Feel the inspiration as the mists lift over Maggie Valley; cradle of the Smoky Mountains. Participate in the unveiling of God's canvas as He choses the colors to paint the day. Soar to new heights on the wings of love and rest among cotton candy clouds. Relive family memories as you are transported to a simpler time. You will be profoundly touched and gently reminded of the legacies we leave behind. Sandra's poetic journey began at the foot of the Smoky Mountains, in Maggie Valley, North Carolina. Her writing gained recognition when she was nominated by the International Society of Poets for Poet of the Year and International Poet of Merit for "The Window." Sandra currently continues her writing in North Carolina.
Once more, Sandra Kelly weaves for us a tapestry of timeless beauty that began with her first book, Subtle Expressions. Immerse yourself in the compelling imagery of Soul Songs as Sandra's words wrap gently around your imagination, transporting you to a world graced with tranquility. Soul Songs will prove to be a welcome addition to your home and a treasured gift to share.
Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time- on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English.The first half of the book, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical andcreative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; orof our planet, long-lived but not eternal.The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company). And on allusion within poetry to prose (A E.Housman); on translation as exercising allusion (David Ferry); and on the clash between one poet's practice and his critical principles (Yvor Winters).
Our Anthology "MOSAIC OF WORDS" contains marvellous literary work of various authors across the whole Bharat. It is a compiled to give a platform to the budding writers of our great nation and help them in coming forward and present their literary work in front of the whole world. While reading this book, the reader will experience a wholesome of different emotions affecting our internal feelings. This special series contains different types of poetry, prose, short stories, etc in multiple languages like English, Hindi or vernacular
A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, ‘erudite’ imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light. This first of two volumes boasts five of the best-known plays of the period, each with its own historical and critical introduction. Also included is a general introduction by the editor, which discusses the features of Italian Renaissance comedy, as well as examines the stage histories of the plays and what little is known, in many cases, of the circumstances surrounding their original performances. The introduction raises questions concerning the nature of audiences, the festival occasions during which the plays were performed, and the academies which sponsored many of their creations. As a much-needed reappraisal of these comedic plays, Renaissance Comedy is an invaluable look at the performance history of the Renaissance and Italian culture in general.
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