In this trauma-filled childhood memoir, Terry takes you back in time to the years he spent in an orphanage--where conflicts between boys were solved in the basement with boxing gloves. This is a true story that had to be told: It is the clear, unique voice of a survivor of the kind of childhood that is usually the undoing of less hardy souls. With novelist flair and impressive detail, Terry chronicles his first eight years in a rarely visited slice of the country. In 1950, a doctor in Duluth, Minnesota, wrote in his medical file that a four-year-old boy had been admitted to St. Mary's hospital as a "rather severe behavior problem." "This is," the doctor notes, "a broken home, and the mother-child relationship is not good." That boy is Terry. He had been shuffled from one nesting arrangement to another for all of his short life. First, he lived with his grandparents on their rustic farmstead in northern Minnesota, then with his intellectually disabled mother and a mostly absent alcoholic father, and finally with a boorish relative. In spite of this, Terry had been relatively happy. The real problems started when his mother dropped him and his two younger siblings off at an orphanage. A week later, at Terry's urging, the children ran away to find their mother, and Terry ended up in a straight jacket. Thus, began Terry's journey of triumph over multiple misfortunes. Eight years later, while lying on the banks of a river on his adoptive parents' farm, Terry promised God he would do eight things during his lifetime. The My Brave Little Man memoir series is one of those eight. The series continues in Book II: The Weight of the World.
After his mothers death, Quentin Cottell leaves his sheltered life to seek himselfto fill the void that is his soul. Alas, he does that know that at this same moment the Feathered Serpent Quetzalcoatl, Mayan-Aztec god, is seeking a human vessel to replenish his spirit. Seeking to continue his bloody reign on earth through a willingthough unknowingparticipant. When Quentin arrives in Mexico, he finds what he did not even know he was looking for It is perfectly natural.And naturally terrifying. If you are looking for something a little different, this might just be it. For, though Knights Tiger contains elements of fantasy, science fiction, and horror, it is none of these. Perhaps it is merely a story of a man coming of age in his thirties and discovering that he can only find his identity by losing it.
Reviews Ted Shawn's sixty-year career and record of achievement as a dancer and choreographer and explores his private roles as lover, husband, friend, and enemy
Grieving Beyond Gender: Understanding the Ways Men and Women Mourn is a revision of Men Don’t Cry, Women Do: Transcending Gender Stereotypes of Grief. In this work, Doka and Martin elaborate on their conceptual model of "styles or patterns of grieving" – a model that has generated both research and acceptance since the publication of the first edition in 1999. In that book, as well as in this revision, Doka and Martin explore the different ways that individuals grieve, noting that gender is only one factor that affects an individual’s style or pattern of grief. The book differentiates intuitive grievers, where the pattern is more affective, from instrumental grievers, who grieve in a more cognitive and behavioral way, while noting other patterns that might be more blended or dissonant. The model is firmly grounded in social science theory and research. A particular strength of the work is the emphasis placed on the clinical implications of the model on the ways that different types of grievers might best be supported through individual counseling or group support.
Do men and women grieve differently? This text, while emphasizing that there are many ways to cope with grief, offers a refreshing change from the popular gender stereotypes of grief. Two patterns of grieving are described: an intuitive pattern where individuals experience and express grief in an affective way (stereotyped as female); and an instrumental pattern where grief is expressed physically or cognitively (stereotyped as male). A third pattern representing a blending of these two is also introduced. Of critical importance is that such patterns are related to, but not determined by, gender; and each has distinct strengths and weaknesses. Organized into three main parts, this topical new text begins by defining terms, introducing and delineating the grief patterns, and rooting the book's concept in contemporary theories of grief. The second part speculates on factors that may influence individuals' patterns of coping with loss (e.g., personality, gender, culture, etc.). The final part considers implications and therapeutic interventions likely to be effective with different types of grievers.
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