of Osnabrück, course: British Life and Times , language: English, abstract: If people who are living outside the United Kingdom are asked to characterise British humour, many of them will probably mention the jokes of one of the Monty Python series or maybe famous quotes from the British sitcom Fawlty Towers; and if you ask these people which person they would associate with the shows, the answer will probably be: John Cleese. He is well known in nearly all European countries and even in the United States. But how did he become that famous or maybe even a label for today’s view on English humour? In my research paper I want to point out Cleese’s significance for British Comedy and humour. At first, I would like to give a general definition of the term and at the same time look at different types of humour in order to investigate why people start grinning or laughing in certain situations. I will present some criteria which can detect different types of humour and consider humour on phonological and syntactical levels. Then I want to work out if there is a special concept of humour in the United Kingdom and if this humour even characterises the British culture. In a next step I will compare the stereotypical concept of British and German humour to show that they are at least rated as being contradictory. After I have shown some typical styles and techniques of the British humour, my central focus will be on John Cleese. I want to give an overview of his life and introduce people who are close to him or supported him in his career. In doing so I will also concentrate on his major achievements: e.g. Monty Python’s Flying Circus and their films and Fawlty Towers. Their popularity throughout the world is really remarkable and shows that Cleese and his friends possibly managed to broadcast a new sense of humour. I will therefore finally analyse their and particular Cleese’s share in British sense of humour.

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GRIN Verlag

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ISBN 10

3640169468

ISBN 13

9783640169467

Book's by Theo Tebbe

The Periodic Table: Nature's Building Blocks

The Periodic Table: Nature's Building Blocks

Young Women in Shakespeare's Comedies

Young Women in Shakespeare's Comedies

Why do we dream?

Why do we dream?

Young women in Shakespeare’s comedies

Young women in Shakespeare’s comedies

The funny side of the United Kingdom

The funny side of the United Kingdom

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