A Google search for a book on Vietnamese history will result in an overwhelming number about the war, which ended in 1975. This book offers an overview of Vietnamese history from prehistory to the present day and is written for people interested in history from a traveller’s perspective. It specifically focuses on the period from 700 to 111 BCE. It briefly discusses the origin of the Vietnamese and the three characters who shaped its early history: the Hùng kings – the founders of Vietnam, An Dương Vương, Zhao Tuo and the battles involved during the transfer of power from one to the next. The final battle ended the country’s autonomy and placed the country under Chinese dynastic rule for one thousand years to the 10th century. It also tells the stories of the mythical Four Immortals, the bronze drums in the north, and the earrings in the centre and south. It recounts the tragic love story of the Magic Crossbow, the 2200-year-old fort of Cổ Loa. It has 71 photographs, maps and diagrams.
In her rebirth, Lin Chuyu was very clear on the steps to take revenge. False cousin, tear off your mask! Fake scum, I caused you to lose your reputation! She wanted to use her relatives to send them flying with a single slap! However, she had treated Xie Wang a little better for the sake of repaying his debt of gratitude. Why did he think that I wanted to marry him? Wei Linyuan said, "Lin Chuyu, are you smiling at me because you like me?!" "Lin Chuyu, you intentionally approached me, did you fall in love with me!" "Lin Chuyu, why are you wearing so little? Are you trying to attract my attention!" Since that's the case, I'll reluctantly marry you. Three children are enough... Lin Chuyu said, "Hey, hey, wake up. I'm smiling at everyone! I approached you because I wanted to repay your kindness. I'm wearing so little ... It's because I'm taking a bath in my room while riding a horse! " Wei Linyuan: "I don't care. In any case, you admire me, so I'm going to marry you." "But I'm in hell." "Then I'll go with you. If you block a ghost, kill a ghost; if you block a Buddha, kill a Buddha!
At the heart of the gospel is the message of the incarnation: God translating himself into the context of human culture and language so we might know him. Far from coming to an end with Christ’s life on earth, this process of contextualization is ongoing, reoccurring every time the gospel encounters the particularities of society and culture. In this book, Hann Tzuu Tan explores the significance of contextualized preaching within the Chinese context. Against the backdrop of three major festivals – the Spring Festival, the Qing Ming Festival, and the Hungry Ghost Festival – Tan examines the practices of six experienced Chinese preachers in order to demonstrate the theological and practical importance of contextualized preaching. As a result of his research, Tan suggests six main principles for contextual preaching – principles that are rooted within a Chinese context, yet applicable to anyone seeking to express the gospel’s relevance within a particular cultural setting. Combining insights from biblical studies, applied theology, and ethnography, this interdisciplinary study will enrich one’s understanding of Chinese culture, the gospel, and the important and necessary work of contextualization.
Force 136 is the autobiography of a man who swore himself to two missions: first, to defend his homeland, Singapore, during the Japanese Occupation in the early 1940s; second, to make known to everyone the patriotic ardour of the resistance fighters, including the dauntless Lim Bo Seng. By reading this English edition, readers worldwide will be able to recapture the events of World War II in Southeast Asia.
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dynasties. It is a unique, exclusive, and self-sufficient system, whose evolution has received little influence from the West and whose influence on Western theaters has been minimal and often misinterpreted. It is essentially a performer's theater; the actors attract the audience with splendid performances perfected through many years of rigorous training. This second edition of Historical Dictionary of Chinese Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on performers, directors, producers, designers, actors, theaters, dynasties, and emperors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese theater.
Dynastic China: An Elementary History surveys four millennia of China’s history. It traced commentaries from the mythological period of Pangu, creator of the Chinese universe, and the Goddess Nuwa, creator of the Chinese people, through to the legendary periods of the Xia, Shang and Zhou dynasties to subsequent succeeding dynasties from the Qin Dynasty (221 BC) to the end of the Qing Dynasty (1912 AD). It weaved through brutal political intrigues and conspiracies of China’s imperial existence. The persistent enthronement of child emperors for the benefits of power-hungry eunuchs, dowagers, members of the imperial clans, generals and warlords formed a large part of the narrative. Encrypted within are salient elements of Chinese philosophical precepts, civilisation values, and political ideals. The core concepts that mould the idea of tian xia 天 下 (all under heaven) and tian ming 天 命 (Mandate of Heaven), and how these guided Chinese perception of their world are painstakingly explained. The profound influence of Confucianism and the functional adoption of the Legalist framework in statecraft are imparted in the context of practicality and idealism. So too is the complementary notion of natural dualities, the Yin-Yang (阴 阳) harmony of contradictions. How these filtered through from philosophy to cultural values are deftly introduced. Imperial obsessions with frontier threats are also incisively presented. So are the diplomatic statecraft of matrimonial kinship, tributary exchanges and military engagements adopted to conduct relations. China’s perception of people in the frontier region are insightfully described. The application of the Chinese character yi 夷 to refer to them, it seems, carries a more gracious nuance to mean “of a distinct or different nature” and not the offensive attribution of ‘barbarian’ as made out in western notion. This and many more distinctions in discernment of the Chinese mindset are perceptively elucidated in the book.
Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture.
The Minjian Avant-Garde studies how experimental artists in China mixed with, brought changes to, and let themselves be transformed by minjian, the volatile and diverse public of the post-Mao era. Departing from the usual emphasis on art institutions, global markets, or artists' communities, Chang Tan proposes a new analytical framework in the theories of socially engaged art that stresses the critical agency of participants, the affective functions of objects, and the versatility of the artists in diverse sociopolitical spheres. Drawing from hitherto untapped archival materials and interviews with the artists, Tan challenges the views of Chinese artists as either dissidents or conformists to the regime and sees them as navigators and negotiators among diverse political discourses and interests. She questions the fetishization of marginalized communities among practitioners of progressive art and politics, arguing that the members of minjian are often more complex, defiant, and savvy than the elites would assume. The Minjian Avant-Garde critically assesses the rise of populism in both art and politics and show that minjian could constitute either a democratizing or a coercive force. This book was published with generous support from the George Dewey and Mary J. Krumrine Endowment.
Himalaya Calling: The Origins of China and India" will take the reader through a journey through the periods of time and places starting from the beginning of civilization from the Himalayas and extending into the Himalaya Sphere. The chapters in the book enable the reader to view the dynamics of China and India from the geo-civilizational paradigm of the Himalaya Sphere. Among the other new concepts introduced is a new understanding of the Buddhist tryst with China's developing process as a super-state and the interaction of the dynamics of wandering ascetics from India and householder in China. It conveys the message of two civilization-states as akin to oases in the desert of modern nation-states and advocates the Indian spiritual goal of "Vasudhaiva kutumbakam" (the whole world is one single family) and the Chinese spiritual goal of "tianxia datong" (grand harmony all-under-Heaven). The book is a must-read for all the leaders and policy makers of China and India. It is a culmination of decades of learning by the author who has lived in both the countries. The reader will begin to understand the shared origins of China and India and how the civilizations have been linked through the ages. The book is timely as it coincides with the commemoration of the diamond jubilee (50th anniversary) of the Panchsheel (Five Principles of Peaceful Coexistence) in 2014.Contents: ForewordPrefaceIntroductionThe 'Himalaya Sphere' Lives in the Spirit of China and IndiaCivilization Twins Grew Side by SideCivilization and State in China-India Relations'Himalaya Sphere' into Universal Prosperity Readership: Policy makers, historians, leaders in China and India and anyone interested in knowing more about China and India. Key Features: No other book in the market that fundamentally offers fresh perspective on understanding of China and IndiaEnables the reader to view the dynamics of China and India from the geo-civilizational paradigm of the Himalaya SphereAdvocates the Indian spiritual goal of '"Vasudhaiva kutumbakam"' (the whole world is one single family)and the Chinese spiritual goal of '"tianxia datong" ' (grand harmony all-under-Heaven)
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.
This book explores issues in the development of the creative industries in Singapore, with a particular focus on the design sector. It presents case study research into the experiences of design leaders transitioning to leadership positions in the context of the Asia Pacific ‘war for talents’ and Singapore’s drive to become the design hub in Asia. Three in-depth case studies are provided: the case of design managers, the case of design consultants and the case of design entrepreneurs. The case studies reveal complex, inter-related issues and ideals that participants desired of potential designers and future design leaders as part of their transition to design leadership and management roles. The empirical findings of the research led to the generation of a new theory of design leaders’ transition to design leadership and management positions in Singapore, providing a framework for design career and trajectory. This book is significant for design education in Singapore, as well as internationally, because it establishes design leaders’ expectations of designer career trajectories, and the need for a design leadership pipeline. It will be of particular interest to designers and design leaders/managers; educational researchers; curriculum developers; and graduate and postgraduate design students.
A Dictionary of High Frequency Function Words in Literary Chinese is the first comprehensive work on the subject that constitutes a new approach to teaching and learning by providing both a reference tool and a reader. This dictionary can serve both as a reference book and as an anthology for teaching and learning literary Chinese (the premodern written language) and both ancient and contemporary Chinese culture. It differs from the traditional design of dictionaries in that it includes detailed explanations, with examples, for different uses of the graphs most often used to represent function words in literary Chinese. To facilitate teaching and learning through association, the early meaning, extended meanings, and borrowed meanings for each graph are provided, along with explanations supported by the various stages of the historical development of the graph and other relevant research. Each word is grouped into the primary word class to which it belongs, based on its lexical or grammatical meanings, its collocations, and its function in a sentence. Modern idioms derived from words and phrases in the sample passages are provided in order to promote cultural knowledge and show the important role literary Chinese continues to play in everyday life. All Chinese words are provided with Putonghua romanization to facilitate learning and recall through sound; special pronunciations are explained. This book can be used as a textbook, as extended reading, or as a reference work for undergraduate or graduate classes on literary/classical Chinese, Chinese manuscript studies, Chinese language and culture, Putonghua, translation studies, or even linguistics. It can also be used as an anthology from which the teacher can select passages for students to study.
Creativity: A Handbook for Teachers covers topics related to creativity research, development, theories and practices. It serves as a reference for academics, teacher educators, teachers, and scientists to stimulate further dialogue on ways to enhance creativity.
This book provides a detailed analysis of how governance in Singapore has evolved since independence to become what it is today, and what its prospects might be in a post-Lee Kuan Yew future. Firstly, it discusses the question of political leadership, electoral dominance and legislative monopoly in Singapore’s one-party dominant system and the system’s durability. Secondly, it tracks developments in Singapore’s public administration, critically analysing the formation and transformation of meritocracy and pragmatism, two key components of the state ideology. Thirdly, it discusses developments within civil society, focusing in particular on issues related to patriarchy and feminism, hetero-normativity and gay activism, immigration and migrant worker exploitation, and the contest over history and national narratives in academia, the media and the arts. Fourthly, it discusses the PAP government’s efforts to connect with the public, including its national public engagement exercises that can be interpreted as a subtler approach to social and political control. In increasingly complex conditions, the state struggles to maintain its hegemony while securing a pre-eminent position in the global economic order. Tan demonstrates how trends in these four areas converge in ways that signal plausible futures for a post-LKY Singapore.
This book is one of the first few books written in English on Chaozhou culture and history. It compiles information from Chinese and English sources including archive material, newspapers, academic works and publications. It presents a panorama view of the Teochews in Singapore. The book is divided into three sections. The first section covers the history of Chaozhou, the Chaozhou culture, the Teochew ethnicity and the migration of the Teochew people to Southeast Asia. The second section covers the history, activities and contributions of the Teochews in Singapore from the 19th century. The third section covers core elements of the Chaozhou culture, including customs and practices, cuisine and tea culture, performing arts and craftworks. With carefully selected photos, pictures and comprehensive accounts, this book takes the general readers on a fascinating journey of the Teochew heritage. For those who wish to continue learning more about Chaozhou culture and history, a selected bibliography is provided at the end of the book.
Tan Ta Sen has modestly suggested that, as a book to illustrate the peaceful impact of culture contact, he is concerned to show how such cultural influences not only led to transmissions, conversions and transferences involving Inner Asian Muslims from China and Yunnan Muslims, Chams, Javanese, Malays, Arabs and Indians, but also enabled many Chinese in the Malay world to retain their non-Muslim cultural traits. In placing Cheng Ho's voyages in this context, the author offers a fresh perspective on a momentous set of events in Chinese maritime history. Professor Wang Gungwu, National University of Singapore.Tan Ta Sen's book on Cheng Ho and Islam in Southeast Asia is not the first one on the subject, but it is the first book that puts Cheng Ho's voyages in the larger context of "e;culture contact"e; in China and beyond. He has garnered numerous sources, from published documents to architectural sites and buildings, to support his arguments. He has done much more than previous scholars writing on this subject. - Professor Leo Suryadinata, Chinese Heritage Centre (Singapore).This long-awaited book is welcomed by the academic community ... Tan Ta Sen has used historical facts to strengthen the argument on the existence of the "e;Third Wave"e;, i.e. "e;the Chinese Wave"e;, in the spread of Islam in the Southeast Asian region. Until now, we only know two major waves, i.e. the India-Gujarat Wave and the Middle East Wave through the development of trade relations. - Professor A. Dahana, University of Indonesia (Jakarta).
Provides an historical overview of the experiences of women in Chinese society, discussing their participation in various fields and profiling the lives of significant women.
Internationally regarded chef, teacher and mentor Tony Tan's joyful recipes and gentle lessons in the essential ingredients, techniques and dishes of China, Malaysia, Singapore, Thailand, Vietnam and beyond. 'You'll always leave Tony's classroom full – both of dim sum and a new perspective on Asian cooking. In this book, he's sharing his lifetime of expertise and experience with the world. Let Tony be your teacher.' Yotam Ottolenghi 'Tony Tan is an Australian National Treasure.' Helen Goh 'An irresistible journey ... where global spices and stories collide in some of the world's most scintillating flavours.' Fuchsia Dunlop 'Tony Tan isn't an authority on Asian food in Australia – he's the authority on Asian food in Australia.' Pat Nourse Tony Tan has been cooking, eating, teaching and writing about the foods of Asia for more than four decades. In Tony Tan's Asian Cooking Class, he shares for the first time more than 150 of his most cooked, beloved and personal recipes from his vast collection. A book for beginners and connoisseurs alike, Tan teaches his contemporary, sometimes adventurous approach to the most important inspirational and evergreen dishes from Malaysia, China, Vietnam, Japan, Singapore, Indonesia, Thailand and beyond. From wok sensations to more elaborate dishes, street foods and original creations, Tan's warmth, erudition and rigour set his food apart. He moves seamlessly between traditionally distinct cuisines, contextualising them for the home cook. This stunning hardback, which features patterned sprayed edges and elegant, stylish photography, is enhanced with insight on subjects from the wonder of the wok, to the art of cooking with duck and the essential pantry, this book is a joyful celebration of modern Asian cooking. 'Just when you think you know something about the food of the world, along comes Tony Tan to school you on the subtleties of adding pandan to rice, the ingenuity of Peranakan Nyonya cooks, mastering the complexity of a superior stock, and the joy of properly pinching a potsticker dumpling. This book welcomes you into Tony's spiritual home, where you can rest and be thankful for what he is about to serve, because each dish represents a lifetime of knowledge. The recipe for his mother's see yauh sai chan roast chicken is worth the price of admission alone.' Shane Mitchell, Saveur editor at large
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