New edition of a classic work on the history of propaganda. Topical new chapters on the 1991 Gulf War, September 11 and terrorism. An ideal textbook for all international courses covering media and communication studies. Considers the history of propaganda and how it has become increasingly pervasive due to access to ever-complex and versatile media. Written in an accessible style and format, this book has proven its appeal to the general reader as the public becomes more and more cynical of the manipulations of the political sphere.
This book examines the evolution of British propaganda practice during the course of the twentieth century. Written by an internationally-renowned expert in the area, this book covers the period from the First World War to the present day, including discussions of recent developments in information warfare. It includes analysis of film, radio, television and the press, and places the British experience within the wider international context. Drawing together elements of the author's previously published work, the book demonstrates how Britain has established a model for democratic propaganda world-wide.This is the first volume in the new International Communications series, edited by Philip M Taylor.
The Gulf War of 1991 was the highest profile media war in history. Never before had so many journalists attempted to cover a war from both sides of the conflict. This book traces the role of the media in the Gulf War and examines the attempts by both the coalition and Iraq to influence public opinion through propaganda and persuasion. Philp Taylor asks how much the public was being told and how much was held back. Analyzing the key news stories of the conflict he looks at the efforts of the American-led coalition to persuade television audiences and newspaper readers to take a "right view" of what was happening and of the Iraqi government's propaganda campaigns concerning civilian damage and the "Mother of all Battles.
As the literature on military-media relations grows, it is informed by antagonism either from journalists who report on wars or from ex-soldiers in their memoirs. Academics who attempt more judicious accounts rarely have any professional military or media experience. A working knowledge of the operational constraints of both professions underscores Shooting the Messenger. A veteran war correspondent and think tank director, Paul L. Moorcraft has served in the British Ministry of Defence, while historian-by-training Philip M. Taylor is a professor of international communications who has lectured widely to the U.S. military and at NATO institutions. Some of the topics they examine in this wide-ranging history of military-media relations are: - the interface between soldiers and civilian reporters covering conflicts - the sometimes grey area between reporters' right or need to know and the operational security constraints imposed by the military - the military's manipulation of journalists who accept it as a trade-off for safer battlefield access - the resultant gap between images of war and their reality - the evolving nature of media technology and the difficulties--and opportunities--this poses to the military - journalistic performance in reporting conflict as an observer or a participant Moorcraft and Taylor provide a bridge over which each side can pass and a path to mutual understanding.
This book traces the origins and early development of what are today loosely termed Britain's Overseas Information Services. It examines how, at the end of the First World War, the British government came to forfeit the considerable lead it had established in propaganda since 1914, and the reasons why it had gradually to re-enter the field during the inter-war years as a direct response to totalitarianism. It surveys the pioneering work of the Foreign Office News Department and its important press office, the commercial propaganda conducted by the Empire Marketing Board and the Travel Association, the foundation and rapid peacetime growth of the British Council to conduct 'cultural diplomacy', and the beginning of the BBC's World Service with the inauguration of foreign-language broadcasts in 1938.
An analysis of the nature, role and impact of communications within the international arena since 1945. Taylor provides an accessible guide to this growing field for students of media, communications studies and international history.
New edition of a classic work on the history of propaganda. Topical new chapters on the 1991 Gulf War, September 11 and terrorism. An ideal textbook for all international courses covering media and communication studies. Considers the history of propaganda and how it has become increasingly pervasive due to access to ever-complex and versatile media. Written in an accessible style and format, this book has proven its appeal to the general reader as the public becomes more and more cynical of the manipulations of the political sphere.
The essays which appear in this book for the most part originated as papers delivered at a conference on Britain and the cinema in the Second World War held in London in May 1985.
Asks why anyone would want to look at shocking photographs. The text questions what happens when the press uses gruesome images to represent accidents and disasters, murder and execution, grief and death. It examines how the press pictures the dead and injured bodies of foreigners, with particular reference to the special conditions of photographing the horror of wars in the Gulf, Bosnia and Rwanda. It argues that hard-hitting documentary photography contributes to public knowledge and helps to define the freedom of the press.
What makes news patriotic? How is photojournalism used in wartime? In a national crisis, the press operates under various forms of censorship. Within these constraints, it continues to produce news in line with what is considered newsworthy. Everyday ‘human interest’ photographs and stories, which tell of bizarre, comic or tragic events, are turned to patriotic ends. The subject of death is transformed by its use in saving the nation; it is accompanied and displaced by more comforting ideas. Originally published in 1991, with the help of full-page illustrations from newspapers and journals, John Taylor looks at the special truth of war news, how it is built on established ways of storytelling, and how photography is used to make it seem real. Taking examples from the First and Second World Wars, the Falklands campaign and present-day accounts of terrorism and crime within the United Kingdom, Taylor shows that aside from legal controls, the press’s own methods bring it close to the official perspective. Drawing on history, sociology and photo-history, War Photography is a well-illustrated account of the place of photojournalism in the news industry and the use of news in creating national identity.
World War I is often viewed as a war fought by armies of millions living and fighting in trenches, aided by brutal machinery that cost the lives of many. But behind all of this an intellectual war was also being fought between engineers, chemists, code-breakers, physicists, doctors, mathematicians, and intelligence gatherers. This hidden war was to make a positive and lasting contribution to how war was conducted on land, at sea, and in the air, and most importantly, life at home.Secret Warriors provides an invaluable and fresh history of the World War I, profiling a number of the key incidents and figures which lead to great leaps forward for the twentieth Century. Told in a lively and colorful narrative style, Secret Warriors reveals the unknown side of this tragic conflict.
In Global Communications, International Affairs and the Media since 1945 , Philip M. Taylor traces the increased involvement of the media in issues of peace and especially war from the nineteenth century to the present day. He analyzes the nature, role and impact of communications within the international arena since 1945 and how communications interacts with foreign policy in practice rather than in theory. Using studies which include the Gul War and Vietnam, Taylor details the contemporary problems reporting while at the same time providing a comprehensive historical context.
Available for the first time with Macmillans new online learning tool, Achieve, the 5th edition of Feenstra and Taylor’s International Economics provides you with engaging, balanced coverage and applications of key concepts (including President Trump’s recent tariffs on China).
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