A powerful and important work of investigative journalism that explores the runaway growth of the American meatpacking industry and its dangerous consequences “A worthy update to Upton Sinclair’s The Jungle and a chilling indicator of how little has changed since that 1906 muckraking classic.” — Mother Jones “I tore through this book. . . . Books like these are important: They track the journey of our thinking about food, adding evidence and offering guidance along the way.” —Wall Street Journal On the production line in American packing-houses, there is one cardinal rule: the chain never slows. Under pressure to increase supply, the supervisors of meat-processing plants have routinely accelerated the pace of conveyors, leading to inhumane conditions, increased accidents, and food of questionable, often dangerous quality. In The Chain, acclaimed journalist Ted Genoways uses the story of Hormel Foods and its most famous product, Spam—a recession-era staple—to probe the state of the meatpacking industry, from Minnesota to Iowa to Nebraska. Interviewing scores of line workers, union leaders, hog farmers, and local politicians and activists, Genoways reveals an industry pushed to its breaking point—while exposing alarming new trends, from sick or permanently disabled workers to conflict between small towns and immigrant labor. A searching exposé in the tradition of Upton Sinclair, Rachel Carson, and Eric Schlosser, The Chain is a mesmerizing story and an urgent warning about the hidden costs of the food we eat.
Winner of the Stubbendieck Great Plains Distinguished Book Prize 2019 selection for the One Book One Nebraska and All Iowa state reading programs "Genoways gives the reader a kitchen-table view of the vagaries, complexities, and frustrations of modern farming…Insightful and empathetic." —Milwaukee Journal Sentinel The family farm lies at the heart of our national identity, and yet its future is in peril. Rick Hammond grew up on a farm, and for forty years he has raised cattle and crops on his wife’s fifth-generation homestead in Nebraska, in hopes of passing it on to their four children. But as the handoff nears, their family farm—and their entire way of life—are under siege on many fronts, from shifting trade policies, to encroaching pipelines, to climate change. Following the Hammonds from harvest to harvest, Ted Genoways explores the rapidly changing world of small, traditional farming operations. He creates a vivid, nuanced portrait of a radical new landscape and one family’s fight to preserve their legacy and the life they love.
Shortly after the third edition of Leaves of Grass was published, in 1860, Walt Whitman seemed to drop off the literary map, not to emerge again until his brother George was wounded at Fredericksburg two and a half years later. Past critics have tended to read this silence as evidence of Whitman's indifference to the Civil War during its critical early months. In this penetrating, original, and beautifully written book, Ted Genoways reconstructs those forgotten years—locating Whitman directly through unpublished letters and never-before-seen manuscripts, as well as mapping his associations through rare period newspapers and magazines in which he published. Genoways's account fills a major gap in Whitman's biography and debunks the myth that Whitman was unaffected by the country's march to war. Instead, Walt Whitman and the Civil War reveals the poet's active participation in the early Civil War period and elucidates his shock at the horrors of war months before his legendary journey to Fredericksburg, correcting in part the poet's famous assertion that the "real war will never get in the books.
In 1961 the first volume of Edwin Haviland Miller’s The Correspondence was published in the newly established series the Collected Writings of Walt Whitman. Miller proceeded to publish five additional volumes of Whitman letters, and other leading scholars, including Roger Asselineau, compiled accompanying volumes of prose, poems, and daybooks. Yet by the late 1980s, the Whitman Collected Writings project was hopelessly scattered, fragmented, and incomplete. Now, more than forty years after the inaugural volume’s original publication, Ted Genoways brings scholars the latest volume in Walt Whitman: The Correspondence. Incorporating all of the letters Miller had collected before his death in 2001 and combining them with more than a hundred previously unknown letters he himself gathered, Genoways’s volume is a perfect accompaniment to Miller’s original work. Among the more than one hundred fifty letters collected in this volume are numerous correspondences concerning Whitman’s Civil War years, including a letter sending John Hay, the personal secretary to Abraham Lincoln, a manuscript copy of “O Captain, My Captain!” Additional letters address various aspects of the production of Leaves of Grass, the most notable being an extensive correspondence surrounding the Deathbed Edition, gathered by Whitman’s friend Horace Traubel, and reproduced here for the first time. Most significantly, this volume at last incorporates Whitman’s early letters to Abraham Paul Leech, first published by Arthur Golden in American Literature in 1986. The revelations contained in these letters must be considered among the most important discoveries about Whitman’s life made during the last half of the twentieth century. Regardless of whether their significance is great or small, immediate or long-term, each new piece of Whitman’s correspondence returns us to a particular moment in his life and suggests the limitless directions that remain for Whitman scholarship.
Set against the bleak backdrop of the Yukon and the historical moment of the 1897 Klondike gold rush, this chronologically arranged series of sonnets is grounded in the lived experience of Finnish immigrants Anna and Abe Malm. Anna hauls her Anthony Wayne Washer into the wilderness and sets up a laundry business while Abe seeks his fortune. Anna and Abe share a unique history, revealed in the book's epigraph: Anna, nineteen years her husband's senior, had first raised him and then married him. Genoways's graceful formalism makes percussive music of a story marked by isolation and brutal difficulty. He manages a deft and plain-speaking rhyme that is in keeping with the tough lives his poems explore. The poems, which shift in frame from Anna's letters or Abe's diary to third-person verse that captures the characters' inner thoughts, bring the vitality of luminous detail and psychological depth to the arc of history.
In a language of visceral accuracy made concise and memorable by metric structure, Ted Genoways tells an American story that is also emblematic of a piece of American history -- a history of expansion cruelly compressed by the Depression, a history of the movement from rural to urban to suburban life." -- From the Foreword
From the shooting of an unarmed prisoner at Montgomery, Alabama, to a successful escape from Belle Isle, from the swelling floodwaters overtaking Cahaba Prison to the inferno that finally engulfed Andersonville, A Perfect Picture of Hell is a collection of harrowing narratives by soldiers from the 12th Iowa Infantry who survived imprisonment in the South during the Civil War. Editors Ted Genoways and Hugh Genoways have collected the soldiers' startling accounts from diaries, letters, speeches, newspaper articles, and remembrances. Arranged chronologically, the eyewitness descriptions of the battles of Shiloh, Corinth, Jackson, and Tupelo, together with accompanying accounts of nearly every famous Confederate prison, create a shared vision
In a language of visceral accuracy made concise and memorable by metric structure, Ted Genoways tells an American story that is also emblematic of a piece of American history -- a history of expansion cruelly compressed by the Depression, a history of the movement from rural to urban to suburban life." -- From the Foreword
Recently appointed as the new U. S. Poet Laureate, Ted Kooser has been writing and publishing poetry for more than forty years. In the pages of The Poetry Home Repair Manual, Kooser brings those decades of experience to bear. Here are tools and insights, the instructions (and warnings against instructions) that poets—aspiring or practicing—can use to hone their craft, perhaps into art. Using examples from his own rich literary oeuvre and from the work of a number of successful contemporary poets, the author schools us in the critical relationship between poet and reader, which is fundamental to what Kooser believes is poetry’s ultimate purpose: to reach other people and touch their hearts. Much more than a guidebook to writing and revising poems, this manual has all the comforts and merits of a long and enlightening conversation with a wise and patient old friend—a friend who is willing to share everything he’s learned about the art he’s spent a lifetime learning to execute so well.
Set against the bleak backdrop of the Yukon and the historical moment of the 1897 Klondike gold rush, this chronologically arranged series of sonnets is grounded in the lived experience of Finnish immigrants Anna and Abe Malm. Anna hauls her Anthony Wayne Washer into the wilderness and sets up a laundry business while Abe seeks his fortune. Anna and Abe share a unique history, revealed in the book's epigraph: Anna, nineteen years her husband's senior, had first raised him and then married him. Genoways's graceful formalism makes percussive music of a story marked by isolation and brutal difficulty. He manages a deft and plain-speaking rhyme that is in keeping with the tough lives his poems explore. The poems, which shift in frame from Anna's letters or Abe's diary to third-person verse that captures the characters' inner thoughts, bring the vitality of luminous detail and psychological depth to the arc of history.
In 1961 the first volume of Edwin Haviland Miller’s The Correspondence was published in the newly established series the Collected Writings of Walt Whitman. Miller proceeded to publish five additional volumes of Whitman letters, and other leading scholars, including Roger Asselineau, compiled accompanying volumes of prose, poems, and daybooks. Yet by the late 1980s, the Whitman Collected Writings project was hopelessly scattered, fragmented, and incomplete. Now, more than forty years after the inaugural volume’s original publication, Ted Genoways brings scholars the latest volume in Walt Whitman: The Correspondence. Incorporating all of the letters Miller had collected before his death in 2001 and combining them with more than a hundred previously unknown letters he himself gathered, Genoways’s volume is a perfect accompaniment to Miller’s original work. Among the more than one hundred fifty letters collected in this volume are numerous correspondences concerning Whitman’s Civil War years, including a letter sending John Hay, the personal secretary to Abraham Lincoln, a manuscript copy of “O Captain, My Captain!” Additional letters address various aspects of the production of Leaves of Grass, the most notable being an extensive correspondence surrounding the Deathbed Edition, gathered by Whitman’s friend Horace Traubel, and reproduced here for the first time. Most significantly, this volume at last incorporates Whitman’s early letters to Abraham Paul Leech, first published by Arthur Golden in American Literature in 1986. The revelations contained in these letters must be considered among the most important discoveries about Whitman’s life made during the last half of the twentieth century. Regardless of whether their significance is great or small, immediate or long-term, each new piece of Whitman’s correspondence returns us to a particular moment in his life and suggests the limitless directions that remain for Whitman scholarship.
Shortly after the third edition of Leaves of Grass was published, in 1860, Walt Whitman seemed to drop off the literary map, not to emerge again until his brother George was wounded at Fredericksburg two and a half years later. Past critics have tended to read this silence as evidence of Whitman's indifference to the Civil War during its critical early months. In this penetrating, original, and beautifully written book, Ted Genoways reconstructs those forgotten years—locating Whitman directly through unpublished letters and never-before-seen manuscripts, as well as mapping his associations through rare period newspapers and magazines in which he published. Genoways's account fills a major gap in Whitman's biography and debunks the myth that Whitman was unaffected by the country's march to war. Instead, Walt Whitman and the Civil War reveals the poet's active participation in the early Civil War period and elucidates his shock at the horrors of war months before his legendary journey to Fredericksburg, correcting in part the poet's famous assertion that the "real war will never get in the books.
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