Inspiration is a program that creates graphic organizers, enabling students to see relationships, whether between words, concepts, or events. Visually organized concepts provide a greater organization of ideas and easier retrieval of information.
Inspiration is a visual thinking and learning software tool. This book provides you with ideas for projects, instruction for producing projects, ideas for presentation of the project, and ideas to extend the project. The accompanying CD-ROM provides an additional resources file, which lists all the resources from every project provided in the book. It contains lesson plans for each key learning area of the curriculum. The projects have been developed for students who have only recently been introduced to this program. It introduces great project ideas which will encourage students to use this software for their project work. The lessons are Introducing the Project, Producing the Project, Presenting the Project and additional project ideas.
Word processing offers your students an opportunity to become young authors. Paint and draw programs allow them to become young artists. Their finished work, when printed, resembles a published piece. Bind several versions of the same project together, and your class has written a book. Watch your class library grow as your students complete the projects found in this book. Writing and Desktop Publishing on the Computer will guide your class in writing and publishing activities in the various curriculum areas.
Terry Winters’s work of the past decade weaves disparate strains of idea, object, and physical operations into the primary logic of his art. His art contains an astonishing array of forms and demonstrates the equally surprising breadth of his artistic language. This retrospective volume continues where the mid-career survey (1992) at the Whitney Museum concluded, presenting the past decade of Winters’s innovative work in paintings, prints, drawings, and artists’ books. Terry Winters presents the ways in which the artist creates sets and subsets of distinctive works that interact with bodies of previous and current work. Also included are images by the artist that have not previously been exhibited or published. Winters’s work is frequently included in conversations and studies relating to the interplay of art and science, and his recent paintings, drawings, and prints reflect his engagement with scientific and computational systems of thought and presentations of information. For Winters, abstract art has become a vehicle not for “reproducing and inventing form but for harnessing forces.” By utilizing expressive means, “data becomes pictorial and spatial.” This superbly illustrated volume displays the full range of Winters’s newest works and the complex relationships that link them to one another.
Redlin's variety of beautiful landscapes, the graceful wildlife, the accuracy of rendering and his own special brand of "romantic realism" have created a feast of colorful images.
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