The western tradition of education is rooted in the concept of the "Liberal Arts." What are they, and what role does the Liberal Arts concept play in the past and future of our society? In what ways has the Liberal Arts tradition been eroded by trendy educational fashions? How is the Liberal Arts tradition threatened by forces social, educational, and religious that oppose this ideal? What is the unique calling and mission of the denominational, church-related Liberal Arts college? Richard Terrell, a professor Art for 39 years at Doane College, Crete, Nebraska, addresses these issues from the perspective of his teaching in liberal arts colleges for 44 years, in which he taught courses in studio art and the history of art as well as interdisciplinary studies. A frequent panelist on issues of free expression, the arts, and issues of religion in society, Terrell offers a concerned critique of contemporary trends in higher education and a firm affirmation of the integrity of the historic vision of education rooted in the Liberal Arts ideal.
Why is it that 150 years after the celebrated appearance of Charles Darwins evolutionary vision, reasonable peoplelaity and professional scientists alikeremain skeptical toward it? Does Darwinian science, as various new atheists assert, nullify the rationality of theistic belief? What is the nature of Evolutionism as a worldview with religious implications? Author Richard Terrell explores these fundamental questions and more, from the standpoint of the Humanities, arguing that the issues of lifes origin, human nature, and human destiny call for a larger arena of discussion than can be provided by science alone. He rejects popular notions that science has put an irrefutable barrier in the path of theistic belief, and casts light on how the evolutionary vision of lifeexpressed as scientific materialismconstitutes a religious worldview of its own with questionable implications for the human condition. Along the way, Terrell considers the thoughts of such classic evolutionary thinkers as Ernst Haeckel, Julian Huxley, George Gaylord Simpson, and Theodosius Dobzhansky, along with more contemporary thinks like Richard Dawkins and other new atheists. Drawing upon the rich historical storehouse of affirmation and skepticism concerning Darwinism, Terrell argues that opposition to Darwinian beliefs is not confined to religious objections, but that the most serious challenges have come from scientists. Surprisingly, this minority report has existed through all the years of Darwinian cultural ascendancy, and is gaining in strength today. Here is a challenge to encourage students free inquiry into Darwinian doctrine and cultural influence free of dogma and intimidation.
How did the Holocaust take place in a nation of rich Christian history and cultural achievement? What ideasspiritual and intellectualcontributed to the nightmare of Adolf Hitlers Third Reich? What theological forces contributed to the confused witness of the Christian churches? How do Christians respond to the accusation that the Christian faith itself, even its own Scriptures, contributed to this modern tragedy? What can Christians today learn from those who did, in fact, stand in the evil day? In Christ, Faith, and the Holocaust, Richard Terrell responds to these haunting questions in a work of cultural apologetics that takes up the challenges and accusations that Christianity itself was a major cause of Nazisms destructive path. Here, the Nazi movement is exposed as a virulently anti-Christian spirituality, rooted in idolatrous doctrines that took every advantage of distorted theology and emotional pietism that had evolved in German thought and church life. Here you will find the drama and importance of ideas and stories of personal witness that will sharpen the contemporary Christians sense of discernment in the arena of spiritual warfare.
Three Charlotte, N.C. educators with expertise in Far Eastern affairs teamed up to write this high stakes thriller of financial intrigue, romance and political brinkmanship set in the summer of 1997 just before the British are scheduled to hand Hong Kong over to the government in mainland China.
Why is it that 150 years after the celebrated appearance of Charles Darwins evolutionary vision, reasonable peoplelaity and professional scientists alikeremain skeptical toward it? Does Darwinian science, as various new atheists assert, nullify the rationality of theistic belief? What is the nature of Evolutionism as a worldview with religious implications? Author Richard Terrell explores these fundamental questions and more, from the standpoint of the Humanities, arguing that the issues of lifes origin, human nature, and human destiny call for a larger arena of discussion than can be provided by science alone. He rejects popular notions that science has put an irrefutable barrier in the path of theistic belief, and casts light on how the evolutionary vision of lifeexpressed as scientific materialismconstitutes a religious worldview of its own with questionable implications for the human condition. Along the way, Terrell considers the thoughts of such classic evolutionary thinkers as Ernst Haeckel, Julian Huxley, George Gaylord Simpson, and Theodosius Dobzhansky, along with more contemporary thinks like Richard Dawkins and other new atheists. Drawing upon the rich historical storehouse of affirmation and skepticism concerning Darwinism, Terrell argues that opposition to Darwinian beliefs is not confined to religious objections, but that the most serious challenges have come from scientists. Surprisingly, this minority report has existed through all the years of Darwinian cultural ascendancy, and is gaining in strength today. Here is a challenge to encourage students free inquiry into Darwinian doctrine and cultural influence free of dogma and intimidation.
The second novel by Whitney Terrell, author of The Good Lieutenant-- an engrossing portrait of a Kansas City family's suspect pursuit of fortune. In The Huntsman, a first novel hailed by Esquire as "ambitious, rousing and entirely spectacular," Whitney Terrell introduced us to the streets and neighborhoods of Kansas City. Now he offers us the story of their creation. A stunning, intensely private portrait of one man's life and his city, The King of Kings County presents a dazzling fifty-year arc through the heart of the American dream.
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