Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concerning the ethical criticism of art. First, he argues that judgments of an artwork's ethical value are already often made in terms of how it was created, and examines why some art forms more readily lend themselves to this form of ethical appraisal than others. He then asserts that production-oriented evaluations of artworks are less contested than other sorts of ethical criticism and so lead to certain practical consequences-from censure, dismissal, and prosecution to shifts in policy and even legislation. Finally, Nannicelli defends the production-oriented approach, arguing that it is not only tacit in many of our art appreciative practices, but is in fact rationally warranted. There are many cases in which we should ethically critique artworks in terms of how they are created because this approach handles cases that other approaches cannot and results in plausible judgments about the works' relative ethical and artistic value. The concise, powerful arguments presented here will appeal to moral philosophers, philosophers of art and aesthetics, and critics interested in the intersection of artistic production and criticism and ethics.
Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing "The Rising Sun Blues." Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded "House of the Rising Sun," and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence "Tom" Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound.
In this chapter, we review the physical processes that create the mean and variable circulation features along the eastern margins of the ocean basins. Rather than describing the individual systems, we describe the processes and their variability between the systems, dividing the discussion into the low-, mid- and high-latitude regions. We start with the low latitudes, since their signals often move poleward along the coastal wave guides into the midlatitudes, which are the well-known eastern boundary upwelling systems. Our treatment of the higher latitudes is limited to examples from the better-studied NE Pacific Basin (The Alaska Current).
This book takes readers into the latest discoveries about early microbial life, where findings from the earth's furthest extremes are seeking to reshape the future of our planet and ourselves. As scientists take the next step in applying the lessons of popular and controversial research, the world's tiniest, and sometimes most dangerous, microorganisms are being tapped as allies in achieving better health and sustainable energy, while revealing fundamental clues to the mystery of where we came from.--Provided by publisher.
When pandemic meets politics the US fractures. Unite to survive. The human epidermis deterioration virus (HEDV) has obliterated the population. Billions have died worldwide. The lucky few who survived are now faced with rising racial tensions and white supremacist armies determined to eradicate all people of color and anyone who tries to stand in their way, including Scot Jameson’s mostly white community. Left for dead, Scot is rescued by a young black girl, Coby, and together they join an integrated community called The Orchard. There they meet Kimberly Tomlinson a charismatic and brilliant young leader who becomes a surrogate mother to Coby and confidant to Scot. The Orchard is soon destroyed by an attack from a rival white supremacist army, Right Nation. While Coby escapes, Scot and Kimberly are both taken prisoner. Separated, Scot and Kimberly must fight to survive, escape, and reunite with Coby. Kimberly’s efforts put her on a collision course with a ring of cruel human traffickers specializing in the exploitation of women of color. Scot, on his own journey with various allies and adversaries, must confront his own biases, ignorance, privilege, and prejudices. As they gather other surviving communities together in an uneasy alliance, the survivors of the The Orchard try to find a way to combat hate, defeat Right Nation, and put an end to the fever of white nationalism. "The writing is some of the best I've seen in a long time, and the story line is unlike anything I've ever read before . . . . . . it's not so hard to imagine something like this actually happening. Highly Recommended." By Sheri Hoyte for Reader Views. Full review: readerviews.com/reviewneillreapermoon NOTE FROM THE AUTHOR - CONTENT WARNING & NOTE ON RACIST LANGUAGE: One of the most frequent comments from readers and reviewers has been around a "content warning," for Reaper Moon. It's a fair request. The book is far more violent and dark than anything I ever have written, but part of the decision to include racist language, racially motivated violence, was to depict in an unfiltered way the trauma of racism and white supremacy. Even if Reaper Moon is built on a Sci-Fi premise, some of the content might be closer to a horror story. That said, the violence of white supremacy, from slavery, to lynchings, to police shootings of people of color is nothing short of a horror story and I felt that in at least one of my books wherein I focus on these issues, I would not pull back from the terror, pain, and trauma of racism. After all, people of color, throughout history, have not been able to opt-out of oppression and the violence—physical, emotional, and psychological—that it entails. That said, I know the relationship between reader and book is an intimate one. I don't hold it against anyone if they choose not to step into the world of Reaper Moon—only that they acknowledge that is their privilege not to. I understand though. At times there is enough horror in real life (and victims certainly don't need to relive it). I try to balance that reality with the need to bear witness to the suffering inflicted on others who otherwise are hidden by the structures of marginalization. Potential readers have also challenged me on whether or not this book just turns the "hate" around and is "racist" in itself or even unfair to white people. I'd say this much: one of the challenges of writing this book was to reflect the humanity of all the characters even those whom I disagreed with down to the core of my soul. The first few drafts of Reaper Moon read very much like a fight between "bad guys" and "good guys." Many characters came off like cartoons, flat, one dimensional. The bad guys were all bad and good guys all good. No nuance, no complexity. It wasn't good writing, it didn't make for good reading, and it sounded polemical. It didn't challenge anyone's assumptions or thinking. So before I did further revisions I spent a month researching white supremacists, watching their films, visiting their websites, reading their literature. I wasn't swayed in the least by the content but what I did sense was that there was terrible trauma (often childhood) and real self loathing behind the racism, fear, and hate I heard from these white men (and some women). I learned from watching that racist people hold on to their hatred of others because without it, they'd have to sit with their own hate for themselves. It's sad. After that, I went back to try to incorporate those realities into my depictions of the white supremacists in the book. I ended up adding 15 chapters and a number of characters! I don't know if it is possible to make a white supremacist sympathetic, but I felt obliged to represent their humanity, since in the end, that is the only thing that will get us out of this mess—recognizing we're all human and that there is inherent dignity, worth, and value in that identity. It is when we're failing to see that, that prejudice begins and hate takes root. Getting into white supremacists’ heads also revealed to me the truism that the lower an individual's self esteem, the higher likelihood they will claim their race, their nation, their religion is superior to all others. It reminded me that although the structures of racism are social and it is perpetuated by policy, it roots lie in the individual psyche and the work to dismantle it takes place at the inter- and intra-personal levels, in addition to social and policy arenas. We certainly don't lack for entry points to jump in and contribute to change.
In 1971, Ted Chapin was a production assistant on the legendary Broadway musical Follies. Thirty years later, the journal he kept has become the definitive history of one of Broadway's greatest-ever musicals, created by geniuses at the top of their free: Stephen Sondheim, Hal Prince, Michael Bennett, and James Goldman.
Red Stilts finds Pulitzer Prize-winner and former U. S. Poet Laureate Ted Kooser at the top of his imaginative and storytelling powers. Here are the richly metaphorical, imagistically masterful, clear and accessible poems for which he has become widely known. Kooser writes for an audience of everyday readers and believes poets “need to write poetry that doesn’t make people feel stupid.” Each poem in Red Stilts strives to reveal the complex beauties of the ordinary, of the world that’s right under our noses. Right under Kooser’s nose is rural America, most specifically the Great Plains, with its isolated villages, struggling economy, hard-working people and multiple beauties that surpass everything wrecked, wrong, or in error.
This debut book from acclaimed Los Angeles lifestyle brand Poketo proves creativity can be sparked anywhere. From a colorful desk in a tiny closet to expansive homes, Creative Spaces explores the lives, homes, and studios of 23 artistic entrepreneurs, authors, and designers through a collection of inspired interiors from across the country that brings art into the everyday. With stunning photography, intimate profiles, and unexpected takeaways, the book showcases an eclectic mix of creatives, including artist Adam J. Kurtz, ceramicist Helen Levi, and DJ Chris Manak, among others. Fusing lifestyle with interior design, this peek into the spaces and lives of creative professionals will motivate dreamers and thinkers to become doers and makers.
From the late 1940's through the early 1970's, local TV stations created a golden age of children's television. These programs were rich in imagination, inventiveness, and devoted fans. This book tells the back stories and details of the special Chicago children's programming created during this period.
A man of many firsts, Ashe was the first black to compete on the US Davis Cup Team, first black US National men's singles champion, US National Open Champion, and the first black male to win the Wimbledon singles in England.
This book is a unique summary of the results of a long research project undertaken by the authors on discreteness in modern physics. In contrast with the usual expectation that discreteness is the result of mathematical tools for insertion into a continuous theory, this more basic treatment builds up the world from the discrimination of discrete entities. This gives an algebraic structure in which certain fixed numbers arise. As such, one agrees with the measured value of the fine-structure constant to one part in 10,000,000 (107).
“Almost indecently readable . . . captures [Burroughs’s] destructive energy, his ferocious pessimism, and the renegade brilliance of his style.”—Vogue With a new preface as well as a final chapter on William S. Burroughs’s last years, the acclaimed Literary Outlaw is the only existing full biography of an extraordinary figure. Anarchist, heroin addict, alcoholic, and brilliant writer, Burroughs was the patron saint of the Beats. His avant-garde masterpiece Naked Lunch shook up the literary world with its graphic descriptions of drug abuse and illicit sex—and resulted in a landmark Supreme Court ruling on obscenity. Burroughs continued to revolutionize literature with novels like The Soft Machine and to shock with the events in his life, such as the accidental shooting of his wife, which haunted him until his death. Ted Morgan captures the man, his work, and his friends—Allen Ginsberg and Paul Bowles among them—in this riveting story of an iconoclast.
Perspectives on the Politics of Abortion examines the abortion issue from ethical, empirical, and legal angles and offers some rather unconventional analyses and surprising conclusions with regard to this familiar issue. One chapter argues that the emphasis on rights has made illegal and occasionally violent activity on the part of pro-life activists increasingly likely. Another chapter suggests that abortion is an instance of the more general right to self-defense. A chapter considers the problem of abortion from the standpoint of participants in the political process. And chapters examine the political tactics of the Roman Catholic Church and abortion rights in terms of constitutional due process. This important volume adds new voices and perspectives to the abortion debate.
There are books on how to worship God with our marriages, our money, and our sex lives. Books on how to “think biblically” about movies, television, and the arts. Books on how to vote Christianly and how not to vote Christianly. But there is little thoughtful, Christ-centered writing on the subject that drives most of men’s banter with each other and consumes the bulk of their free time- Sports. Written in the vein of Rick Reilly (Sports Illustrated), Chuck Klosterman (Spin, Esquire), and David Foster Wallace (A Supposedly Fun Thing I’ll Never Do Again), The Reason for Sports will both entertain and shed light on some of today’s most pertinent sports issues (race, drugs, hero worship, and more)- all through a biblical lens.use he drowns puppies, or that you should cheer for all American QB Tim Tebow because he etches a Bible verse on his eye-black before every game. I’ll let you draw your own conclusions about all of these people. But I’ll invite you to begin formulating your own theology of sports with me.
Mr Bristow’s family was among the fonders of KY and helped form the Republican Party in KY. He served as a Union officer in the Cival War, was elected to the KY house, appointed KY US District-ATTY and prosecuted Federal crimes during reconstruction. He was appointed the first Solicitor-G of the US and served as Treasury Secretary under President Grant during which time he was responsible for the refinancing of the Civil War debt and successfully prosecuted the “Whiskey Ring”. In eighteen seventy six he was nominated by the Republican Party for president, thereafter he relocated to NYC and organized the American Bar Association. Cases he litigated established legal principles that ignorance of the law no excuse”, the life of a patent and preferential debts under a receivership. Upon his death, Mr. Bristow was counsel to three Presidents and a respected defender of US Corporate law. Tributes to him graced the pages of newspapers throughout the US and Europe acknowledging him a as a leader of his generation not to be easily replaced.
The poems in Cotton Candy were written during Ted Kooser's daily routine of getting up long before dawn and writing down whatever drifts into his mind"--
Ted Haggard presents a successful and tested model for a small group ministry here that can be implemented by a church of any size. By enabling members to embrace and capitalize on their own unique abilities, the diverse groups create an environment where people meet mentors that can disciple and guide them. This need-and interest based approach redefines the model for powerful church growth.
Today, algorithms exercise outsize influence on cultural decision-making, shaping and even reshaping the concept of culture. How were automated, computational processes empowered to perform this work? What forces prompted the emergence of algorithmic culture? Algorithmic Culture Before the Internet is a history of how culture and computation came to be entangled. From Cambridge, England, to Cambridge, Massachusetts, by way of medieval Baghdad, this book pinpoints the critical junctures at which algorithmic culture began to coalesce in language long before it materialized in the technological wizardry of Silicon Valley. Revising and extending the methodology of “keywords,” Ted Striphas examines changing concepts and definitions of culture, including the development of the field of cultural studies, and stresses the importance of language in the history of technology. Offering historical and interdisciplinary perspective on the relationship of culture and computation, this book provides urgently needed context for the algorithmic injustices that beset the world today.
The extraordinary life of Jay Lovestone is one of the great untold stories of the twentieth century. A Lithuanian immigrant who came to the United States in 1897, Lovestone rose to leadership in the Communist Party of America, only to fall out with Moscow and join the anti-Communist establishment after the Second World War. He became one of the leading strategists of the Cold War, and was once described as "one of the five most important men in the hidden power structure of America." Lovestone was obsessively secretive, and it is only with the opening of his papers at the Hoover Institution, the freeing of access to Comintern files in Moscow, and the release of his 5,700-page FBI file that biographer and Pulitzer Prize-winning journalist Ted Morgan has been able to construct a full account of the remarkable events of Jay Lovestone's life. The life Morgan describes is full of drama and intrigue. He recounts Lovestone's career in the faction-riven world of American Communism until he was spirited out of Moscow in 1929 after Stalin publicly attacked him for doctrinal unorthodoxy. As Lovestone veered away from Moscow, he came to work for the American Federation of Labor, managing a separate union foreign policy as well as maintaining his own intelligence operations for the CIA, many under the command of the legendary counterintelligence chief James Angleton. Lovestone also associated with Louise Page Morris, a spy known as "the American Mata Hari," who helped him undermine Communist advances in the developing world and whose own significant espionage career is detailed here. Lovestone's influence, always exercised from behind the scenes, survived to the end of the Cold War and the demise of the Soviet Union. A Covert Life has all the elements of a classic spy thriller: surveillance operations and stings, love affairs and bungled acts of sabotage, many thoroughly illegal. It is written with the easy hand of a fine biographer (The Washington Post Book World called Ted Morgan "a master storyteller") and provides a history of the Cold War and a glimpse into the machinery of the CIA while also revealing many hitherto hidden details of the superpower confrontation that dominated postwar global politics.
Eine Einführung in alle Aspekte der finiten Elemente, jetzt schon in der 4. Auflage! Geboten wird eine ausgewogene Mischung theoretischer und anwendungsorientierter Kapitel mit vielen Beispielen. Schwerpunkte liegen auf Anwendungen aus der Mechanik, dem Wärmetransport, der Elastizität sowie auf disziplinübergreifenden Problemen (Strömungen von Fluiden, Elektromagnetismus). Eine nützliche und zuverlässige Informationsquelle für Studenten und Praktiker!
Created to highlight the most important pathways in the United States and show their impact on the story of America as we know it today. Readings and activities trace the historical beginnings and progress to the present, showing the significance of each pathway. Activities based on NCSS Standards.
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