Join us on a journey through 21st Century politics... We love the traditional Japanese haiku format of 17 syllables on 3 lines: 5-7-5. It is very symmetrical, terse and disciplined. However, these are not your great grandfather’s haiku. This is Modern American Haiku. We do keep the fundamental format, but that’s all. For one thing, we give them titles, which we believe helps the reader focus on the punch in each haiku. Second, there is word play. Third, there is the extra dimension of the images in which the haiku are embedded or by which they are framed. We believe the reader will be amazed at how well the illustrations deepen the haiku. Ted and Patricia
I write haiku when I’m feelin’ blue and when love and pain make me want to. Join us on a journey through the pain of betrayal, divorce and after... We love the traditional Japanese haiku format of 17 syllables on 3 lines: 5-7-5. It is very symmetrical, terse and disciplined. However, these are not your great grandfather’s haiku. This is Modern American Haiku. We do keep the fundamental format, but that ’s all. For one thing, we give them titles, which we believe helps the reader focus on the punch in each haiku. Second, there is word play. Third, there is the extra dimension of the images in which the haiku are embedded or by which they are framed. We believe the reader will be amazed at how well the illustrations deepen the haiku. Ted and Patricia
I write haiku when I’m feelin’ blue and when love and pain make me want. Join us on a journey through the pain of betrayal, divorce and after... We love the traditional Japanese haiku format of 17 syllables on 3 lines: 5-7-5. It is very symmetrical, terse and disciplined. However, these are not your great grandfather’s haiku. This is Modern American Haiku. We do keep the fundamental format, but that ’s all. For one thing, we give them titles, which we believe helps the reader focus on the punch in each haiku. Second, there is word play. Third, there is the extra dimension of the images in which the haiku are embedded or by which they are framed. We believe the reader will be amazed at how well the illustrations deepen the haiku. Ted and Patricia
I write haiku when I’m feelin’ blue and when love and pain make me want. Join us on a journey through the pain of betrayal, divorce and after... We love the traditional Japanese haiku format of 17 syllables on 3 lines: 5-7-5. It is very symmetrical, terse and disciplined. However, these are not your great grandfather’s haiku. This is Modern American Haiku. We do keep the fundamental format, but that ’s all. For one thing, we give them titles, which we believe helps the reader focus on the punch in each haiku. Second, there is word play. Third, there is the extra dimension of the images in which the haiku are embedded or by which they are framed. We believe the reader will be amazed at how well the illustrations deepen the haiku. Ted and Patricia
Drawing on the new physics as the scientific foundation of transformational politics, Becker and Slaton write compellingly about teledemocracy, social energy, and democratic quanta. They outline their quantum political theory in rich detail, demonstrating how we have entered a phase of highly charged, erratic, and sometimes self-contradictory packets of social political energy that appears to occur with a rough regularity but with differing levels of velocity and force. Becker and Slaton explore the current state and future of televoting, electronic town meetings, and other initiatives designed to put the public back into public affairs. This book will prove to be a fascinating read for scholars, students, researchers, and policymakers interested in new political paradigms, politics, and public administration.
The best way to teach democracy has been the subject of an ongoing debate for 2,500 years. Unlike most books about teaching democracy, this one spends more time on how to teach democracy than the what and why of teaching democracy. It punctures the irony of teaching democracy by lectures and superior teachers. In its place, this book provides a variety of illustrations for the teaching of democracy in an experiential and egalitarian fashion. The introduction presents a theoretical and analytical framework of democracy and democratic pedagogy. The six chapters cover topics such as structuring a democratic classroom; democratic practices that empower students; problem solving and community service that make the classroom a laboratory for democracy; and university-based programs of democratic alternatives that serve the community. The volume's treatment of community organization, students as collaborators, personal empowerment, the community of need and response, and the democratic organization expresses its preference for direct democratic participation.
Horrific changes are descending upon humanity, most of them man-made, all of them threatening the survival of humankind on Mother Earth. Forever wars, the threat of nuclear destruction, the ecology collapsing worldwide, swelling waves of migrants, and unprecedented global inequality of wealth are upon us. The dominant, modern worldview prevailing for many centuries has produced all the above and needs swift and radical change. Central to this unfolding tragedy stands the United States, boasting its "exceptionality." Alexis de Tocqueville's Democracy in America coined and defined how America was an "exceptional" nation. However, the America he lauded in the early 1800s and what it has become today are as different as Antarctica and Hawai'i. This book is designed to pry open the eyes and minds of people everywhere about the true nature of the US as a spiritual and political (but not militaristic) nation, one to emulate and with whom to collaborate on helping resolve the violence and myopia plaguing humankind right now. It illuminates a new way to reshape American thinking, and that of the whole world, sensibly and with sensitivity to all humanity and the planet itself. But you must read to the last word to absorb the entire vision.
I wrote haiku when... I'm Feelin' blue and when love and... pain make me want to. We love the traditional Japanese haiku format of 17 syllables on 3 lines: 5-7-5. It is very symmetrical, terse and disciplined. However, these are not your great grandfather’s haiku. This is Modern American Illustrated Haiku. We do keep the fundamental format, but that’s all. For one thing, we give them titles, which we believe helps the reader focus on the punch in each haiku. Second, there is word play. Third, there is the extra dimension of the images in which the haiku are embedded or by which they are framed. We believe the reader will be amazed at how well the illustrations deepen the haiku. Originally Published in The Haiku Blues: Haiku That Take You on a Journey Through Pain, Love, Politics and Soul. Other Books by the Authors: The Haiku Blues, Deluxe Limited Edition; The Haiku Blues, Trade Edition; Full Spectrum of Blue; The Constitutional Blues; The Divorce Blues
Deceived by its muse,... ones artistic expression... has nothing to lose. Haiku will take you a journey through the pain of divorce and after... We love the traditional Japanese haiku format of 17 syllables on 3 lines: 5-7-5. It is very symmetrical, terse and disciplined. However, these are not your great grandfather’s haiku. This is Modern American Illustrated Haiku. We do keep the fundamental format, but that’s all. For one thing, we give them titles, which we believe helps the reader focus on the punch in each haiku. Second, there is word play. Third, there is the extra dimension of the images in which the haiku are embedded or by which they are framed. We believe the reader will be amazed at how well the illustrations deepen the haiku. Originally Published in The Haiku Blues: Haiku That Take You on a Journey Through Pain, Love, Politics and Soul. Other Books by the Authors: The Haiku Blues, Deluxe Limited Edition; The Haiku Blues, Trade Edition; Full Spectrum of Blue; The Constitutional Blues; The Soul Bendin' Blues
CAUTION! These Haiku are not safe for everyone. Beware of reading this book in one dose. It may cause sudden drowsiness, insomnia or both. It may also lead to intellectual hiccups; wild euphoria; transference of emotions; political dyspepsia; symptoms of Tourette’s Syndrome; and/or a rude spiritual awakening.
This guide by the author of Merle’s Door is “beneficial for anyone who wants to ensure that their dogs will be healthy and well” (Seattle Post-Intelligencer). From the bestselling author who offers “the most utterly compelling translation of dog to human I have ever seen” (Jeffrey Masson), this is a joyful chronicle of a dog and a groundbreaking answer to the question: How can we give our dogs the happiest, healthiest lives? When Ted Kerasote was ready for a new dog after losing his beloved Merle—who died too soon, as all our dogs do—he knew he wanted to give his puppy Pukka the longest life possible. But how to do that? So much has changed in the way we feed, vaccinate, train, and live with our dogs from even a decade ago. In an adventure that echoes The Omnivore’s Dilemma with a canine spin, Kerasote tackles these subjects, questioning our conventional wisdom and emerging with vital new information that will surprise even the most knowledgeable dog lovers. Can a purebred be as healthy as a mixed breed? How many vaccines are too many? Should we rethink spaying and neutering? Is raw food really healthier than kibble, and should your dog be chewing more bones? Traveling the world and interviewing breeders, veterinarians, and leaders of the animal-welfare movement, Kerasote pulls together the latest research to help us rethink the everyday choices we make for our companions. And as he did in Merle’s Door, Kerasote interweaves fascinating science with the charming stories of raising Pukka among his dog friends in their small Wyoming village. Funny, revelatory, and full of the delights of falling in love with a dog, Pukka’s Promise will help redefine the potential of our animal partners.
This humorous book will entertain you for hours. Based on a small mill village in SC and surrounding areas it will make you laugh out loud. The characters will most likely remind you of someone you know. Do not loan this book to your friends. It is funny and entertaining. THEY WILL NOT BRING IT BACK!
A powerful and important work of investigative journalism that explores the runaway growth of the American meatpacking industry and its dangerous consequences “A worthy update to Upton Sinclair’s The Jungle and a chilling indicator of how little has changed since that 1906 muckraking classic.” — Mother Jones “I tore through this book. . . . Books like these are important: They track the journey of our thinking about food, adding evidence and offering guidance along the way.” —Wall Street Journal On the production line in American packing-houses, there is one cardinal rule: the chain never slows. Under pressure to increase supply, the supervisors of meat-processing plants have routinely accelerated the pace of conveyors, leading to inhumane conditions, increased accidents, and food of questionable, often dangerous quality. In The Chain, acclaimed journalist Ted Genoways uses the story of Hormel Foods and its most famous product, Spam—a recession-era staple—to probe the state of the meatpacking industry, from Minnesota to Iowa to Nebraska. Interviewing scores of line workers, union leaders, hog farmers, and local politicians and activists, Genoways reveals an industry pushed to its breaking point—while exposing alarming new trends, from sick or permanently disabled workers to conflict between small towns and immigrant labor. A searching exposé in the tradition of Upton Sinclair, Rachel Carson, and Eric Schlosser, The Chain is a mesmerizing story and an urgent warning about the hidden costs of the food we eat.
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