Most probably the readers of this magazine have never heard of the original TRACKS. I was in the very same situation until by the end of 2020, when NZ LRDG-historian Brendan OCarroll has provided me with a hardly readable copy of the June 1941 issue of TRACKS. I was immediately fascinated by these windows into the past and just thought: "We should revive TRACKS! " The editor of the original Tracks was, that time 20 years old, TA Sgt. N.A Moore, a clerk attached to LRDG Group HQ. The June 1941 issue was created by him when the LRDG HQ was located at Kufra. There he got the idea to create a "house paper" for the unit. He recalled in a letter which was published in the 1991 Newsletter of the LRDG Association, that there were only a very limited number of people who were willing to contribute and that this first edition was mainly launched thanks to the contribution of Lieut. Col. Bagnold and Captain Kennedy Shaw. And indeed, the June 1941 remained the single and only issue of Tracks - it was never published again.... until today! After TRACKS 2021, TRACKS 2022 is now the second isue of the "re-vived" magazine.
How digital media are transforming Arab culture, literature, and politics In recent years, Arab activists have confronted authoritarian regimes both on the street and online, leaking videos and exposing atrocities, and demanding political rights. Tarek El-Ariss situates these critiques of power within a pervasive culture of scandal and leaks and shows how cultural production and political change in the contemporary Arab world are enabled by digital technology yet emerge from traditional cultural models. Focusing on a new generation of activists and authors from Egypt and the Arabian Peninsula, El-Ariss connects WikiLeaks to The Arabian Nights, Twitter to mystical revelation, cyberattacks to pre-Islamic tribal raids, and digital activism to the affective scene-making of Arab popular culture. He shifts the epistemological and historical frameworks from the postcolonial condition to the digital condition and shows how new media challenge the novel as the traditional vehicle for political consciousness and intellectual debate. Theorizing the rise of “the leaking subject” who reveals, contests, and writes through chaotic yet highly political means, El-Ariss investigates the digital consciousness, virality, and affective forms of knowledge that jolt and inform the public and that draw readers in to the unfolding fiction of scandal. Leaks, Hacks, and Scandals maps the changing landscape of Arab modernity, or Nahda, in the digital age and traces how concepts such as the nation, community, power, the intellectual, the author, and the novel are hacked and recoded through new modes of confrontation, circulation, and dissent.
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