All 80 of the great 18th-century descriptive anatomist's original copperplate engravings, containing over 230 individual illustrations, of the muscles and bones of the human body are rendered individually and in related groups from varying perspectives.
This classic book, whose foremost author was one of the great artistic anatomy teachers of the twentieth century, is an invaluable instructor and reference guide for any professional, amateur, or student artist who depicts the human form. Revealing the drawing principles behind one hundred inspiring masterpieces, the book presents work by Leonardo, Michelangelo, Rubens, Raphael, Titian, Rembrandt, and other greats. These superb portrayers of figures knew that the secret of drawing them was seeing how underlying bone and muscle structures mold the body’s surface forms. Readers are shown how to learn from these great examples as the authors guide them through all the steps they would take in a life class or studio working with live models.
He has the most dangerous job in the world: defusing terrorist bombs. A job that demands nerves of steel and courage to match. But his skill is being tested to the limit by a new IRA bombing campaign. It's different from the others, each device more deadly and cunning than the last, each more difficult for him to neutralise. It's almost as if someone is testing him, trying to find his limits - a long-dead adversary reaching out for him from beyond the grave. Time and luck are running out. From Belfast to London, he is pitched into a very personal battle - a fight where just one small mistake will be his last. From the author of WHISPER WHO DARES, THE FIFTH HOSTAGE and SOME UNHOLY WAR, this is a terrifying, brilliantly researched journey into the dark, claustrophobic world of the professional bomb-disposal man. 'Breathless entertainment' THE GUARDIAN
Focusing on a period (c.1577-1594) that is often neglected in Elizabethan theater histories, this study considers Shakespeare's involvement with the various London acting companies before his membership in the Lord Chamberlain's Men in 1594. Locating Shakespeare in the confusing records of the early London theater scene has long been one of the many unresolved problems in Shakespeare studies and is a key issue in theatre history, Shakespeare biography, and historiography. The aim in this book is to explain, analyze, and assess the competing claims about Shakespeare's pre-1594 acting company affiliations. Schoone-Jongen does not demonstrate that one particular claim is correct but provides a possible framework for Shakespeare's activities in the 1570s and 1580s, an overview of both London and provincial playing, and then offers a detailed analysis of the historical plausibility and probability of the warring claims made by biographers, ranging from the earliest sixteenth-century references to contemporary arguments. Full chapters are devoted to four specific acting companies, their activities, and a summary and critique of the arguments for Shakespeare's involvement in them (The Queen's Men, Strange's Men, Pembroke's Men, and Sussex's Men), a further chapter is dedicated to the proposition Shakespeare's first theatrical involvement was in a recusant Lancashire household, and a final chapter focuses on arguments for Shakespeare's membership in a half dozen other companies (most prominently Leicester's Men). Shakespeare's Companies simultaneously opens up twenty years of theatrical activity to inquiry and investigation while providing a critique of Shakespearean biographers and their historical methodologies.
Lawmaking by international organizations has enormous influence over world trade and national economies. This book explores who makes that law and how.
We traditionally assume that the `meaning' of each of Shakespeares plays is bequeathed to it by the Bard. It is as if, to the information which used to be given in theatrical programmes, `Cigarettes by Abdullah, Costumes by Motley, Music by Mendelssohn', we should add `Meaning by Shakespeare'. These essays rest on a different, almost opposite, principle. Developing the arguments of the same author's That Shakespearean Rag (1986), they put the case that Shakespeare's plays have no essential meanings, but function as resources which we use to generate meaning. A Midsummer Night's Dream, Measure for Measure, Coriolanus and King Lear, amongst other plays, are examined as concrete instances of the covert process whereby, in the twentieth century, Shakespeare doesn't mean: we mean by Shakespeare. Meaning by Shakespeare concludes with `Bardbiz', a review of recent critical approaches to Shakespeare, which initiated a long-running debate (1990-1991) when it first appeared in The London Review of Books.
Dolphin Square - the large, imposing red brick building on the North bank of the Thames - was and is no ordinary block of flats. Created for MPs, peers and entertainers required to work in London, the Square was built on a massive scale to a high density in the mid-1930s. It was a pioneering example of concrete design, and when built was the largest single residential building in Europe. This book tells the story of the project and captures what it has been like to live in the square for figures including Sir Menzies Campbell, Alistair Darling, William Hague, Mo Mowlam, Sir David Steel, Christine Keeler, Sid James, Barbara Windsor and Princess Anne. Beginning with the antecedents of the seven-acre site, the book charts the square's changing ownership and eventual creation of the Dolphin Square Trust, which managed the flats on a non profit-making basis for 40 years. Its unique blend of quasi-charitable purpose and commercial management enabled long-standing tenants to enjoy below-market rentals before the Trust came under immense pressure to realise the value of the existing leases and sell them off in 2006 ... provide[s] a detailed examination of a major example of urban property speculation and management"--Publisher's description.
Botcherby boyhood days and the growing to manhood, in the forties, fifties and sixties. Carnival days, local hero's, Norman Street School, Harraby Sec Mod, dancing in the Market hall, County Ballroom, Cameo, etc. adventure, scrumping orchards, poaching, teenage battles. its all here. heartache and pain, Joy and love, Happy days, not so happy. tragedy and pain. friends and love ones lost. dedicated to our lovely son Philip who we miss as much now as the day he left us. see you in heaven son.( If I am so luck
Quickly expand your knowledge base and master your residency with Faust's Anesthesiology Review, the world’s best-selling review book in anesthesiology. Combining comprehensive coverage with an easy-to-use format, this newly updated medical reference book is designed to efficiently equip you with the latest advances, procedures, guidelines, and protocols. It’s the perfect refresher on every major aspect of anesthesia. Take advantage of concise coverage of a broad variety of timely topics in anesthesia. Focus your study time on the most important topics, including anesthetic management for cardiopulmonary bypass, off-pump coronary bypass, and automatic internal cardiac defibrillator procedures; arrhythmias; anesthesia for magnetic resonance imaging; occupational transmission of blood-borne pathogens; preoperative evaluation of the patient with cardiac disease; and much more. Search the entire contents online at Expert Consult.com.
All 80 of the great 18th-century descriptive anatomist's original copperplate engravings, containing over 230 individual illustrations, of the muscles and bones of the human body are rendered individually and in related groups from varying perspectives.
This classic book, whose foremost author was one of the great artistic anatomy teachers of the twentieth century, is an invaluable instructor and reference guide for any professional, amateur, or student artist who depicts the human form. Revealing the drawing principles behind one hundred inspiring masterpieces, the book presents work by Leonardo, Michelangelo, Rubens, Raphael, Titian, Rembrandt, and other greats. These superb portrayers of figures knew that the secret of drawing them was seeing how underlying bone and muscle structures mold the body’s surface forms. Readers are shown how to learn from these great examples as the authors guide them through all the steps they would take in a life class or studio working with live models.
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