Featuring essays by leading feminist scholars from a variety of disciplines, this key text explores the latest developments in autobiographical studies. The collection is structured around the inter-linked concepts of genre, inter-subjectivity and memory. Whilst exemplifying the very different levels of autobiographical activity going on in feminist studies, the contributions chart a movement from autobiography as genre to autobiography as cultural practice, and from the analysis of autobiographical texts to a preoccupation with autobiography as method.
Featuring essays by leading feminist scholars from a variety of disciplines, this key text explores the latest developments in autobiographical studies. The collection is structured around the inter-linked concepts of genre, inter-subjectivity and memory. Whilst exemplifying the very different levels of autobiographical activity going on in feminist studies, the contributions chart a movement from autobiography as genre to autobiography as cultural practice, and from the analysis of autobiographical texts to a preoccupation with autobiography as method.
In this work, the author's detailed readings of birth stories - both literary and medical - reveal deeply embedded assumptions about how women are viewed and view ourselves. The current debates about natural childbirth as advocated by Sheila Kitzinger, Grantly Read Dick and others, are examined alongside key literary works by writers such as Doris Lessing, Margaret Atwood, Fay Weldon and Toni Morrison.
Nineteenth-century scholars, children's literature specialists, and historians of science and childhood will engage with Tess Cosslett's examination of nineteenth-century debates about the human and animal in children's stories such as Black Beauty, Beaut
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