Despite its rough-and-tumble image, Chicago has long been identified as a city where books take center stage. In fact, a volume by A. J. Liebling gave the Second City its nickname. Upton Sinclair’s The Jungle arose from the midwestern capital’s most infamous industry. The great Chicago Fire led to the founding of the Chicago Public Library. The city has fostered writers such as Nelson Algren, Saul Bellow, and Gwendolyn Brooks. Chicago’s literary magazines The Little Review and Poetry introduced the world to Eliot, Hemingway, Joyce, and Pound. The city’s robust commercial printing industry supported a flourishing culture of the book. With this beautifully produced collection, Chicago’s rich literary tradition finally gets its due. Chicago by the Book profiles 101 landmark publications about Chicago from the past 170 years that have helped define the city and its image. Each title—carefully selected by the Caxton Club, a venerable Chicago bibliophilic organization—is the focus of an illustrated essay by a leading scholar, writer, or bibliophile. Arranged chronologically to show the history of both the city and its books, the essays can be read in order from Mrs. John H. Kinzie’s 1844 Narrative of the Massacre of Chicago to Sara Paretsky’s 2015 crime novel Brush Back. Or one can dip in and out, savoring reflections on the arts, sports, crime, race relations, urban planning, politics, and even Mrs. O’Leary’s legendary cow. The selections do not shy from the underside of the city, recognizing that its grit and graft have as much a place in the written imagination as soaring odes and boosterism. As Neil Harris observes in his introduction, “Even when Chicagoans celebrate their hearth and home, they do so while acknowledging deep-seated flaws.” At the same time, this collection heartily reminds us all of what makes Chicago, as Norman Mailer called it, the “great American city.” With essays from, among others, Ira Berkow, Thomas Dyja, Ann Durkin Keating, Alex Kotlowitz, Toni Preckwinkle, Frank Rich, Don Share, Carl Smith, Regina Taylor, Garry Wills, and William Julius Wilson; and featuring works by Saul Bellow, Gwendolyn Brooks, Sandra Cisneros, Clarence Darrow, Erik Larson, David Mamet, Studs Terkel, Ida B. Wells-Barnett, Frank Lloyd Wright, and many more.
San Diego in the 1930s offers a lively account of the city’s culture, roadside attractions, and history—from the days of the Spanish missions to the pre-Second World War boom. The guide is revealing both in the opinions it embodies and in the juicy details it records—tidbits such as the bloodiest and most incompetently fought battle of the Mexican-American War, Emma Goldman’s abruptly terminated speech to local Wobblies in 1912, and even a delightfully anachronistic way to beat a San Diego speeding ticket. Brimming with tours that can prove challenging to retrace, this book reminds us of the changes wrought by seven decades of intervening war, peace, and biotechnology. Unlatching a remarkable trapdoor into the past, this compact and charming document of the Depression era invites repeated browsing and is generously illustrated with striking black-and-white photographs that bring the period to life.
Each edition of "Foundation Reporter gives you all the important contact, financial and grants information on the top 1,000 private foundations in the United States. In addition to providing biographical data on foundation officers and directors, entries examine a foundation's giving philosophy, financial summary, history of donors, geographic preferences, application procedures and restrictions, and more. Includes an updated appendix of more than 2,500 abridged private foundation entries providing additional funding sources. Thirteen indexes facilitate research.
This is the definitive concise military history of the Revolutionary War and the fourth volume in the West Point History of Warfare series is packed with essential images, exclusive tactical maps, and expert analysis commissioned by The United States Military Academy at West Point to teach the art of war to West Point cadets. The United States Military Academy at West Point is the gold standard for military history and the operational art of war, and has created military history texts for its cadets since 1836. Now, for the first time in more than forty years, the Academy has authorized a new series on the subject that will bear the name West Point. The first three volumes of the West Point History of Warfare released to the public have received rave reviews (and an Army Historical Foundation Distinguished Writing Award) for their “superbly written” texts and their extraordinary maps, images, and data visualizations. The West Point History of the American Revolution is the last volume in this series of definitive concise military histories. Before it was a military academy, West Point was the most important fortress of the American Revolutionary War. Cadets at the Academy learn about the War of Independence in their “History of the Military Art” course, and now this text is available to the public so everyone can understand the birth of the United States Army, the military leadership of Generals George Washington and Nathanael Greene, and the failed British strategies that shaped the conflict. Award-winning military historians Samuel J. Watson, Edward Lengel, and Stephen Conway explain the military and political background to the war and its immediate causes, conduct, and consequences. Concise narrative and lucid analysis are complemented by an impressive array of artworks, contemporary cartoons, excerpts from participants’ letters and memoirs, and dozens of full-color maps prepared under the direction of West Point military historians. Authoritative, illuminating, and beautiful, The West Point History of the American Revolution belongs in the library of every serious student of the American Revolution.
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