Immortalized in the Bob Dylan song "Hurricane Rubin Carter, a number one contender for the world middleweight boxing crown, became a civil rights cause célèbre in the mid-seventies when he was wrongfully convicted of a triple murder in New Jersey. After public outcry forced a retrial, Carter was the victim of a second travesty of justice, when he was reconvicted, and given the same triple-life sentence. When Lesra Martin - a youth from the Brooklyn ghetto who moved to Toronto with a group of Canadians - learned of Carter's plight after reading the boxer's memoirs, The Sixteenth Round, he told his new family the tragic story. The group soon took up Carter's cause and worked tirelessly to win his freedom. A riveting legal drama and a powerful story of hope and humanity, Lazarus and the Hurricane is the story of justice gone wrong and the incredible dedication needed to set it right.
This remarkable true story begins in a Brooklyn ghetto when a group of Canadians meet Lesra, an illiterate black teenager who won their hearts. They bring Lesra to Toronto to help with his education. While learning to read, Lesra finds a copy of Rubin Carter's The Sixteenth Round. Rubin Carter, the subject of Bob Dylan's song "Hurricane", was a #1 middleweight boxing contender who had been wrongfully imprisoned after a white jury found him guilty of the murder of three whites in 1966. A huge public outcry followed the publication of Carter's memoir The Sixteenth Round in 1974, culminating in a retrial, which was a virtual reenactment of the original travesty, with Carter receiving the same triple-life sentence. Inspired by Lesra's passion, his adopted Canadian family made contact with Carter and reinvigorated the legal battle. The Hurricane is the moving story of the eight year struggle Carter and his Canadian friends waged to win his exoneration and freedom.
NOW I'M FAMOUS With a life I can only describe so far as an amazing rollercoaster I've sat comfortably, seat belt fastened, absorbing every bump, dip, corner, pace, the starts, the stops, the judders and some slow crawls, with all those said i have no regrets boarding. We've all got a story to tell, every journey can be spoken of, the fact that I've decided to write my autobiography can inspire others to document their journey, be part of the history that in the future they will be reading about. I hope after attending this launch and reading my autobiography, taking me from popular to 'Famous', you too can experience consecutive wins, healing energy, unexpected blessings, constant growth, financial freedom and deeper insight into your true worth and self value. Yours Truly My new autograph ....."Now I'm Famous" Industry Reviews "It rather engages the ordinary in order to render it extraordinary, which he is. It is readable, usable, simulate-able material that young people everywhere may read and be inspired" Sydney Bartley. Culture Expert and Consultant - Former Permanent Secretary/Principal Director of Culture and Creative Industries, Jamaica. "A powerful and surprising book which is refreshingly candid" Jayde Pearson, BBC Journalist "An exhilarating look at the colourful life of a legend in the making" David Brook, former Channel 4 Director Highlights High Quality photos throught this book Relationships Evolution Giving Back Plus so much more
In this third volume of his acclaimed autobiography, actor Terence Stamp relives his experiences in the 1960s, a decade famous for its explosion of sex, drugs and rock and roll. His tales include mixing with stars and Hollywood directors, and meeting Jean Shrimpton, the girl of his dreams.
From Hollywood TV and film producer, Terence Michael. Hollywood produces its on-screen heroes to take steps to achieve their goals. These same principles can be applied to anything you are seeking to accomplish or improve. You can Produce Yourself to be the hero and not just a supporting character in your life's story.
This edition has been updated and revised to take into account recent developments in the English legal process. Many recent Court of Appeal and High Court case law developments are incorporated, as are important pronouncements by the House of Lords.
In August 1914 the German main attack was conducted by the 2nd Army. It had the missions of taking the vital fortresses of Liège and Namur, and then defeating the Anglo- French-Belgian forces in the open plains of northern Belgium. The German attack on the Belgian fortress at Liège from 5 to 16 August 1914 had tremendous political and military importance, and yet there has never been a complete account of the siege. The German and Belgian sources are fragmentary and biased. The short descriptions in English are general, use a few Belgian sources and are filled with inaccuracies. Making use of both German and Belgian sources, and supported by tactical maps, this book for the first time describes and evaluates the construction of the fortress, its military purpose, the German plan and the conduct of the attack. Previous accounts emphasise the importance of the huge German 'Big Bertha' cannon, to the virtual exclusion of everything else; Ten Days in August shows that the effect of this gun was a myth, and reveals how the Germans really took the fortress and thus set the scene for perhaps the most destructive conflict in history.
In this sixty-seventh anniversary year of the groundbreaking Supreme Court decision in the Brown v. Board of Education case that outlawed segregation in the nation’s public schools, research reveals that schools have undergone significant re-segregation. The anguish that many of us feel about this incredible failure of public policy underscores the layered aspect of achieving racial equality in America. In Florida, and across the nation, the steps that have been taken to implement affirmative action in higher education have been under constant attack by conservatives, and a series of actions by various state and federal courts have resulted in reduced access and enrollment of students of color in several states. In 1999, Governor Jeb Bush used his authority to redefine affirmative action in his state by issuing an executive order that established the One Florida Initiative (OFI). Bush’s claim that the OFI was intended to increase diversity and opportunities for people of color in Florida’s state university system appears to be contradicted by findings that minority representation actually decreased in most of the state universities after the policy was implemented. Hilton and colleagues provide a cogent analysis of the effects of the OFI on enrollment patterns in the state’s public law schools to help us understand how changes in public policy can have detrimental effects on particular communities. The research is both enriched and complicated by the inclusion of the two law schools: Florida A&M and Florida International Universities, both of which are minority-serving institutions (MSIs). These schools were developed independently of the OFI but had a potential effect on the level of diversity that can be calculated across the system. The use of critical race theory offers an approach that will prove unnerving to some readers, but is one that provided insights that may not have been revealed through a different framework.
Named a Nonfiction Book Awards Gold Winner by the Nonfiction Authors Association Gold Winner of the 2022 eLit Book Award for Popular Culture Winner of a National Indie Excellence Award in the category of “Movies & TV” Book of the Year 2021 in African Studies awarded by CESTAF Winner of the 2022 Best Book Award in the category of “Performing Arts” Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world in ways that transcended the dimensions of the superhero film. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies. McSweeney argues that Black Panther is one of the defining American films of the last decade and the most remarkable title in the Marvel Cinematic Universe (2008–). The MCU has become the largest film franchise in the history of the medium and has even shaped the contours of the contemporary blockbuster, but the narratives within it have almost exclusively perpetuated largely unambiguous fantasies of American heroism and exceptionalism. In contrast, Black Panther complicates this by engaging in an entirely different mythos in its portrayal of an African nation—never colonized by Europe—as the most powerful and technologically advanced in the world. McSweeney charts how and why Black Panther became a cultural phenomenon and also a battleground on which a war of meaning was waged at a very particular time in American history.
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