While dragons and Chinese astrology are well embedded in popular culture, many other fascinating Chinese myths remain little-known. In this fascinating and readable new edition, author Te Lin explores the world of Chinese mythology, both telling us the timeless stories, and providing an explanation of what they may mean. A must-read for anyone interested in either Chinese culture, or mythology generally.
What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S. M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu,and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization. --Cyril Birch, University of California, Berkeley
An exploration of Chinese mythology, its timeless stories and what they might mean While dragons and Chinese astrology are well embedded in popular culture, many other fascinating Chinese myths remain little-known. In this fascinating new edition of Understand Chinese Mythology, author Te Lin explores the world of Chinese mythology, both telling us the timeless stories, and providing an explanation of what they may mean. This book includes coverage and explanation of Chinese astrology as well as the 12 central Chinese myths and meanings.
This textbook systematically introduces the theories, methods, and algorithms for geotechnical reliability analysis. There are a lot of illustrative examples in the textbook such that readers can easily grasp the concepts and theories related to geotechnical reliability analysis. A unique feature of the textbook is that computer codes are also provided through carefully designed examples such that the methods and the algorithms described in the textbook can be easily understood. In addition, the computer codes are flexible and can be conveniently extended to analyze different types of realistic problems with little additional efforts.
She had somehow saved the shot guy, but she didn't expect that this dead man would admit his wrongs and forcefully take the pure her. It was only afterwards that he found out that there was an extra ball in his stomach because of that scoundrel. However, the man in charge had disappeared ... No! She swore that she would definitely find the missing man! Unexpectedly, she met him once again, and at this moment, he and the woman were in the midst of HAPPY ...
She had somehow saved the shot guy, but she didn't expect that this dead man would admit his wrongs and forcefully take the pure her. It was only afterwards that he found out that there was an extra ball in his stomach because of that scoundrel. However, the man in charge had disappeared ... No! She swore that she would definitely find the missing man! Unexpectedly, she met him once again, and at this moment, he and the woman were in the midst of HAPPY ...
What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S. M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu,and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization. --Cyril Birch, University of California, Berkeley
This story is a description of a translator commissioned by a writing studio to translate a biographical novel, “Summer Capriccio”, and to assist it to publish in the third place, with the experience that occurred that period, through his preparation of the studio’s proposals, manuscripts, and some articles about Opera, he found one interesting that made him go to Italy for research and travel. The protagonist, with brave and independent spirit, is like an adult in postmodern age. In the meantime, his homesickness has increased day by day. He dreams of home and eagers to return his dream home one day. And it has become the deepest feeling of my writing role.
This textbook systematically introduces the theories, methods, and algorithms for geotechnical reliability analysis. There are a lot of illustrative examples in the textbook such that readers can easily grasp the concepts and theories related to geotechnical reliability analysis. A unique feature of the textbook is that computer codes are also provided through carefully designed examples such that the methods and the algorithms described in the textbook can be easily understood. In addition, the computer codes are flexible and can be conveniently extended to analyze different types of realistic problems with little additional efforts.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.