Hollywood, 1934. Prohibition is finally over, but there is still plenty of crime for an ambitious young private eye to investigate. Though he has a slightly checkered past, Riley Fitzhugh is well connected in the film industry and is hired by a major producer—whose lovely girlfriend has disappeared. He also is hired to recover a stolen Monet, a crime that results in two murders initially, with more to come. Along the way, Riley investigates the gambling ships anchored off LA, gets involved with the girlfriend of the gangster running one of the ships, and disposes of the body of a would-be actor who assaults Riley’s girlfriend. He also meets an elegant English art history professor from UCLA who helps Riley authenticate several paintings and determine which ones are forgeries. Riley lives at the Garden of Allah Hotel, the favorite watering place of screenwriters, and he meets and unknowingly assists many of them with their plots. Incidentally, one of these gents, whose nom de plume is “Hobey Baker,” might actually be F. Scott Fitzgerald.
The eve of World War II. A Hollywood producer’s murdered wife. Her husband’s guilty memory of a shipboard romance. A stolen painting signed “Picasso.” French gangsters. A beautiful courtesan. A shoot-out in a brasserie. All these and more confront Private Detective Riley Fitzhugh as he travels from Hollywood to the Riviera, Paris, and London in search of his client’s vanished dream girl and some answers. Is the painting a genuine Picasso or just a clever forgery? Who is responsible for the corpses that keep littering his path and complicating the investigation? And whatever happened to Amanda Billingsgate?
In Hunters in the Stream, Riley Fitzhugh goes through officer training and is assigned to PC 475, a new anti-U-boat vessel stationed in Key West. The 475 is nicknamed Nameless by her crew because patrol craft vessels were only given numbers. Nameless cruises the Gulf of Mexico in search of U-boats, goes to the rescue of a sinking oil tanker, stops in Havana for meetings with the Cuban Navy, and learns of a possible secret German U-boat fueling station in the wilds of eastern Cuba. Nameless locates the base and destroys it with the ship’s gunfire and a coordinated small-arms attack led by Fitzhugh and his shore party. Later, another U-boat is reported damaged and sinking. The German survivors capture a Bahamian turtle boat, murder the crew, and head for Cuba, thinking that the fuel dump is still in operation. Fitzhugh and the Nameless pursue through the tangle of mangroves and Cuban keys, find the Germans, and finish them off in a shootout. Along the way, Fitzhugh meets Ernest Hemingway and toward the end tells him about the Nameless’s adventures. Hemingway thinks about adapting the story for his own. Fitzhugh and Hemingway’s wife, writer Martha Gellhorn, also meet and feel some mutual stirrings—and give in to them.
In February 1861, the twelve-year-old son of Arizona rancher John Ward was kidnapped by Apaches. What followed would ignite a Southwestern frontier war between the Chiricahuas and the US Army that would last twenty-five years. In the days following the initial melee, innocent passersby would be taken as hostages on both sides, and almost all of them would be brutally slaughtered. Thousands of lives would be lost, the economies of Arizona and New Mexico would be devastated, and in the end, the Chiricahua way of life would essentially cease to exist. In a gripping narrative that often reads like an old-fashioned Western novel, Terry Mort explores the collision of these two radically different cultures in a masterful account of one of the bloodiest conflicts in our frontier history.
Hollywood in the Thirties: Nazi saboteurs, gangsters running gambling ships, British spies and diplomats, FBI agents, starlets looking for the big break, cheap hustlers on the fringes of the law, local cops—some are friends and some are adversaries, but all are involved somehow with Riley Fitzhugh, a private eye who’s wondering whether the death of an English aristocrat really was an accident.
New York Times bestselling author Terry Pratchett makes Death a central character in Mort, his fourth sojourn to Discworld, the fantasy cosmos where even the angel of darkness needs some assistance. Death comes to everyone eventually on Discworld. And now he's come to Mort with an offer the young man can't refuse. (No, literally, can't refuse since being dead isn't exactly compulsory.) Actually, it's a pretty good deal. As Death's apprentice, Mort will have free board and lodging. He'll get use of the company horse. And he won't have to take any time off for family funerals. But despite the obvious perks, young Mort is about to discover that there is a serious downside to working for the Reaper Man . . . because this perfect job can be a killer on one's love life. Terry Pratchett's profoundly irreverent, bestselling novels have garnered him a revered position in the halls of parody next to the likes of Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.
Samuel Langhorne Clemens, known to most as Mark Twain, was a quintessential American writer who spent much of his life traveling the world. He encountered colorful characters, cultures, and a variety of adventures along the way, and Mark Twain on Travel is a timeless collection of his writings on the subject. Excerpts included are from classics such as: The Innocents Abroad; A Tramp Abroad; Life on the Mississippi; Roughing It; and Following the Equator.
Terry Pratchett's profoundly irreverent novels are consistent number one bestseller in England, where they have catapulted him into the highest echelons of parody next to Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen. In this Discworld installment, Death comes to Mort with an offer he can't refuse -- especially since being, well, dead isn't compulsory.As Death's apprentice, he'll have free board and lodging, use of the company horse, and he won't need time off for family funerals. The position is everything Mort thought he'd ever wanted, until he discovers that this perfect job can be a killer on his love life.
In the summer of 1874, Brevet Major General George Armstrong Custer led an expedition of some 1000 troops and more than one hundred wagons into the Black Hills of South Dakota. This narrative history tells the little-known story of this exploratory mission and reveals how it set the stage for the climactic Battle of the Little Bighorn two years later. What is the significance of this obscure foray into the Black Hills? The short answer, as the author explains, is that Custer found gold. This discovery in the context of the worst economic depression the country had yet experienced spurred a gold rush that brought hordes of white prospectors to the Sioux's sacred grounds. The result was the trampling of an 1868 treaty that had granted the Black Hills to the Sioux and their inevitable retaliation against the white invasion. Mort brings the era of the Grant administration to life, with its "peace policy" of settling the Indians on reservations, corrupt federal Indian Bureau, Gilded Age excesses, the building of the western railroads, the white settlements that followed the tracks, the Crash of 1873, mining ventures, and the clash of white and Indian cultures with diametrically opposed values.
Death comes to us all. When he came to Mort, he offered him a job. But when Mort is left in charge for an evening, he allows his heart to rule his head and soon the whole of causality and the future of the Discworld itself, are at risk. Along the way, Mort encounters not only Death's adopted daughter, Ysabell - who has been 16 for 35 years - and his mysterious manservant Albert - whose cooking can harden an artery at ten paces - but also an incompetent wizard with a talking doorknocker and a beautiful, but rather bad-tempered and dead, princess. He also, of course, meets Death. On Terry Pratchett's Discworld, Death really is a 7 foot skeleton in a black hooded robe and wielding a scythe. He is also fond of cats, enjoys a good curry, and rides around the skies on a magnificent white horse called Binky.
From Omaha Beach on D-Day and the French Resistance to the tragedy of Huertgen Forest and the Liberation of Paris, this is the story of Ernest Hemingway's adventures in journalism during World War II. In the spring of 1944, Hemingway traveled to London and then to France to cover World War II for Colliers Magazine. Obviously he was a little late in arriving. Why did he go? He had resisted this kind of journalism for much of the early period of the war, but when he finally decided to go, he threw himself into the thick of events and so became a conduit to understanding some of the major events and characters of the war. He flew missions with the RAF (in part to gather material for a novel); he went on a landing craft on Omaha Beach on D-Day; he went on to involve himself in the French Resistance forces in France and famously rode into the still dangerous streets of liberated Paris. And he was at the German Siegfried line for the horrendous killing ground of the Huertgen Forest, in which his favored 22nd Regiment lost nearly man they sent into the fight. After that tragedy, it came to be argued, he was never the same. This invigorating narrative is also, in a parallel fashion, an investigation into Hemingway’s subsequent work—much of it stemming from his wartime experience—which shaped the latter stages of his career in dramatic fashion.
Evoking the spirit—and danger—of the early American West, this is the story of the Battle of Beecher Island, pitting an outnumbered United States Army patrol against six hundred Native warriors, where heroism on both sides of the conflict captures the vital themes at play on the American frontier. In September 1868, the undermanned United States Army was struggling to address attacks by Cheyenne and Sioux warriors against the Kansas settlements, the stagecoach routes, and the transcontinental railroad. General Sheridan hired fifty frontiersmen and scouts to supplement his limited forces. He placed them under the command of Major George Forsyth and Lieutenant Frederick Beecher. Both men were army officers and Civil War veterans with outstanding records. Their orders were to find the Cheyenne raiders and, if practicable, to attack them. Their patrol left Fort Wallace, the westernmost post in Kansas, and headed northwest into Colorado. After a week or so of following various trails, they were at the limit of their supplies—for both men and horses. They camped along the narrow Arikaree Fork of the Republican River. In the early morning they were surprised and attacked by a force of Cheyenne and Sioux warriors. The scouts hurried to a small, sandy island in the shallow river and dug in. Eventually they were surrounded by as many as six hundred warriors, led for a time by the famous Cheyenne, Roman Nose. The fighting lasted four days. Half the scouts were killed or wounded. The Cheyenne lost nine warriors, including Roman Nose. Forsyth asked for volunteers to go for help. Two pairs of men set out at night for Fort Wallace—one hundred miles away. They were on foot and managed to slip through the Cheyenne lines. The rest of the scouts held out on the island for nine days. All their horses had been killed. Their food was gone and the meat from the horses was spoiled by the intense heat of the plains. The wounded were suffering from lack of medical supplies, and all were on the verge of starvation when they were rescued by elements of the Tenth Cavalry—the famous Buffalo Soldiers. Although the battle of Beecher Island was a small incident in the history of western conflict, the story brings together all of the important elements of the Western frontier—most notably the political and economic factors that led to the clash with the Natives and the cultural imperatives that motivated the Cheyenne, the white settlers, and the regular soldiers, both white and black. More fundamentally, it is a story of human heroism exhibited by warriors on both sides of the dramatic conflict.
From the summer of 1942 until the end of 1943, Ernest Hemingway spent much of his time patrolling the Gulf Stream and the waters off Cuba’s north shore in his fishing boat, Pilar. He was looking for German submarines. These patrols were sanctioned and managed by the US Navy and were a small but useful part of anti-submarine warfare at a time when U boat attacks against merchant shipping in the Gulf and the Caribbean were taking horrific tolls. While almost no attention has been paid to these patrols, other than casual mention in biographies, they were a useful military contribution as well as a central event (to Hemingway) around which important historical, literary, and biographical themes revolve.
Death comes to everyone eventually on Discworld. And now he's come to Mort with an offer the young man can't refuse. (No, literally, can't refuse since being dead isn't exactly compulsory.) Actually, it's a pretty good deal. As Death's apprentice, Mort will have free board and lodging. He'll get use of the company horse. And he won't have to take any time off for family funerals. But despite the obvious perks, young Mort is about to discover that there is a serious downside to working for the Reaper Man . . . because this perfect job can be a killer on one's love life.
Riley Fitzhugh, former Hollywood private detective turned US Navy lieutenant, is recruited by the OSS for temporary duty as a naval spy in Morocco during the planning for Operation Torch, the Allied invasion of North Africa. Riley’s assignment is to kidnap a French river pilot and extract him from Casablanca. Along the way, Riley meets an old flame from his days in Hollywood. She’s an English aristocrat who may or may not be a German agent or an Allied double. Together with an employee of the US Consulate in Morocco—a lapsed Russian rabbi—they spirit the pilot out of French Morocco to Tangier. But some surprises are waiting for all of them in the end.
Riley Fitzhugh is temporarily made officer in charge of the naval guard on board the SS Carlota, a merchant ship assigned to deliver bombs and aviation fuel to the Sebou River during Operation Torch. The Atlantic crossing was supposed to be in convoy, but Carlota breaks down after surviving a U-boat attack and is forced to limp along alone. At the mouth of the Sebou River, Riley rejoins the Nameless, an anti–U-boat vessel, which has come down from her refit in Scotland to join the Torch attack. When the Nameless is tasked with delivering a company of Army Rangers to capture the French air force base, she and her crew must force their way through the boom guarding the mouth of the river and pass through the gunfire from the French fort on the hills above. Along the way, Riley runs into an old flame or two—one an enemy agent, the other a war correspondent from Cuba.
‘Ik was je daar eventjes kwijt,’ zei Lijzak. ‘Wat zei je?’ IK BIED DIE ZOON VAN JOU EEN BETREKKING AAN, zei de Dood. ‘Wat was ook weer je vak?’ IK LAAT ZIELEN BINNEN IN DE WERELD AAN GENE ZIJDE, zei de Dood. ‘Ach,’ zei Lijzak, ‘natuurlijk, had ik ook wel kunnen raden met die kleren. Nuttig werk zeker, veel vastigheid ook.’ Tot verdriet van zijn vader kan de dromerige bonenstaak Dunne Hein eigenlijk helemaal niks. Gelukkig wil de Dood hem wel in de leer nemen. Maar zulk werk gaat Hein niet echt makkelijk af. En bij de laaghartige moord op prinses Kiela valt zijn taak hem te zwaar. Onderwijl begint de Dood, die echt veel te veel aan Dunne Hein overlaat, ronduit menselijke trekjes te vertonen. Treffend, meeslepend, oerkomisch. Géén dooie boel.
This volume contains Mort, Reaper Man and Soul Music, all starring Death, the Discworld's most endearing character, his steed Binky, his granddaughter Susan, the Death of Rats and all the various denizens of the Discworld.
It's not my fight," said Ethan Grey. It didn't matter. Mexico was at war, and he was in it. He'd wanted a cruise in warm waters, a chance to forget the war he'd just fought, the War Between the States. But the ship he chose so casually had another mission, and like it or not Ethan Grey was on board. The storms at sea, the battles with enemy ships, the long trip overland through hostile territory, the flight from French mercenaries; it became his war, too. But this time, at least it was simpler. It was just a fight for his friends. And for Maria. The Voyage of the Parzival is based on an earlier book by Terry Mort entitled, Shipment to Mexico. "Mort makes a fascinating read out of every subject he takes up." - The Associated Press "Terry Mort is an author extraordinaire." - Ann LaFarge - The Hudson Valley News
The best baseball novel of the season - ANY season. No fans are more perpetually disappointed than those of the Chicago Cubs-a team that has not won a World Series since 1908. And chief among the forlorn is Jack Frost. From his assigned seat in the cafeteria at the Bide Awhile Rest Home, Jack reads the sports pages every day and checks out the standings. In the middle of June, the Cubs are already thirteen and a half games out. Last place again-or rather, still. Into this sea of depression drops one Clarence Beazely, a new resident at the home and a baseball fan. But Beazely is not your everyday fan, nor is he your everyday rest home resident. He has extraordinary powers, and in a very friendly way he offers Jack a tantalizing deal. Of course it comes at a cost, but if the price seems a little steep, does it really matter as long as the Cubs might have a chance to be... WORLD CHAMPIONS? "Mort makes a fascinating read out of every subject he takes up." The Associated Press. "If one test of [Mort's] skill is to keep the reader turning pages after he guesses the ending, the acid test is to get a reader hooked even though he knows what happens before he opens the book. The Washington Times
Only $6.99! Music Notebook - 120 pages, 11 staves per page - Amazing design and high quality cover and paper. - Matte Cover. - Perfect size 6x9" - No Spiral
Only $6.99! Music Notebook - 120 pages, 11 staves per page - Amazing design and high quality cover and paper. - Matte Cover. - Perfect size 6x9" - No Spiral
Only $6.99! Music Notebook - 120 pages, 11 staves per page - Amazing design and high quality cover and paper. - Matte Cover. - Perfect size 6x9" - No Spiral
Only $6.99! Music Notebook - 120 pages, 11 staves per page - Amazing design and high quality cover and paper. - Matte Cover. - Perfect size 6x9" - No Spiral
Only $6.99! Music Notebook - 120 pages, 11 staves per page - Amazing design and high quality cover and paper. - Matte Cover. - Perfect size 6x9" - No Spiral
Only $6.99! Music Notebook - 120 pages, 11 staves per page - Amazing design and high quality cover and paper. - Matte Cover. - Perfect size 6x9" - No Spiral
Only $6.99! Music Notebook - 120 pages, 11 staves per page - Amazing design and high quality cover and paper. - Matte Cover. - Perfect size 6x9" - No Spiral
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