This is a book of thirty six true accounts of the friendships that developed between German prisoners of war and their 'enemies' during their captivity. The stories, which are moving, humorous and incredible, are set mostly in Britain but also take place in the USA and Canada. Many of the friendships formed continued long past the end of the War and extended into the next generations. In contrast with many books on war, this book shows what happened when people came face to face with their so-called enemies. The results were surprising. This book shows that friendships offered and received can transcend the hatred and disillusionment of war, and that lasting relationships between individuals can contribute to the long-term reconciliation between countries formerly at war. Including over 170 personal photographs and illustrations, including a colour picture section, this title will be of great interest to those who live in the many specific locations mentioned, both in the United Kingdom and abroad (Germany, US, Canada) and will appeal to those with German connections. It will attract students of war and military history, particularly the generation who lived through WWII. The Germans We Trusted also has a specific Christian appeal as the motivation for many was the command to 'love your enemy'. 'Pamela Howe Taylor's book ... shows in three dozen personal stories how individual German prisoners of war managed to establish relationships of trust and friendship.' From the Foreword by Douglas Hurd.
In this entertaining and informative book, Helen Taylor is the first to seek reasons for Gone With the Wind's success among viewers and readers. The author asked fans to relate their experiences with the work, to explain their fascination with the story, and describe its impact. She not only explains the enduring appeal of the work, but also identifies different kinds of response at particular historical moments (especially World War II) and through the past five decades by women of different classes, races, and generations. The result is a book that is sophisticated, accessible, and revealing. Scarlett's Women is a book for every fan, and for all students of film and popular culture.
This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to long-standing and unchallenged assumptions about these films, this book offers the opportunity for the reader to return to the British New Wave and decide for themselves where they stand in relation to the films.
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