A fascinating new history of the Irish Times. The Irish Times is a pillar of Irish society. Founded in 1859 as the paper of the Irish Protestant Middle Class, it now has a position in Irish political, social and cultural life which is incomparable. In fact this history of the Irish Times is also a history of the Irish people. Always independent in ownership and political view and never entwined in any way with the Roman Catholic Church, it has become the weather vane, the barometer of Irish life and society followed by people of all religious and political persuasions and none. The paper is politically liberal and progressive as well as being centre right on economic issues. This history is peopled by all the great figures of Irish history - Daniel O'Connell, W.B. Yeats, Garret FitzGerald, Conor Cruise O'Brien and the paper has numbered among its internationally renowned columnists Mary Holland, Fintan O'Toole, Nuala O'Faolain, John Waters and Kevin Myers. Its influence on Irish Society is beyond question. In his book, Terence Brown tells the story of the paper with narrative skill, wit and perception. Analysis of the stance of the Times during events ranging from The Easter Rising, The Civil War, the Troubles and the recent economic recession make the book essential reading for students of Irish history, be they the general reader, the academic or amateur historian. The book will be seen as crucial to our understanding of Irish history in the past century and a half.
One of Ireland's foremost literary and cultural historians, Terence Brown's command of the intellectual and cultural currents running through the Irish literary canon is second to none, and he has been enormously influential in shaping the field of Irish studies. These essays reflect the key themes of Brown's distinguished career, most crucially his critical engagement with the post-colonial model of Irish cultural and literary history currently dominant in Irish Studies. With essays on major figures such as Yeats, MacNeice, Joyce and Beckett, as well as contemporary authors including Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon and Brian Friel, this volume is a major contribution to scholarship, directing scholars and students to new approaches to twentieth-century Irish cultural and literary history.
W. B. Yeats is widely regarded as the greatest English-language poet of the twentieth century. This new critical biography seeks to tell the story of his life as it unfolded in the various contexts in which Yeats worked as an artist and as public figure.
Terence (?184-159 B.C.) was the outstanding comic playwright of his generation at Rome and one of the founding fathers of European comic drama. All six of his plays survive. This new translation with introduction and explanatory notes aims to be both accurate and idiomatic, and to convey the liveliness of the plays as pieces written for the theatre."--BOOK JACKET.
Terence Brown juxtaposes such key topics as nationalism, industrialization, religion, language revival, and censorship with his assessments of the major literary and artistic advances to give us a lively and perceptive view of the Irish past. In the first two parts, he analyzes the ideas, images, and symbols that provided the Irish people with part of their sense of national identity. He considers in Part Three how these conceptions and aspirations fared in the new social order that evolved following the economic revival of the early 1960s.
I thought you'd do what the common run of slaves normally do, cheating and tricking me because my son's having an affair.' Terence's comedies have provided plots and characters for comic drama from classical times to the present; the outstanding comic playwright of his generation at Rome, he has influenced authors from Molière and Wycherley to P. G. Wodehouse. Scheming slaves, parasites, prostitutes, pimps, and boastful soldiers populate his plays, which show love triumphing over obstacles of various kinds, and the problems that arise from ignorance, misunderstanding, and prejudice. Although they reflect contemporary tensions in Roman society, their insights into human nature and experience make them timeless in their appeal. Peter Brown's lively new translation does full justice to Terence's style and skill as a dramatist. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
A collection of essays presenting an "insider" view of the Irish poetic tradition. It brings together some of the best-known poets and critics writing in Ireland today, exploring the multiple traditions and influences within Anglo-Irish poetry from the 19th century to the present.
The Girl from Andros was the Roman comic playwright Terence's first play and shows him as already a master dramatist. It contains much plotting and counter-plotting, two boys in danger of losing the girls they love, and a girl searching for her family. This is the first detailed commentary on the play for nearly sixty years.
The VitalBook e-book version of Genomes 3 is only available in the US and Canada at the present time. To purchase or rent please visit http://store.vitalsource.com/show/9780815341383 Covering molecular genetics from the basics through to genome expression and molecular phylogenetics, Genomes 3is the latest edition of this pioneering textbook. Updated to incorporate the recent major advances, Genomes 3 is an invaluable companion for any undergraduate throughout their studies in molecular genetics. Genomes 3 builds on the achievements of the previous two editions by putting genomes, rather than genes, at the centre of molecular genetics teaching. Recognizing that molecular biology research was being driven more by genome sequencing and functional analysis than by research into genes, this approach has gathered momentum in recent years.
To the reader: These poems were comprised out of much pain, suffering, mistakes, failures, bad choices keeping bad company, foolishness, ignorance, emptiness of spirit, frustration, self deprivation and some pleasure. Not to say that my suffering was any more significant than any others but in my time and in my place it seemed to be so. Self analysis is a vulnerable thing, one writes their feelings down in an effort to find vindication, or to try to come up with words that best describe how they feel. You write something down but you find that that's not it, you write a little more and again the words you find doesn't best explain how you feel. Then you dig a little deeper and you finally are able to adequately write down your feelings in words. And after finding out what's wrong with you, you ask yourself this question, do I really want people to read this about me? Peeling away the layers of your own soul can be quite humbling so at the risk of being transparent I would hope that the reader can extract some insight, inspiration, empathy and maybe even a little encouragement.
Brendan Kennelly is one of Ireland's most popular and prolific poets. Over the past five decades he has written thousands of poems published in over 30 books of poetry, including three previous editions of Selected Poems. Published on his 75th birthday, this new selection presents just over a hundred of Kennelly's most essential poems, accompanied by an audio CD of his own readings drawn a variety of recordings made over the years. The Essential Brendan Kennelly has been edited by two lifelong admirers of his work. Like Kennelly, Terence Brown studied at Trinity College, Dublin, where he taught until 2009; he is now Fellow Emeritus of the college. Michael Longley, who also studied at Trinity College, went on to become one of Ireland's leading poets and was Ireland Professor of Poetry in 2007-10. Terence Brown & Michael Longley write (from their foreword): 'Brendan Kennelly is a poet of rare gifts, who at all stages of his career has written distinctive, memorable and powerful poems. We hope that this selection will allow readers to appreciate anew, or for the first time, a body of work that ranges from tender lyricism to the bleakest despair at the human condition, from bawdily comic narrative to the pleasingly epigrammatic squib, from mythic consciousness to social satire... Yet each literary mode - the lyrical and its obverse, a reductively satirirc assault on "the poetic" - shares what has seemed the basis of all of Kennelly's poetry: a quest for authenticity of emotion undertaken with high moral intent. In each, as Beckett said of the painter Jack Yeats, the poet "stakes his being".
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.