Isaac Newton published little but wrote hundreds of manuscripts, the bulk of them on alchemy, prophecy and theology. His writings on the Temple of Solomon have widely been thought to have been written in old age or possibly after a nervous breakdown in 1693. In fact, his study of the Temple spanned more than fifty years. This book examines Newton's work in the context of his times, when the Temple was a popular subject for academics, and models were displayed to the general public. The author provides insight into Newton's writings in Latin on Solomon's Temple, along with a model reconstructed from his interpretation of its structure, symmetry and proportional elegance.
In this volume, Roynon explores Toni Morrison's widespread engagement with ancient Greek and Roman tradition. Discussing all ten of her published novels to date, Roynon examines the ways in which classical myth, literature, history, social practice, and religious ritual make their presence felt in Morrison's writing. Combining original and detailed close readings with broader theoretical discussion, she argues that Morrison's classical allusiveness is characterized by a strategic ambivalence. Adopting a thematic, rather than novel-by-novel approach, Roynon demonstrates that Morrison's classicism is fundamental to the transformative critique of American history and culture that her work effects. Building on recent developments in race theory, transnational studies, and Classical Reception studies, the volume positions Morrison within a genealogy of intellectuals who have challenged the purported conservative nature of Greek and Roman tradition, and who have revealed its construction as a 'white' or pure and purifying force to be a fabrication of the Enlightenment. Exploring the ways in which Morrison's dialogue with Homer, Aeschylus, Euripides, Virgil, and Ovid relates to her simultaneous dialogue with many other American literary forebears - from Cotton Mather to Willa Cather, or from Pauline Hopkins to F.Scott Fitzgerald and William Faulkner - Roynon shows that Morrison's classicism enables her to fulfil her own imperative that 'the past has to be revised'.
In this volume, Roynon explores Toni Morrison's widespread engagement with ancient Greek and Roman tradition. Discussing all ten of her published novels to date, Roynon examines the ways in which classical myth, literature, history, social practice, and religious ritual make their presence felt in Morrison's writing. Combining original and detailed close readings with broader theoretical discussion, she argues that Morrison's classical allusiveness is characterized by a strategic ambivalence. Adopting a thematic, rather than novel-by-novel approach, Roynon demonstrates that Morrison's classicism is fundamental to the transformative critique of American history and culture that her work effects. Building on recent developments in race theory, transnational studies, and Classical Reception studies, the volume positions Morrison within a genealogy of intellectuals who have challenged the purported conservative nature of Greek and Roman tradition, and who have revealed its construction as a 'white' or pure and purifying force to be a fabrication of the Enlightenment. Exploring the ways in which Morrison's dialogue with Homer, Aeschylus, Euripides, Virgil, and Ovid relates to her simultaneous dialogue with many other American literary forebears - from Cotton Mather to Willa Cather, or from Pauline Hopkins to F.Scott Fitzgerald and William Faulkner - Roynon shows that Morrison's classicism enables her to fulfil her own imperative that 'the past has to be revised'.
During the vacations, I was traveling, working and doing sports every day. After the vacations, I suddenly look like a new person: shorter hair, slimmer figure, but the guy I like now has a girlfriend. My summer was actually pretty good, with a few exceptions of course, but now I want to go back to school even less. At school, it's one topic after another and when Simon enters the classroom, it's clear that my changes aren't the only drama this year. But the biggest surprise awaits me after school when I meet Professor Monroe in the empty auditorium. There is a crackle of unspoken tension and unexpected compliments between us. His closeness throws me off balance and raises questions I would never have dared to ask myself. As I try to heal my broken heart and cope with the new school year, I have no idea that the biggest challenge still lies ahead.
Even though he is the son of a Dutch mother, Saeed has a Moroccan first name in memory of the virtuoso oud player his mother fell in love with twenty years ago. When she found out she was pregnant, he ran off and returned to Morocco. Saeed decides to look for his father, in the hope of finding a new identity in a new world. His childhood friend Hassan accompanies him. Back then they shared an imaginary land which they both ruled. Now they only have one starting point: a grocery shop in Fez. From there they follow the trail of the oud player, who leads them from the cedar woods of Ifrane to the red dunes of the desert to the high Atlas, where Kasbahs are locked in a losing battle with decay. Saeed's search sends him deeper into disillusionment and into the arms of Islam, where he tries to find something to hold on to. But there is a disturbing presence. A seemingly fictitious character from their imaginary past infiltrates Saeed's quest. While Saeed desperately tries to get rid of him, different aspects of his life, more and more beyond his control, reach an apotheosis resulting in one final deed affecting man and beast alike.
Dass Sierra auf Frauen steht, weiß sie schon seit 6 Jahren. Mit dem Schwarm auf Gal Gadot in Superwoman, während ihre Mitschülerinnen von Chris Pine und seinem Sixpack redeten, wurde ihr klar, dass sie doch nicht so normal war wie sie immer annahm. Spätestens auf ihrer ersten Party, die mit Gia, einem Kuss in der letzten Kabine der Mädchentoilette und viel Verschwiegenheit endete, sah sie ein, dass eine Beziehung mit einem Mann für sie niemals in Frage kommen würde. Dann trifft sie auf Jude. Jude, die sich noch nicht einmal sicher ist, was sie zum Mittag essen möchte und die Sierras ganze Welt auf den Kopf stellt.
In the HOME FRONT series, this volume shows how to make the very best use of space. Each storage solution has before-and-after shots, step-by-step projects and illustrations and practical advice and tips on everything from wiring and plumbing to using environmentally friendly materials.
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