The New York Times bestselling author of The Last Romantics delivers a wise, timely, big-hearted novel of unplanned isolation and newly forged community. Where does one go, you might ask, when the world falls apart? When the immutable facts of your life—the mundane, the trivial, the take-for-granted minutiae that once filled every second of every day—suddenly disappear? Where does one go in such dire and unexpected circumstances? I went home, of course. MURBRIDGE COMMUNITY MESSAGE BOARD FREE: 500 cans of corn. Accidentally ordered them online. I really hate corn. Happy to help load. REMINDER: use your own goddamn garbage can for your own goddamn pet waste. I’m looking at you Peter Luflin. REMINDER: monthly Select Board meeting this Friday. Agenda items: 1) sludge removal; 2) upkeep of chime tower; 3) ice rink monitor thank you gift. Questions? Contact Hildegard Hyman, HHMurbridge@gmail.com Darcy Clipper, prodigal daughter, nearly thirty, has returned home to Murbridge, Massachusetts, after her life takes an unwelcome left turn. Murbridge, Darcy is convinced, will welcome her home and provide a safe space in which she can nurse her wounds and harbor grudges, both real and imagined. But Murbridge, like so much else Darcy thought to be fixed and immutable, has changed. And while Darcy’s first instinct might be to hole herself up in her childhood bedroom, subsisting on Chef Boy-R-Dee and canned chickpeas, it is human nature to do two things: seek out meaningful human connection and respond to anonymous internet postings. As Murbridge begins to take shape around Darcy, both online and in person, Darcy will consider the most fundamental of American questions: What can she ask of her community? And what does she owe it in return?
From the New York Times–bestselling author of The House Girl comes a novel about our most precious and dangerous attachment: family In the spring of 1981, the young Skinner siblings—fierce Renee, dreamy Caroline, golden boy Joe and watchful Fiona—lose their father to a heart attack and their mother to a paralyzing depression, events that thrust them into a period they will later call “the Pause.” Caught between the predictable life they once led and an uncertain future that stretches before them, the siblings navigate the dangers and resentments of the Pause to emerge fiercely loyal and deeply connected. Two decades later, the Skinners find themselves again confronted with a family crisis that tests the strength of these bonds and forces them to question the life choices they’ve made and what, exactly, they will do for love. Narrated nearly a century later by the youngest sibling, the renowned poet Fiona Skinner, The Last Romantics spans a lifetime. It’s a story of sex and affection, sacrifice and selfishness, deeply held principles and dashed expectations, a lost engagement ring, a squandered baseball scholarship, unsupervised summers at the neighbourhood pond and an iconic book of love poems. But most of all it is the story of Renee, Caroline, Joe and Fiona: the ways they support each other, the ways they betray each other and the ways they knit back together bonds they have fractured. In the vein of Commonwealth, Little Fires Everywhere and The Nest, this is a panoramic, tenderly insightful novel about one devoted, imperfect family. The Last Romantics is an unforgettable exploration of the responsibilities we bear both gracefully and unwillingly, and the all-important, ever-complex definition of love.
“Assured and arresting...You cannot put it down.”” (Chicago Tribune) The House Girl, the historical fiction debut by Tara Conklin, is an unforgettable story of love, history, and a search for justice, set in modern-day New York and 1852 Virginia. Two remarkable women, separated by more than a century, whose lives unexpectedly intertwine . . . 2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves. 1852: Josephine is a seventeen-year-old house slave who tends to the mistress of a Virginia tobacco farm—an aspiring artist named Lu Anne Bell. It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine. A descendant of Josephine's would be the perfect face for the lawsuit—if Lina can find one. But nothing is known about Josephine's fate following Lu Anne Bell's death in 1852. In piecing together Josephine's story, Lina embarks on a journey that will lead her to question her own life, including the full story of her mother's mysterious death twenty years before. Alternating between antebellum Virginia and modern-day New York, this searing tale of art and history, love and secrets explores what it means to repair a wrong, and asks whether truth can be more important than justice. Featuring two remarkable, unforgettable heroines, Tara Conklin's The House Girl is riveting and powerful, literary fiction at its very best.
When the renowned poet Fiona Skinner is asked about the inspiration behind her iconic work, The Love Poem, she tells her audience a story about her family and a betrayal that reverberates through time. It begins in a big yellow house with a funeral, an iron poker, and a brief variation forever known as the Pause: a free and feral summer in a middle-class Connecticut town. Caught between the predictable life they once led and an uncertain future that stretches before them, the Skinner siblings—fierce Renee, sensitive Caroline, golden boy Joe and watchful Fiona—emerge from the Pause staunchly loyal and deeply connected. Two decades later, the siblings find themselves once again confronted with a family crisis that tests the strength of these bonds and forces them to question the life choices they’ve made and ask what, exactly, they will do for love. A sweeping yet intimate epic about one American family, The Last Romantics is an unforgettable exploration of the ties that bind us together, the responsibilities we embrace and the duties we resent, and how we can lose—and sometimes rescue—the ones we love. A novel that pierces the heart and lingers in the mind, it is also a beautiful meditation on the power of stories—how they navigate us through difficult times, help us understand the past, and point the way toward our future." -- Amazon.com.
“This impressive . . . study charts the history of [post WWII] humanitarian relief . . . demonstrating how the institutions of the family became politicized.” (Library Journal) During the Second World War, an unprecedented number of families were torn apart. As the Nazi empire crumbled, millions roamed the continent in search of their loved ones. The Lost Children tells the story of these families. We see how the reconstruction of families quickly became synonymous with the survival of European civilization itself. Based on original research in German, French, Czech, Polish, and American archives, The Lost Children is a heartbreaking and mesmerizing story. It brings together the histories of eastern and western Europe, and traces the efforts of everyone―from Jewish Holocaust survivors to German refugees, from Communist officials to American social workers―to rebuild the lives of displaced children. It reveals that many seemingly timeless ideals of the family were actually conceived in the concentration camps, orphanages, and refugee camps of the Second World War, and shows how the process of reconstruction shaped Cold War ideologies and ideas about childhood and national identity. This riveting tale of families destroyed by war reverberates in the lost children of today’s wars and in the compelling issues of international adoption, human rights and humanitarianism, and refugee policies. “Fascinating.” ―New Republic “[A] superb book . . . [A] wide-ranging, exceptionally well-researched study.” ―Tablet Magazine “Zahra’s work is insightful in considering what treatment of lost children can tell us about broader developments in the post-war period, both in terms of how nations interacted with each other and how psychologists understood the impact of war on children.” —Times Higher Education
A brilliant, eye-opening work of history that speaks volumes about today’s battles over international trade, immigration, public health and global inequality. Before the First World War, enthusiasm for a borderless world reached its height. International travel, migration, trade, and progressive projects on matters ranging from women’s rights to world peace reached a crescendo. Yet in the same breath, an undercurrent of reaction was growing, one that would surge ahead with the outbreak of war and its aftermath. In Against the World, a sweeping and ambitious work of history, acclaimed scholar Tara Zahra examines how nationalism, rather than internationalism, came to ensnare world politics in the early twentieth century. The air went out of the globalist balloon with the First World War as quotas were put on immigration and tariffs on trade, not only in the United States but across Europe, where war and disease led to mass societal upheaval. The “Spanish flu” heightened anxieties about porous national boundaries. The global impact of the 1929 economic crash and the Great Depression amplified a quest for food security in Europe and economic autonomy worldwide. Demands for relief from the instability and inequality linked to globalization forged democracies and dictatorships alike, from Gandhi’s India to America’s New Deal and Hitler’s Third Reich. Immigration restrictions, racially constituted notions of citizenship, anti-Semitism, and violent outbursts of hatred of the “other” became the norm—coming to genocidal fruition in the Second World War. Millions across the political spectrum sought refuge from the imagined and real threats of the global economy in ways strikingly reminiscent of our contemporary political moment: new movements emerged focused on homegrown and local foods, domestically produced clothing and other goods, and back-to-the-land communities. Rich with astonishing detail gleaned from Zahra’s unparalleled archival research in five languages, Against the World is a poignant and thorough exhumation of the popular sources of resistance to globalization. With anti-globalism a major tenet of today’s extremist agendas, Zahra's arrestingly clearsighted and wide-angled account is essential reading to grapple with our divided present.
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