1154, Oseney Priory, Oxford. When the first performance of The Play of Adamends in tragedy, the author is compelled to pen a grim warning for the generations that follow: 'BEWARE THE SINS OF ENVY AND VAINGLORY, ELSE FOUL MURDER ENDS YOUR STORY' But his words are not heeded, and as the play is performed in many guises throughout the ages, bad luck seems to follow after those involved in its production. When a snow storm diverts two disparate parties of travellers to the busy market town of Carmarthen in the winter of 1199, an enigmatic stranger appears and requests to stage the play to alleviate tensions, but on the eve of the performance the actor chosen to play Cain is found dead. When the play is performed in the city of Ely in 1361, the townspeople fear the play has unleashed a demon upon the town after a gruesome discovery is made in the Cathedral. And from Shakespeare's London to war-time Surrey, no matter the time or the place, each production always seems to end in disaster. Perhaps it is simply the curse of thespian rivalry that is to blame. Or does the story of man's first murder somehow infect all who re-enact it?
AD 848.Bernwyn of Lythe, the young daughter of an ealdorman, spurns marriage and chooses to remain a virgin dedicated to Christ. When she is found murdered in the chapel where she kept her nightly vigils, it is thought that she has fallen victim to the Viking raiders who are ravaging the country and the butterflies found resting on her body are taken to be a sign from God. But what if Bernwyn was not all she seemed? Could the saintly deeds attributed to her have been carried out by someone else and the people have set up a shrine to a false virgin? Throughout the ages, St Bernwyn comes to be regarded as the patron saint of those suffering from skin diseases, and many are drawn on pilgrimage to her shrines. But from a priory in Wales to the Greek island of Sifnos, it seems that anywhere that St Bernwyn is venerated, bitter rivalry breaks out. So when a famous poet is inspired to tell the story of the saint, perhaps it is little wonder that he finds himself writing a satirical piece on the credulity of man.
A mysterious book of prophecies left by a sixth century Irish monk has baffled scholars through the ages. Foretelling wars, plagues and rebellions, it is said to have predicted the Black Death and the Gunpowder Plot. Some believe it foresees the Day of Judgement. But is it the result of divine inspiration or the ravings of a madman?
In the spring of 1348, tales begin arriving in England of poisonous clouds fast approaching, which have overwhelmed whole cities and even countries, with scarcely a human being left. While some pray more earnestly and live yet more devoutly, others vow to enjoy themselves and blot out their remaining days on earth by drinking and gambling. And then there are those who hope that God's wrath might be averted by going on a pilgrimage. But if God was permitting his people to be punished by this plague, then it surely could only be because they had committed terrible sins? So when a group of pilgrims are forced to seek shelter at an inn, their host suggests that the guests should tell their tales. He dares them to tell their stories of sin, so that it might emerge which one is the best.That is, the worst ...
1067. In the desolate wastes of Greenland, a band of hunters discover a strangely-shaped meteor which has fallen from the sky. At first, the mysterious 'sky-stone' seems to bring good luck, healing a lame boy and guaranteeing a good catch of furs. But violence and murder soon follow in fortune's wake as the villagers fight and struggle among themselves to get control of the precious stone. Over the next six hundred years, the Sky-Stone falls into the hands of crusading knights, the wicked Sheriff of Devon, a group of radical young kabalists, the dying King Henry III and a band of travelling players. Each time, the stone brings treachery, discord and violent death to those who seek to possess it.
From its first arrival in Britain with the Norman forces of William the Conqueror, violence and revenge are the cursed sword's constant companions. From an election-rigging scandal in 13th century Venice to the battlefield of Poitiers in 1356, as the Sword of Shame passes from owner to owner in this compelling collection of interlinked mysteries, it brings nothing but bad luck and disgrace to all whoever possesses it.
July, 1100. Jerusalem lies ransacked. Amidst the chaos, an English knight is entrusted with a valuable religious relic: a fragment of the True Cross, allegedly stained with the blood of Christ. The relic is said to be cursed: anyone who touches it will meet an untimely and gruesome end. Several decades later, the Cross turns up in the possession of a dealer, robbed and murdered en route to Glastonbury. Investigating the death, Bernard Knight's protagonist, Crowner John learns of its dark history. In Oxford in 1269, the discovery of a decapitated monk leads Ian Morson's academic sleuth William Falconer to uncover a link to the relic. In 1323, in Exeter, Michael Jecks' Sir Baldwin has reason to suspect its involvement in at least five violent deaths. Thirty years later, several suspicious deaths occur in Cambridge - and, once again, the tainted relic has a crucial part to play. Finally, it's despatched to London, where Philip Gooden's Nick Revill will determine its ultimate fate.
In the spring of 1348, tales begin arriving in England of poisonous clouds fast approaching, which have overwhelmed whole cities and even countries, with scarcely a human being left. While some pray more earnestly and live yet more devoutly, others vow to enjoy themselves and blot out their remaining days on earth by drinking and gambling. And then there are those who hope that God's wrath might be averted by going on a pilgrimage. But if God was permitting his people to be punished by this plague, then it surely could only be because they had committed terrible sins? So when a group of pilgrims are forced to seek shelter at an inn, their host suggests that the guests should tell their tales. He dares them to tell their stories of sin, so that it might emerge which one is the best.That is, the worst ...
A mysterious book of prophecies left by a sixth century Irish monk has baffled scholars through the ages. Foretelling wars, plagues and rebellions, it is said to have predicted the Black Death and the Gunpowder Plot. Some believe it foresees the Day of Judgement. But is it the result of divine inspiration or the ravings of a madman?
Bermondsey Priory, 1114. A young chaplain succumbs to the temptations of the flesh - and suffers a gruesome punishment. From that moment, the monastery is cursed, and over the next 500 years, murder and treachery abound within its hallowed walls. A beautiful young bride found dead two days before her wedding. A ghostly figure that warns of impending doom. A daring plot to depose King Edward II. Mad monks and errant priests . . . even the poet Chaucer finds himself drawn into the dark deeds and violent death which pervade this unhappy place.
1191. During excavation work at Glastonbury Abbey, an ancient leaden cross is discovered buried several feet below ground. Inscribed on the cross are the words: Hic iacet sepultus inclitus rex arturius... Here lies buried the renowned King Arthur. Beneath the cross are skeletal remains. Could these really be the remains of the legendary King Arthur and his queen, Guinevere? As the monks debate the implications of this extraordinary discovery, the bones disappear - spirited away by the mysterious Guardians, determined to keep the king's remains safe until the ancient legend is fulfilled and Arthur returns to protect his country in the hour of its greatest need. A missing right hand. A gang of ruthless bodysnatchers. Brother accused of killing brother. As the secret of the bones' hiding place is passed from generation to generation, those entrusted to safeguard Arthur's remains must withstand treachery, theft, blackmail and murder in order to keep the legend intact.
AD 848.Bernwyn of Lythe, the young daughter of an ealdorman, spurns marriage and chooses to remain a virgin dedicated to Christ. When she is found murdered in the chapel where she kept her nightly vigils, it is thought that she has fallen victim to the Viking raiders who are ravaging the country and the butterflies found resting on her body are taken to be a sign from God. But what if Bernwyn was not all she seemed? Could the saintly deeds attributed to her have been carried out by someone else and the people have set up a shrine to a false virgin? Throughout the ages, St Bernwyn comes to be regarded as the patron saint of those suffering from skin diseases, and many are drawn on pilgrimage to her shrines. But from a priory in Wales to the Greek island of Sifnos, it seems that anywhere that St Bernwyn is venerated, bitter rivalry breaks out. So when a famous poet is inspired to tell the story of the saint, perhaps it is little wonder that he finds himself writing a satirical piece on the credulity of man.
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