Twenty-nine-year-old suburban mother of three, Clare Menges' comfortable world is disrupted when her best friend's lover appears in her life. Hadley constructs a beautifully fashioned and intimate portrait of family life in our times.
“With each new book by Tessa Hadley, I grow more convinced that she’s one of the greatest stylists alive.”—Ron Charles, Washington Post New York Times Book Review Editors' Choice |A Parnassus First Editions Club Pick | Powell’s Indispensable Book Club Pick | A Washington Post Notable Book | A Slate Best Book of the Year | A Boston Globe Best Book of the Year | A Bookpage Best Book of the Year The lives of two close-knit couples are irrevocably changed by an untimely death in the latest from Tessa Hadley, the acclaimed novelist and short story master who “recruits admirers with each book” (Hilary Mantel). Alexandr and Christine and Zachary and Lydia have been friends since they first met in their twenties. Thirty years later, Alex and Christine are spending a leisurely summer’s evening at home when they receive a call from a distraught Lydia: she is at the hospital. Zach is dead. In the wake of this profound loss, the three friends find themselves unmoored; all agree that Zach, with his generous, grounded spirit, was the irreplaceable one they couldn’t afford to lose. Inconsolable, Lydia moves in with Alex and Christine. But instead of loss bringing them closer, the three of them find over the following months that it warps their relationships, as old entanglements and grievances rise from the past, and love and sorrow give way to anger and bitterness. Late in the Day explores the complex webs at the center of our most intimate relationships, to expose how, beneath the seemingly dependable arrangements we make for our lives, lie infinite alternate configurations. Ingeniously moving between past and present and through the intricacies of her characters’ thoughts and interactions, Tessa Hadley once again “crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural” (Washington Post).
A masterful collection of stories that plumb the depths of everyday life to reveal the shifting tides and hidden undercurrents of ordinary relationships—"a revelation for aficionados of the form, as vibrant and knowing as the best of Hadley's celebrated career." —Washington Post “Hadley is pure magic and After the Funeral is a triumph.”—Lily King, New York Times best-selling author of Writers & Lovers and Euphoria “Hadley brings her eloquent prose and her psychological acuity to the relationships—between siblings, friends, lovers, parents, and children—that shape us and change us, that call into question our view of ourselves and our place in the world.” —The New Yorker In each of these twelve stories, small events have huge consequences. Heloise’s father died in a car crash when she was a little girl; at a dinner party in her forties, she meets someone connected to that long-ago tragedy. Two estranged sisters cross paths at a posh hotel and pretend not to recognize each other. Janie’s bohemian mother plans to marry a man close to Janie’s own age—everything changes when an accident interrupts the wedding party. A daughter caring for her elderly mother during the pandemic becomes obsessed with the woman next door; in the wake of his best friend’s death, a man must reassess his affair with the friend’s wife. Cecilia, a teenager, wakes one morning in Florence on vacation with her parents and sees them for the first time through disenchanted eyes. As psychologically astute as they are emotionally rich, these stories illuminate the enduring conflicts between responsibility and freedom, power and desire, convention and subversion, reality and dreams. A vital addition to Tessa Hadley’s celebrated body of work, After the Funeral and Other Stories showcases what Colm Tóibín describes as "Tessa Hadley's extraordinary skill at making both surface life and deep interiors come fully alive.
“Filled with exquisitely calibrated gradations and expressions of class, conducted with symphonic intensity and complexity. . . . Extraordinarily well-made.” —New York Times Book Review Married Love is a masterful collection of short fiction from one of today’s most accomplished storytellers. These tales showcase the qualities for which Tessa Hadley has long been praised: her humor, warmth, and psychological acuity; her powerful, precise, and emotionally dense prose; her unflinching examinations of family relationships. Here are stories that range widely across generations and classes, exploring the private and public lives of unforgettable characters: a young girl who haunts the edges of her parents’ party; a wife released by the sudden death of her film-director husband; an eighteen-year-old who insists on marrying her music professor, only to find herself shut out from his secrets. Hadley evokes worlds that expand in the imagination far beyond the pages, capturing domestic dramas, generational sagas, wrenching love affairs and epiphanies, and distilling them to remarkable effect. “Hadley parses the meaning of love in all its paradoxical, panoramic glory.” —Booklist “These stories are gemlike and unforgettable.” —Kate Tuttle, Boston Globe “One of the most interesting writers around.” —Philip Womack, The Spectator “Only Alice Munro and Colm Tóibin . . . are so adept at portraying whole lives in a few thousand words. . . . Hadley joins their company as one of the most clear-sighted chroniclers of contemporary emotional journeys.” —Edmund Gordon, The Guardian “There is a grand sweep and an emotional charge that brings to mind DH Lawrence.” —Elena Seymenliyska, Daily Telegraph (London)) “An exceptional storyteller.” —Library Journal “Shrewd, insightful, unpredictable.” —Kirkus Reviews
An irresistible novella about two sisters and a night that changes everything, from the master chronicler of our heart’s hidden desires. ‘Tessa Hadley is my favourite author’ KATE ATKINSON Evelyn had the surprising thought that bodies were sometimes wiser than the people inside them. She’d have liked to impress somebody with this idea, but couldn’t explain it. On a winter Saturday night in post-war Bristol, sisters Moira and Evelyn, on the cusp of adulthood, go to an art students’ party in a dockside pub; there they meet two men, Paul and Sinden, whose air of worldliness and sophistication both intrigues and repels them. Sinden calls a few days later to invite them over to the grand suburban mansion Paul shares with his brother and sister, and Moira accepts despite Evelyn’s misgivings. As the night unfolds in this unfamiliar, glamorous new setting, the sisters learn things about themselves and each other that shock them, and release them into a new phase of their lives. ‘Few writers give me such consistent pleasure’ ZADIE SMITH ‘Hadley’s extraordinary skill [is] making both surface life and deep interiors come fully alive’ COLM TÓIBÍN ‘Tessa Hadley recruits admirers with each book’ HILARY MANTEL
Winner of the Windham Campbell Prize • A Washington Post Best Book of the Year • A Time Best Book of the Year • A San Francisco Chronicle Top 10 Book of the Year • A Huffington Post Best Fiction Book of the Year • A New York Times Editors’ Choice In her most accessible, commercial novel yet, the “supremely perceptive writer of formidable skill and intelligence (New York Times Book Review) turns her astute eye to a dramatic family reunion, where simmering tensions and secrets come to a head over three long, hot summer weeks. With five novels and two collections of stories, Tessa Hadley has earned a reputation as a fiction writer of remarkable gifts. She brings all of her considerable skill and an irresistible setup to The Past, a novel in which three sisters, a brother, and their children assemble at their country house. These three weeks may be their last time there; the upkeep is prohibitive, and they may be forced to sell this beloved house filled with memories of their shared past (their mother took them there to live when she left their father). Yet beneath the idyllic pastoral surface, hidden passions, devastating secrets, and dangerous hostilities threaten to consume them. Sophisticated and sleek, Roland’s new wife (his third) arouses his sisters’ jealousies and insecurities. Kasim, the twenty-year-old son of Alice’s ex-boyfriend, becomes enchanted with Molly, Roland’s sixteen-year-old daughter. Fran’s young children make an unsettling discovery in a dilapidated cottage in the woods that shatters their innocence. Passion erupts where it’s least expected, leveling the quiet self-possession of Harriet, the eldest sister. Over the course of this summer holiday, the family’s stories and silences intertwine, small disturbances build into familial crises, and a way of life—bourgeois, literate, ritualized, Anglican—winds down to its inevitable end. With subtle precision and deep compassion, Tessa Hadley brilliantly evokes a brewing storm of lust and envy, the indelible connections of memory and affection, the fierce, nostalgic beauty of the natural world, and the shifting currents of history running beneath the surface of these seemingly steady lives. The result is a novel of breathtaking skill and scope that showcases this major writer’s extraordinary talents.
Winner of the Edge Hill Short Story Prize A New York Times Notable Book of the Year An NPR Best Book of the Year The award-winning author of The Past once again "crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural" (Washington Post), in a collection of stories that elevate the mundane into the exceptional. The author of six critically acclaimed novels, Tessa Hadley has proven herself to be the champion of revealing the hidden depths in the deceptively simple. In these short stories it’s the ordinary things that turn out to be most extraordinary: the history of a length of fabric or a forgotten jacket. Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, made strange by the darkness; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: each of these stories illuminate crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys; a young woman reads the diaries she discovers while housesitting. Small acts have large consequences, some that can reverberate across decades; private fantasies can affect other people, for better and worse. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams. Bad Dreams and Other Stories demonstrates yet again that Tessa Hadley "puts on paper a consciousness so visceral, so fully realized, it heightens and expands your own. She is a true master" (Lily King, author of Euphoria).
Few writers give me such consistent pleasure' Zadie Smith Four siblings meet up in their grandparents' old house for three long, hot summer weeks. But under the idyllic surface lie shattering tensions. Roland has come with his new wife, and his sisters don't like her. Fran has brought her children, who soon uncover an ugly secret in a ruined cottage in the woods. Alice has invited Kasim, an outsider, who makes plans to seduce Roland's teenage daughter. And Harriet, the eldest, finds her quiet self-possession ripped apart when passion erupts unexpectedly. Over the course of the holiday, a familiar way of life falls apart forever. 'Exquisite' The Times 'Wonderful' Guardian 'Magnificent' Sunday Times
Joyce Stevenson is thirteen when her widowed mother takes them to live with Aunt Vera, a formidable teacher neglected by her unfaithful husband. Joyce watches the two sisters - her aunt's unbending dedication to the life of the mind, her mother worn down by housework - and thinks that each of them is powerless in her own way. For Joyce, art school provides an escape route, and there she falls in love with one of her teachers. When she marries and has children, she is determined to manage her relationship with a new freedom, and to save herself from the mistakes of the previous generation. But her daughter Zoe, growing up, comes to see Joyce as a bourgeois housewife, limited by domesticity. When Zoe has a baby of her own, she wants to combine motherhood with an engagement in the wider world of politics and thought.
“Tessa Hadley recruits admirers with each book. She writes with authority, and with delicacy: she explores nuance, but speaks plainly; she is one of those writers a reader trusts.”—Hilary Mantel From the bestselling author of Late in the Day and The Past comes a compulsive new novel about one woman’s sexual and intellectual awakening in 1960s London. 1967. While London comes alive with the new youth revolution, the suburban Fischer family seems to belong to an older world of conventional stability: pretty, dutiful homemaker Phyllis is married to Roger, a devoted father with a career in the Foreign Office. Their children are Colette, a bookish teenager, and Hugh, the golden boy. But when the twenty-something son of an old friend pays the Fischers a visit one hot summer evening, and kisses Phyllis in the dark garden after dinner, something in her catches fire. Newly awake to the world, Phyllis makes a choice that defies all expectations of her as a wife and a mother. Nothing in these ordinary lives is so ordinary after all, it turns out, as the family’s upheaval mirrors the dramatic transformation of the society around them. With scalpel-sharp insight, Tessa Hadley explores her characters’ inner worlds, laying bare their fears and longings. Daring and sensual, Free Love is an irresistible exploration of romantic love, sexual freedom and living out the truest and most meaningful version of our selves – a novel that showcases Hadley’s unrivaled ability to “put on paper a consciousness so visceral, so fully realized, it heightens and expands your own” (Lily King, author of Euphoria).
Clever Girl is an indelible story of one woman’s life, unfolded in a series of beautifully sculpted episodes that illuminate an era, moving from the 1960s to today, from one of Britain’s leading literary lights—Tessa Hadley—the author of the New York Times Notable Books Married Love and The London Train. Like Alice Munro and Colm Tóibin, Tessa Hadley brilliantly captures the beauty, innocence, and irony of ordinary lives—an ability to transform the mundane into the sublime that elevates domestic fiction to literary art. Written with the celebrated precision, intensity, and complexity that have marked her previous works, Clever Girl is a powerful exploration of family relationships and class in modern life, witnessed through the experiences of an English woman named Stella. Unfolding in a series of snapshots, Tessa Hadley’s moving novel follows Stella from the shallows of childhood, growing up with a single mother in a Bristol bedsit in the 1960s, into the murky waters of middle age. Clever Girl is a story vivid in its immediacy and rich in drama—violent deaths, failed affairs, broken dreams, missed chances. Yet it is Hadley’s observations of everyday life, her keen skill at capturing the ways men and women think and feel and relate to one another, that dazzles.
An improbable coincidence brings Clare back into contact with someone she once had sex with at a teenage party; complicatedly, he is now going out with her best friend, Helly. The encounter needn't have meant anything - it could just have been funny, or embarrassing - but it seems to have the power to shake up everything in Clare's life. Clare is married with three small children, she bakes her own bread and buys her clothes from the charity shop. Helly is an actress and has her golden curves pasted up on billboards ten foot high. And each of them seems to want what the other has. Clare's story is intertwined with other stories of her extended family. Her father has been married three times and left a trail of children. Accidents in the Home dips in and out of the lives of this complicated, close, fraught family, reaching out into the past for explanation and illumination as well as across the present. It is the debut of a quite formidable fictional talent.
In this New York Times Notable Book from one of today’s most acclaimed writers, two lives stretched between two cities converge in a chance meeting that will irrevocably change their lives. “Hadley is a supremely perceptive writer of formidable skill and intelligence, someone who goes well beyond surfaces.”—New York Times Book Review Unsettled by the recent death of his mother, Paul sets out in search of Pia, his daughter from his first marriage, who has disappeared into the labyrinth of London. Discovering her pregnant and living illegally in a run-down council flat with a pair of Polish siblings, Paul is entranced by Pia’s excitement at living on the edge. Abandoning his second wife and their children in Wales, he joins her to begin a new life in the heart of London. Cora, meanwhile, is running in the opposite direction, back to Cardiff, to the house she has inherited from her parents. She is escaping her marriage, and the constrictions and disappointments of her life in London. But there is a deeper reason why she cannot stay with her decent Civil Service husband; the aftershocks of which she hasn’t fully come to terms with herself. Connecting both stories is the London train, and a chance meeting that will have immediate and far-reaching consequences for both Paul and Cora.
Tessa Hadley examines how Henry James progressively disentangled himself from the moralizing frame through which English-language novels in the nineteenth century had imagined sexual passion. Hadley argues that his relationship with the European novel tradition was crucial, helping to leave behind a way of seeing in which only 'bad' women could be sexual. She reads James's transitional fictions of the 1890s as explorations of how disabling and distorting ideals of women's goodness and purity were learned and perpetuated within English and American cultural processes. These explorations, Hadley argues, liberate James to write the great heterosexual love affairs of the late novels, with their emphasis on the power of pleasure and play: themes which are central to James's ambitious enterprise to represent the privileges and the pains of turn-of-the-century leisure class society.
Alexandr, Christine, Lydia et Zachary partagent une amitié très intime depuis leur rencontre alors qu’ils avaient vingt ans. Trente ans plus tard, Alex et Christine reçoivent un appel bouleversé de Lydia : Zach est mort. Ce décès les touche profondément. Tous s’accordent pour dire que Zach était le plus sain et le plus gentil d’entre eux, celui qu’ils ne pouvaient se permettre de perdre. Plutôt que de les rapprocher, la perte de Zach déforme leur relation, faisant remonter à la surface les enchevêtrements passés, les griefs tus. Ce qui aurait pu les unir se transforme alors en colère et amertume. Occasions tardives explore les entrelacs des relations les plus intimes. Sous la surface des arrangements et compromis de l’existence reposent d’autres configurations, différentes, insondables, qui, bien que semblant appartenir au passé, demeurent la trame essentielle des amitiés et des amours. Et quand un fil rompt, tout se détricote, la trame réaffirme sa présence.
Alexandr and Christine and Zachary and Lydia have been close friends since they first met in their twenties. Thirty years later Alex and Christine are spending a leisurely summer evening at home when they receive a call from a distraught Lydia. Zach is dead. In the wake of this profound loss, the three friends find themselves unmoored; all agree that Zach was the sanest and kindest of them all, the irreplaceable one they couldn't afford to lose. Inconsolable, Lydia moves in with Alex and Christine. But instead of loss bringing them closer, the three of them find over the following months that it warps their relationships, as old entanglements and grievances rise from the past, and love and sorrow give way to anger and bitterness.
Vier Geschwister treffen sich im alten Cottage ihrer Eltern auf dem englischen Land, um den Verkauf des Hauses zu regeln. Doch dabei brechen alte Wunden auf und einige Verwicklungen nehmen ihren Lauf.
A masterful collection of stories that plumb the depths of everyday life to reveal the shifting tides and hidden undercurrents of ordinary relationships—"a revelation for aficionados of the form, as vibrant and knowing as the best of Hadley's celebrated career." —Washington Post “Hadley is pure magic and After the Funeral is a triumph.”—Lily King, New York Times best-selling author of Writers & Lovers and Euphoria “Hadley brings her eloquent prose and her psychological acuity to the relationships—between siblings, friends, lovers, parents, and children—that shape us and change us, that call into question our view of ourselves and our place in the world.” —The New Yorker In each of these twelve stories, small events have huge consequences. Heloise’s father died in a car crash when she was a little girl; at a dinner party in her forties, she meets someone connected to that long-ago tragedy. Two estranged sisters cross paths at a posh hotel and pretend not to recognize each other. Janie’s bohemian mother plans to marry a man close to Janie’s own age—everything changes when an accident interrupts the wedding party. A daughter caring for her elderly mother during the pandemic becomes obsessed with the woman next door; in the wake of his best friend’s death, a man must reassess his affair with the friend’s wife. Cecilia, a teenager, wakes one morning in Florence on vacation with her parents and sees them for the first time through disenchanted eyes. As psychologically astute as they are emotionally rich, these stories illuminate the enduring conflicts between responsibility and freedom, power and desire, convention and subversion, reality and dreams. A vital addition to Tessa Hadley’s celebrated body of work, After the Funeral and Other Stories showcases what Colm Tóibín describes as "Tessa Hadley's extraordinary skill at making both surface life and deep interiors come fully alive.
A single woman at loose ends becomes the object of two men's affections—a father and his teenage son—in this sly, richly drawn novel, The Master Bedroom After more than twenty years in London, Kate Flynn has returned to her family home in Wales to care for her aging mother. Having cast off her academic career, she is unmoored, and when she runs into a childhood friend, David Roberts, at a concert, she finds herself falling for him, although she knows she's grasping at anything to fill the sudden emptiness of her life. For his part, David's marriage isn't as solid as it looks—his wife, Suzie, has begun acting strangely, moving out of their bedroom, neglecting their children, and disappearing for days at a time—and he begins to seek refuge with Kate from the newfound chaos of his life. David's seventeen-year-old son, Jamie, is also drawn to Kate's eccentricity and her strange, glamorous old house full of books and music and history. As both father and son set about their parallel courtships, Tessa Hadley's intricate, graceful novel explores the tangled web of connections between parents and children, revealing how each generation replays the stories of the one that came before, in new and sometimes startling patterns.
Twenty-nine-year-old suburban mother of three, Clare Menges' comfortable world is disrupted when her best friend's lover appears in her life. Hadley constructs a beautifully fashioned and intimate portrait of family life in our times.
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