For sixteen years, it's been just Sofie and her father, living on the New Hampshire coast. Her Cambodian immigrant mother has floated in and out of her life, leaving Sofie with a fierce bitterness toward her—and a longing she wishes she could outgrow. To me she is as unreliable as the wind. Then she meets Luke, an army medic back from Afghanistan, and the pull between them is as strong as the current of the rushing Piscataqua River. But Luke is still plagued by the trauma of war, as if he's lost with the ghosts in his past. Sofie's dad orders her to stay away; it may be the first time she has ever disobeyed him. A ghost can't love you. When Sofie is forced to stay with her mother and grandmother while her dad's away, she is confronted with their memories of the ruthless Khmer Rouge, a war-torn countryside, and deeds of heartbreaking human devotion. I don't want you for ancestors. I don't want that story. As Sofie and Luke navigate a forbidden landscape, they discover they both have their secrets, their scars, their wars. Together, they are dangerous. Together, they'll discover what extraordinary acts love can demand.
Chaos rules in the wake of Succession Day, even in the heart of the Empire’s capital, Kasandar, where commoners revolt and counts and priests plot. All across the world, armies rise to strike at King Ainslen’s fledgling rule. Queen Terestere is captured and returned to the city where they murdered her husband, intent on saving her people, and set on vengeance. Keedar and Winslow hone their skills, one for a test that could mean his death, and the other to help save the man he once called his father. Delisar languishes in a prison, soul magic siphoned by King Ainslen, while his brother, Thar, plots to free him and discover a way to defeat the Farlanders. One thing will determine who lives or dies, wins or loses. The power of the soul.
In a world beset by anger and fear, what does it mean to protect one’s home and family? Olive and Gabe — her older brother’s best friend — are deeply in love. They want nothing more than to make a home and family together, especially after the overdose death of Olive’s brother, Chris. It won’t be easy. Gabe works three jobs, and Olive still needs to finish high school, but their future together feels certain and right. But when Samir Paudel moves into the house across the street, Olive's and Gabe’s lives are disrupted. The Paudel house is overfull with family and friends, and they play loud music at all hours. Yet Olive is drawn to them, particularly to Samir’s little nephew, Bhim, and his grandfather, Hajurba. Yet Samir’s very presence seems to awaken in Gabe an intense anger — toward immigrants he believes are taking resources from White Americans — resources that would have saved Chris and his own father, who has lost his job and is now struggling with ill health and alcoholism. When Olive realizes that Gabe and his family are the source of escalating aggressions toward the Paudels, she no longer recognizes the loyal, loving boy she fell in love with. Key Text Features author’s note alternating narratives/points of view chapters
A young girl tries to get a better understanding of her family and their problems in getting along with one another and to gain a perspective on her relationship with the handicapped boy next door.
In Mareshna, your soul is your magic. The nobility will do anything to take it. The Dracodar called it a game. Far’an Senjin. The Game of Souls. It is anything but. Soul is life. It is death. It is the path to the throne. But no human was ever born with the ability to wield all the soul cycles. With soul magic, the Dracodar ruled over humankind. Until a mysterious plague befell the Dracodar, killing millions. A pestilence for which there was no cure. A pestilence that left humans untouched. Desperate to save their race, the Dracodar bred with humankind. And in so doing, revealed a secret. Humans could wield soul by ingesting Dracodar blood and flesh. Humankind rose to overthrow the Dracodar. They enslaved the creatures, bred them like livestock. Across the world of Mareshna, Dracodar descendants are the lowest of the low, the dregs, fodder for human nobility. But what has fallen may yet rise.
The Winds of War blow across Mareshna. Swords are brought to bear. The end of the world looms. The armies of the western horde stand between King Ainslen Cardiff and his mad dream to conquer the world. But even as he’s massed his forces at the Swords of Humel, another enemy has taken advantage of the opening he leaves behind. Queen Terestere maneuvers her pieces across the board to complete her vengeance, see her people rise, and to face a man she has often dreamed of killing. Keedar and Thar battle to weaken the Farlander forces and discover the truth of a frightening secret. Winslow trains among the Dracodar for the greatest undertaking of all. But none of them could have anticipated the power or the goal of their true foe.
Keedar Giorin still remembers the night soldiers killed his mother. The Night of Blades. He was three, but the memories are written in his mind in blood, flames, scales, and his mother’s mad cackles. Assigned by his father to save two young noblemen or risk a repeat of the massacre on his home in the Smear, Kasandar's most lawless district, Keedar dives headlong into the mission. He uses his most secret skill, a magic that could bring the King's Blades hunting him, a magic that could be a death sentence if reported to the wrong ears. But even that risk is part of his father's calculated plan. A plot to determine who was behind his mother’s death, while securing a new ally for their guild, and seeing their people rise from squalor and oppression to strive for the identity and power they have all but forgotten. Plans, however, do not always follow the path drawn out. What will Keedar do when a count takes interest in his magic? Where will he run to when the hunt begins? Can a young man now growing into his power find a way to defeat the most ruthless of assassins?
First Published in 2015. This encyclopaedic collection includes Volumes 1 (A-L) and 2 (M-Z) as well as essays on the settlement of America. It can be argued that the westward expansion occurred only one week after the English landfall at Jamestown, Virginia, on May 14, 1607. Beginning on May 21, Captain John Smith, one of the colonization company’s leaders, and twenty-one companions made their way northwest up the James River for some 50 or 60 miles (80 or 96 km).
Written by two artists, each with more than 20 years of teaching experience in London art schools, A Foundation Course In Drawing is an exciting and carefully designed drawing course for artists of all levels. The book's five parts cover life drawing, still-life drawing, landscape drawing, abstract drawing and drawing systems. Each part is further broken down into sections, which progress from the most basic skills, such as how to hold a drawing implement, to more advanced concepts,such as capturing the folds and textures of drapery and creating harmony in abstract compositions. Throughout the book, detailed explanations and a structured series of practice exercises introduce each subject, which is looked at in different ways, through such elements as shape, form, space, light, texture, movement and time. Procedures, techniques and practical tips are also provided for describing each way of analyzing the subject. As each of the five parts stands alone, novice artists can work through them in any order, or can take a broader approach, moving through the first section of each part, followed by the next section, and so on. More advanced artists can turn directly to sections on problem areas for supplementary instruction and practice. A Foundation Course In Drawing offers an innovative, comprehensive approach to the experience of drawing, and will help artists of all abilities discover ways to confidently express their ideas, feelings and responses.
Law Enforcement in the United States, Second Edition presents a unique balance of theory, history, and practice of American law enforcement. It provides readers with updated, important information ranging from the evolution and theory of social control to the training, function, and strategies involved in modern policing. The authors also examine the gray areas of law enforcement, ethics, forces in society that impact policing, and the laws governing police behavior.
Sydney: a beautiful international city with impressive buildings, harbour-side walkways, public gardens, cafes, restaurants, theatres and hotels. This is the way Sydney is represented to its citizens and to the rest of the world. But there has always been another Sydney not viewed so fondly by the city's rulers, a radical part of Sydney. The working-class suburbs to the south and west of the city were large and explosive places of marginalised ideas, bohemian neighbourhoods, dissident politics and contentious action. Through a series of snapshots, Radical Sydney traces its development from The Rocks in the 1830s to the inner suburbs of the 1980s. It includes a range of incidents, people and places, from freeing protestors in the anti-conscription movement, resident action movements in Kings Cross, anarchists in Glebe, to Gay Rights marches on Oxford Street and Black Power in Redfern.
Who would imagine that democracy in NSW was won through fierce political battles and street rallies? The Southern Tree of Liberty sheds light on this turbulent and violent period in Australian history. For twenty years, the advocates of democracy mobilised the working class and fought hard to bring popular rule to the colony. The elites, on the other hand, used their legislative powers to halt this march towards liberty, most notably in the Constitution of 1853. There were many colourful characters involved in the push for self-government: Charles Harpur, the native-born poet who wrote ‘The Tree of Liberty (A Song for the Future)’; Johann Lhotsky, the revolutionary who spent five years in an Austrian prison; Ben Sutherland, the English upholsterer who formed the first working-class political organisation and edited its newspaper; William A Duncan, the Scots Catholic who created a network of radical intellectuals; · Henry Macdermott, the Irish-born ‘friend of the people’; and Edward J Hawksley, the radical journalist who was part of every democratic campaign from 1840. These characters and more are covered in Irving’s engagingly written and thoroughly researched book. The Southern Tree of Liberty highlights the contribution of the democrats to public life and shows how their struggles made possible the democratic advances that followed after 1856.I ask no more than “the birthright of a British subject”, namely the privilege of voting on the same grounds as would entitle me to vote in my native land … Henry Macdermott, 1842They had to decide whether they would have the rights of Britons or that vile and bastard democracy which had led to so many evil results in different parts of the world. ... James Macarthur, 1842… it is a grievance for the working man to be totally unrepresented; to have the nominal form of elective privileges whilst he is legislated for by a class entirely antagonistic to his interests and his claims. ... Guardian newspaper, 20 July 1844 A NSW Sesquicentenary of Responsible Government publication.
Luis wishes Nico wasn't leaving for the Army. To show Nico he doesn't need to go, Luis begins a mural on the alleyway wall. Their house, the river, the Parque de las Ardillas—it's the world, all right there. Won't Nico miss Mami's sweet flan? What about their baseball games in the street? But as Luis awaits his brother's return from duty, his own world expands as well, through swooping paint and the help of their bustling Dominican neighborhood.
Joseph misses sharing meals with lots of people like he did back in the refugee camp, so when the neighbors finally come over, it’s a feast! A companion book to Joseph’s Big Ride, described in Kirkus as “a joyful, upbeat tale.” When Joseph and Mama lived in a refugee camp in East Africa, everyone cooked and ate together. And Joseph could always hear someone playing the awal. It’s much too quiet and lonely in his new home. Though Whoosh, the girl who lives upstairs, is friendly, Joseph misses having more people around, especially his grandmother, who still lives across the ocean. So he invites his relatives in the city to come for dinner, then he invites his teacher, then Whoosh and her mami — but everyone is too busy. Ever hopeful, Joseph picks the last greens from the garden. At least he and Mama will be ready to cook if someone comes. The next night Whoosh and her mami appear at the door with a big cake, and Whoosh and Joseph cook up a feast. A touching story about adjusting to a new home and the pleasure of cooking and sharing food with friends. Key Text Features glossary translations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.4 Ask and answer questions about unknown words in a text. CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.
For sixteen years, it's been just Sofie and her father, living on the New Hampshire coast. Her Cambodian immigrant mother has floated in and out of her life, leaving Sofie with a fierce bitterness toward her—and a longing she wishes she could outgrow. To me she is as unreliable as the wind. Then she meets Luke, an army medic back from Afghanistan, and the pull between them is as strong as the current of the rushing Piscataqua River. But Luke is still plagued by the trauma of war, as if he's lost with the ghosts in his past. Sofie's dad orders her to stay away; it may be the first time she has ever disobeyed him. A ghost can't love you. When Sofie is forced to stay with her mother and grandmother while her dad's away, she is confronted with their memories of the ruthless Khmer Rouge, a war-torn countryside, and deeds of heartbreaking human devotion. I don't want you for ancestors. I don't want that story. As Sofie and Luke navigate a forbidden landscape, they discover they both have their secrets, their scars, their wars. Together, they are dangerous. Together, they'll discover what extraordinary acts love can demand.
Nico doesn't have to join the Army to see the world--that's what younger brother Luis tries to show by painting a mural in the neighborhood alley. But Nico is deployed and his small brother paints the world in the alleyway to hold on to him"--
In a world beset by anger and fear, what does it mean to protect one’s home and family? Olive and Gabe — her older brother’s best friend — are deeply in love. They want nothing more than to make a home and family together, especially after the overdose death of Olive’s brother, Chris. It won’t be easy. Gabe works three jobs, and Olive still needs to finish high school, but their future together feels certain and right. But when Samir Paudel moves into the house across the street, Olive's and Gabe’s lives are disrupted. The Paudel house is overfull with family and friends, and they play loud music at all hours. Yet Olive is drawn to them, particularly to Samir’s little nephew, Bhim, and his grandfather, Hajurba. Yet Samir’s very presence seems to awaken in Gabe an intense anger — toward immigrants he believes are taking resources from White Americans — resources that would have saved Chris and his own father, who has lost his job and is now struggling with ill health and alcoholism. When Olive realizes that Gabe and his family are the source of escalating aggressions toward the Paudels, she no longer recognizes the loyal, loving boy she fell in love with. Key Text Features author’s note alternating narratives/points of view chapters
Joseph misses sharing meals with lots of people like he did back in the refugee camp, so when the neighbors finally come over, it’s a feast! A companion book to Joseph’s Big Ride, described in Kirkus as “a joyful, upbeat tale.” When Joseph and Mama lived in a refugee camp in East Africa, everyone cooked and ate together. And Joseph could always hear someone playing the awal. It’s much too quiet and lonely in his new home. Though Whoosh, the girl who lives upstairs, is friendly, Joseph misses having more people around, especially his grandmother, who still lives across the ocean. So he invites his relatives in the city to come for dinner, then he invites his teacher, then Whoosh and her mami — but everyone is too busy. Ever hopeful, Joseph picks the last greens from the garden. At least he and Mama will be ready to cook if someone comes. The next night Whoosh and her mami appear at the door with a big cake, and Whoosh and Joseph cook up a feast. A touching story about adjusting to a new home and the pleasure of cooking and sharing food with friends. Key Text Features glossary translations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.4 Ask and answer questions about unknown words in a text. CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.
A young girl tries to get a better understanding of her family and their problems in getting along with one another and to gain a perspective on her relationship with the handicapped boy next door.
At a time when her stern father seems determined to sell the island home where her family has lived for generations, sixteen-year-old Andrea is swept into a doomed romance with a nineteen-year-old AWOL soldier.
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