Tamsin Oglesby is one of today's most respected and established young playwrights. She is currently under commission to the National Theatre, The Royal Shakespeare Company and Hampstead Theatre, and has enjoyed well-received, sell-out runs at the Hampstead, Bush and National Theatres. Her latest play is a furious comedy about our embarrassment and fear of old age. It exposes a society in which compassion vies with pragmatism and, by asking unequivocal questions, it comes up with some extraordinary answers.
Bee and Em have been best friends for thirty years: they’re on holiday in rural France, away from the demands of work and family. But just as they’re setting the clocks forward, in steps Chris, a blast from their school days past. As the evening wears on, the three women joke and fight with one another just like the old times. But time plays tricks with memory and some wounds are just too deep to heal. This provocative and hilarious play takes a scalpel to childhood friendships and asks whether we ever get over them.
‘My dear fellow. Dreadfully sorry. I’ll be marrying your wife.’ A charming politician and his glamorous new wife evoke a picture of marital bliss. Her first husband was a liar and a cheat. Her second is a different batch of chromosomes altogether. Not only is he chairman of the Feminist Forum but he clearly adores her. He says so, repeatedly, usually on Thursday nights when he goes out to ‘stretch his legs’. Her suspicions are obviously hormonal. But when he resorts to illusion to maintain the delusion, well, there’s a lot of confusion. If experience has taught her anything it’s the need to fight fire with fire, lies with more lies and every last trick with pure magic... A comic marvel from the master of French farce, Georges Feydeau, Every Last Trick is an ingenious look at the game of infidelity and marriage, given fresh life by Tamsin Oglesby.
Future Conditional tackles the nightmare of British schooling through a myriad of characters including parents, teachers, and Alia, a prodigiously clever fourteen-year-old Afghan refugee and the newest member of Britain’s Education Research Board. Alia has a radical solution for Britain’s schools that could restore our place in the world education league. But is the system ready to take lessons from a schoolgirl...?
Acclaimed as one of the classics of 20th century children's literature, The Mouse and His Child is a moving story about two clockwork mice thrown on a scrap heap who then have to begin a dangerous quest for a place to belong. It is adapted for the stage by Tamsin Oglesby and will be directed by Paul Hunter, Told By An Idiot's Co-Artistic Director. The Mouse and His Child continues the Royal Shakespeare Company's long tradition of creating new stage adaptations of much-loved childhood tales – including Beauty and the Beast, The Lion, The Witch and the Wardrobe, The Heart of Robin Hood, and Matilda The Musical, the RSC's award-winning Roald Dahl adaptation, currently playing in the West End.
Acclaimed as one of the classics of 20th century children's literature, The Mouse and His Child is a moving story about two clockwork mice thrown on a scrap heap who then have to begin a dangerous quest for a place to belong. It is adapted for the stage by Tamsin Oglesby and will be directed by Paul Hunter, Told By An Idiot's Co-Artistic Director. The Mouse and His Child continues the Royal Shakespeare Company's long tradition of creating new stage adaptations of much-loved childhood tales – including Beauty and the Beast, The Lion, The Witch and the Wardrobe, The Heart of Robin Hood, and Matilda The Musical, the RSC's award-winning Roald Dahl adaptation, currently playing in the West End.
Sophie and Max are a thoroughly modern British couple, cosmopolitan, open-minded. They've even constructed their own eco loo (well, it does save thirty litres of water a day). Then there's Hana and Ali next door. Neighbours, but in every other sense, a world apart. Max is a lawyer, albeit a lawyer who grows his own dope. Okay, what a man does on his own patch is his business – but when war starts raging next door, whose business is that? If ever there was a time for liberal intervention, this is surely it. Tamsin Oglesby's black comedy takes a humorous and subversive look at the world we live in today – one of multi-culturalism and blurred boundaries. And one in which violence is right on our own doorstep – no matter where we come from. The War Next Door opened at the Tricycle Theatre in February 2007.
This play is a sharp and witty look at friendships and what they are based on - or not. When a New York couple invite their English friends round to their apartment, it's to tell them that they've decided to drop them.
Tamsin Oglesby is one of today's most respected and established young playwrights. She is currently under commission to the National Theatre, The Royal Shakespeare Company and Hampstead Theatre, and has enjoyed well-received, sell-out runs at the Hampstead, Bush and National Theatres. Her latest play is a furious comedy about our embarrassment and fear of old age. It exposes a society in which compassion vies with pragmatism and, by asking unequivocal questions, it comes up with some extraordinary answers.
Sophie and Max are a thoroughly modern British couple, cosmopolitan, open-minded. They've even constructed their own eco loo (well, it does save thirty litres of water a day). Then there's Hana and Ali next door. Neighbours, but in every other sense, a world apart. Max is a lawyer, albeit a lawyer who grows his own dope. Okay, what a man does on his own patch is his business – but when war starts raging next door, whose business is that? If ever there was a time for liberal intervention, this is surely it. Tamsin Oglesby's black comedy takes a humorous and subversive look at the world we live in today – one of multi-culturalism and blurred boundaries. And one in which violence is right on our own doorstep – no matter where we come from. The War Next Door opened at the Tricycle Theatre in February 2007.
Future Conditional tackles the nightmare of British schooling through a myriad of characters including parents, teachers, and Alia, a prodigiously clever fourteen-year-old Afghan refugee and the newest member of Britain’s Education Research Board. Alia has a radical solution for Britain’s schools that could restore our place in the world education league. But is the system ready to take lessons from a schoolgirl...?
Bee and Em have been best friends for thirty years: they’re on holiday in rural France, away from the demands of work and family. But just as they’re setting the clocks forward, in steps Chris, a blast from their school days past. As the evening wears on, the three women joke and fight with one another just like the old times. But time plays tricks with memory and some wounds are just too deep to heal. This provocative and hilarious play takes a scalpel to childhood friendships and asks whether we ever get over them.
Acclaimed as one of the classics of 20th century children's literature, The Mouse and His Child is a moving story about two clockwork mice thrown on a scrap heap who then have to begin a dangerous quest for a place to belong. It is adapted for the stage by Tamsin Oglesby and will be directed by Paul Hunter, Told By An Idiot's Co-Artistic Director. The Mouse and His Child continues the Royal Shakespeare Company's long tradition of creating new stage adaptations of much-loved childhood tales – including Beauty and the Beast, The Lion, The Witch and the Wardrobe, The Heart of Robin Hood, and Matilda The Musical, the RSC's award-winning Roald Dahl adaptation, currently playing in the West End.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.