The numerous things that make a Dive Bar unique are explored in Ted Maguire's new book, The Dive Bar Qualifier. Dive Bars are a special kind of place that deserve appreciation and respect. They are the rebels of the service industry and provide a certain type of relief in our hectic lives that you cannot get at an average restaurant or bar. The book reminds the reader on the importance of Dive Bars as a great American subculture and breaks down the subtle nuances that make up these little gems we call Dives and also provides the reader with a system which properly identifies a Dive Bar. This unique system, aptly named, "Maguire's Dive Bar Qualification System" is presented so that user can determine without a doubt that their favorite bar is in fact a Dive or not and to what degree. Misidentifying a Dive Bar is a tragedy which this book aims to eliminate. The Dive Bar Qualifier is a great read for everyone even if you don't like bars generally. The information presented contains valuable lessons for us all.
This book gives advice on how to design your entire landscape, information and illustrations detailing specific gardening techniques, how to grow annuals, perennials, specialty gardens, ornamental grasses, trees, shrubs, vines, and vegetables and herbs, directories of hundreds of plants with vital information on growth, use, and related varieties and species.
This humorous book will entertain you for hours. Based on a small mill village in SC and surrounding areas it will make you laugh out loud. The characters will most likely remind you of someone you know. Do not loan this book to your friends. It is funny and entertaining. THEY WILL NOT BRING IT BACK!
Historic preservation, which started as a grassroots movement, now represents the cutting edge in a cultural revolution focused on “green” architecture and sustainability. This is the only book to cover the gamut of preservation issues in layman’s language: the philosophy and history of the movement, the role of government, the documentation and designation of historic properties, sensitive architectural designs and planning, preservation technology, and heritage tourism, plus a survey of architectural styles. It is an ideal introduction to the field for students, historians, preservationists, property owners, local officials, and community leaders. Updated throughout, this revised edition addresses new subjects, including heritage tourism and partnering with the environmental community.
Between 1599 and 1601, no fewer than five anthologies appeared in print with extracts from Shakespeare's works. Some featured whole poems, while others chose short passages from his poems and plays, gathered alongside lines on similar topics by his rivals and contemporaries. Appearing midway through his career, these anthologies marked a critical moment in Shakespeare's life. They testify to the reputation he had established as a poet and playwright by the end of the sixteenth century. In extracting passages from their contexts, though, they also read Shakespeare in ways that he might have imagined being read. After all, this was how early modern readers were taught to treat the texts they read, selecting choice excerpts and copying them into their notebooks. Taking its cue from these anthologies, Anthologizing Shakespeare, 1593-1603 offers new readings of the formative works of Shakespeare's first decade in print, from Venus and Adonis (1593) to Hamlet (1603). It illuminates a previously neglected period in Shakespeare's career, what it calls his 'anthology period'. It investigates what these anthologies made of Shakespeare, and what he made of being anthologized. And it shows how, from the early 1590s, his works were inflected by the culture of commonplacing and anthologizing in which they were written, and in which Shakespeare, no less than his readers, was schooled. In this book, Ted Tregear explores how Shakespeare appealed to the reading habits of his contemporaries, inviting and frustrating them in turn. Shakespeare, he argues, used the practice of anthologizing to open up questions at the heart of his poems and plays: questions of classical literature and the schoolrooms in which it was taught; of English poetry and its literary inheritance; of poetry's relationship with drama; and of the afterlife he and his works might win—at least in parts.
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