This Pivot examines a body of contemporary neo-Victorian novels whose uneasy relationship with the past can be theorised in terms of aggressive eating, including cannibalism. Not only is the imagery of eating repeatedly used by critics to comprehend neo-Victorian literature, the theme of cannibalism itself also appears overtly or implicitly in a number of the novels and their Victorian prototypes, thereby mirroring the cannibalistic relationship between the contemporary and the Victorian. Tammy Lai-Ming Ho argues that aggressive eating or cannibalism can be seen as a pathological and defining characteristic of neo-Victorian fiction, demonstrating how cannibalism provides a framework for understanding the genre’s origin, its conflicted, ambivalent and violent relationship with its Victorian predecessors and the grotesque and gothic effects that it generates in its fiction.
Tammy Ho Lai-Ming's first collection has been fifteen years "between pen and press." The poems, cross-cultural and personal, paint a broad canvas from love to language, and family to politics. "Hula Hooping" is a valuable addition to the growing corpus of Hong Kong poetry in English. Tammy Ho Lai-Ming is a founding co-editor of "Cha: An Asian Literary Journal." She has edited several volumes of poetry and short fiction published in Hong Kong. "Tammy Ho's first book of poems marks the heart-felt, enigmatic, sassy, unapologetically socially engaged voice of an emergent generation that Hong Kong has long waited for." Shirley Geok-lin Lim Commonwealth Poetry Prize and American Books Awards winner; Research Professor, University of California, Santa Barbara
This Pivot examines a body of contemporary neo-Victorian novels whose uneasy relationship with the past can be theorised in terms of aggressive eating, including cannibalism. Not only is the imagery of eating repeatedly used by critics to comprehend neo-Victorian literature, the theme of cannibalism itself also appears overtly or implicitly in a number of the novels and their Victorian prototypes, thereby mirroring the cannibalistic relationship between the contemporary and the Victorian. Tammy Lai-Ming Ho argues that aggressive eating or cannibalism can be seen as a pathological and defining characteristic of neo-Victorian fiction, demonstrating how cannibalism provides a framework for understanding the genre’s origin, its conflicted, ambivalent and violent relationship with its Victorian predecessors and the grotesque and gothic effects that it generates in its fiction.
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